Introduction of the Dutchman who played Zhou Wang in the old edition of The List of Gods? Status quo? If possible, please find his personal website.

Dutch, formerly known as Qi Fujun, is a famous film actor. 1934 Lunar March 18 was born in the home of a railway worker in Xiahuaide County, Fufeng Mountain, Jilin Province. He finished primary school and middle school in Changchun. In middle school, under the guidance of the Chinese teacher, he read some famous books, especially those martial arts novels with bizarre plots and legendary characters. He often tells the interesting places in these books to his classmates vividly, so as to exercise his ability of telling and performing and lay the foundation for his artistic career.

1950, Dutch was recommended by the school to the Journal of Changchun Railway Vocational College. The following year, I went to Changchun Higher Vocational School of Posts and Telecommunications to study. As an activist in amateur literary activities, he often participated in some performances, and 1953 was transferred to the literary train class in the vehicle section. That year, the newly established Harbin Railway Art Troupe (the predecessor of China Railway Art Troupe) selected him, and 19-year-old Dutch became a professional drama actor. In the Railway Art Troupe, Dach received the training of basic performance skills and systematically studied stanislavski's performance theory. He has participated in performances such as Forty Years' Wish, February 27th Storm, Three Thousand Miles of Rivers and Mountains, Twelve Trains and Gunshots in Tibet. During this period, he toured the railway trunk line with the art troupe and traveled to many places, which not only enriched the practical experience of the stage, but also gave him the opportunity to learn nutrition from watching other operas, broadened his horizons and accumulated his life.

1956, when Lin Nong, a famous director in Chang Ying, was looking for China's first color feature film "Beacon in the Border Village", he chose Dutch as the leading actor Duo Long. As a special guest actor, Dach has successfully created an artistic image of a brave Jingpo youth who shines with unique national glory, although this is his first time to come under the mercury lamp. His performance is delicate and vivid, full of true feelings, and accurately shows the impatient character of the characters. When the film was shown at the 1 1 Karlovi Farley International Film Festival, it was praised by critics and awarded the Dach Young Artist Award.

During Duo Long's performance, Dach was deeply influenced by his strict realistic creation method. He first asked Dach to go deep into life and understand the temperament and customs of Jingpo youth, especially the suffering of Jingpo people in the old society. Then he was asked to explore the inner world of the characters, accurately express their thoughts and feelings, and strive to portray their unique personalities. Lin Nong told him: To be a qualified film actor, you need to accumulate and cultivate in many ways. An actor without ideals and ambitions will not become an artist.

The success of playing Duo Long made him want to be a professional film actor, and hoped that he could create various roles.

196 1 year, Dutch was officially transferred to changchun film studio from the Railway Art Troupe. Since then, he has become a professional film actor. In Chang Ying's films "Independent Brigade" and "Jingpo Girl", he played Gui Zhong, Wen Shuai and other roles, and accomplished the role task brilliantly.

Just when Dach was ambitious and wanted to make a big impact on the screen, unprecedented turmoil deprived him of his creative rights, just like the majority of filmmakers. 1969, he was sent to the countryside of Lan Shu county, Jilin province, and settled in line. He didn't return to Chang Ying until 1972.

1975, after nearly ten years of hardships, he reappeared on the screen. In the film Wheel Rolling directed by Yin Yiqing, he successfully played the former model Geng Dongshan. After the downfall of the Gang of Four, he played old Ye Wei and Wang Sijiang in 1977 and 1978 films "Bear Trail" and "The Fishing Island is Surging".

Ever since he played Duo Long, the ideal fire in his heart has been burning. Even when the "four evils" were rampant, he still insisted on reading, studying literary theory and browsing literary works; Learn painting, photography, playing the piano, playing ball, swimming, skating, fencing ... to enrich yourself and master all kinds of skills that actors should have.

The chance for the Dutchman to realize his long-term dream has finally come. 1978, directors Li Guanghui and Qi Xingjia wanted to put the film literary script "Ji Hongchang" by military writer Chen Lide on the screen. After reading the script, Dach was deeply moved by the image of Ji Hongchang, a national hero and anti-Japanese star. He admired solemn and stirring performances and loved the character of going forward bravely. How much he wishes to play General Ji! However, although the director knows something about Dach, it is not easy to draw a conclusion whether he can portray Ji Hongchang, an artistic image with great emotional changes. When Dach wrote a thick stack of materials about Ji Hongchang's understanding of this image and sent it to the director, the director still didn't make up his mind. It was not until after three months of "audition" that almost all the heavy scenes in the film were tried, and the director finally decided to play the Dutch. Among the five actors who auditioned together, the director thought that Dutch was not only similar in appearance, but also close in spirit.

In the process of playing the role of Ji Hongchang, Dach deliberately portrayed the character's character with all his skills, which not only showed the essential aspects of Ji Hongchang's pursuit of truth, concern for the country and the people, good advice and hatred of evil; At the same time, it vividly shows the other side of his stubbornness, loyalty and simple credulity, and accurately shows the development process of a Kuomintang officer's ideological character changing into a producer of * * *.

1In August, 979, the color feature film "Ji Hongchang" (Episodes I and II) was shown in China as a gift film for the 30th anniversary of the National Day, which was warmly welcomed by the audience and was rated as one of the best feature films in the third popular film "Hundred Flowers Award".

The successful creation of Ji Hongchang's artistic image embodies Dach's painstaking efforts and sweat. Ji Hongchang, the national hero of War of Resistance against Japanese Aggression, died in 1934, when he was just born in his seventh year. In order to understand the specific environment in which Ji Hongchang lived and fought, as well as his life of exploration and struggle for the country and the people, Dach studied a large number of literature and history materials and related books, visited many old-timers, and visited Ji Hongchang martyr's daughter Ji and other family members. However, as Dutch said, understanding is not equal to performance. He can accurately grasp the complex and changeable emotions and psychology of the characters in his performance, and he has also gone through a process. When dealing with the scene of Ji Hongchang's appearance, Dach designed to ride to the disposal site at first, then dismounted, quickly and neatly untied his cloak, brushed it on Lao Zhou, immediately looked around, and strode onto the training platform. A series of "handsome" details showed the demeanor of Ji Hongchang's military commander. However, he later learned that this image ignored Ji Hongchang's inner activities and mental state at this moment: at that time, Ji Hongchang was ordered by Chiang Kai-shek to be transferred to Dabie Mountain to fight with the Red Army, and he couldn't figure it out. Coupled with repeated defeats and defeats, the soldiers repeatedly deserted and defected, which aggravated his inner contradictions. In the real shot, Dutch changed the original design action into a serious and gloomy expression with a heavy heart. Ji Hongchang's appearance made the audience fidgety, "a lawsuit on the forehead". This not only shows his long-term general demeanor, but also shows his feelings of worrying about the country and the people.

Ji Hongchang is a biographical film, in which Ji Hongchang's personal scenes account for almost half. Dach deeply feels that it is quite difficult to portray characters' personalities only by facial expressions, and more means of expression must be explored. Such as the use of props "Xiao", the powerful action of "riding alone" to make traitors stand on horseback, the details of "stealing wine and drinking", Ji Hongchang's heroism before he died, and so on. All these make the performance very touching.

For Ji Hongchang's different jokes in different environments and moods, Dach also endowed the characters with different emotional colors and ideological connotations. For example, in Dabie Mountain, Nie Qingming, the secretary, said to Ji Hongchang with trepidation: "Some people in Nanjing say that you are going to be red!" Ji Hongchang said with a smile: "Tell them to talk, but I don't know what red tastes like!" This laughter is generous and shows Ji Hongchang's open-minded and fearless character. Later, he smiled at his secretary Nie Qingming and said, "Qingming, your temper is too soft. You have told me for so many years, don't forget to hold your head high! " This laughter is a kiss smile, a concern and a reminder, which reflects Ji Hongchang's expectation for his little brother. When Sun Mei reminded Ji Hongchang Kuomintang that it was possible to collude with the Japanese again, Ji Hongchang said with a smile: "There must be collusion, but it is impossible militarily!" This laughter is a very confident smile, showing the fatal weakness of his character: stubbornness; When the traitor Lin was arrested and gave a banquet to persuade him to surrender, Ji Hongchang sneered and shouted: "Take your life as a guarantee, I might as well die alive!" This laughter is full of disdain and contempt, which shows the valuable quality of Ji Hongchang's hatred for evil; Seeing the executioner in panic on the execution ground, Ji Hongchang laughed in his chair. This laughter is the laughter of the producers of * * *, which is full of Ji Hongchang's sincere loyalty to the motherland and the revolutionary cause.

Dutch agreed with Bai Juyi, a great poet, that "those who touch people's hearts should not show their feelings first". He thinks that emotions can move people. When he played Ji Hongchang, he paid special attention to emotional discretion. For example, Zhou Guangyuan visited the prison. At first, Dach burst into tears when he saw Zhou Guangyuan. But he soon realized that this kind of performance was inaccurate, because it did not let people see the formation process of this emotion and lacked hierarchy. When shooting, he made corrections. When he saw Zhou Guangyuan, he didn't cry immediately. Instead, he held his hands tightly until he finished reading the central telegram, raised his head, two lines of tears fell, and then poured out his heartfelt words. Although it is farewell, there is no sad lament, but full of wishes and yearning for victory, which accurately expresses the lofty beliefs and firm beliefs of a producer of * * *. Dach said: "Emotional dramas are not afraid of excitement, but they are afraid of being unrestrained. Controlling emotions is the easiest way to impress people!" In the process of playing Ji Hongchang, Dutch carefully designed how to accurately express the feelings of the characters. He asked himself: there must be a river of no return, a majestic atmosphere like stormy waves, a small bridge and flowing water, and Pinghu Jing Ya as a mirror; Some scenes have to be outlined with big strokes and then drawn with a few strokes; Some scenes need meticulous brushstrokes, nuances, a gentle sigh, a deep smile and a thoughtful look, all of which should be accurate, simple and realistic.

When people climb mountains, they will feel open-minded; Looking around, you will suddenly find new peaks. When Dach succeeded in shaping the image of Ji Hongchang, a national hero, and realized his long-cherished wish, he deeply understood that the mountain of art is endless, and if he wants to shape all kinds of vivid characters on the screen, he needs to continue to climb hard.

198 1 year, Dutch was invited to Beiying, where he played Tang Jinlong, the leader of South China University of Technology in the historical film Prisoner of War directed by Li Wenhua, and better shaped an image of South China University of Technology with national integrity.

You need to know martial arts to play Tang Jinlong. To this end, he braved the heat to learn boxing and fencing, and suffered the hardships of "three minutes on stage and three years off stage". In practicing martial arts, he was greatly inspired, and skillfully integrated some essentials of practicing martial arts with shaping characters. For example, Nanquan pays attention to taking form as boxing, taking meaning as spirit, and having both form and spirit. He thinks playing Tang Jinlong should be the same. If we only pay attention to the formal beauty and ignore the truth of God in the performance, it will be superficial; Only paying attention to the truth of God, ignoring the formal beauty, can't express the profound essence of the characters. In the film, Tang Jinlong has many martial arts moves, but Dach doesn't fight for the sake of fighting. All his moves and styles are used to depict characters.

Dach is a man with artistic heart, and the road he takes is a road of self-improvement and constant pursuit. His continuous success is inseparable from his consistent self-confidence and his firm and tenacious struggle.

The international film emperor (1958) won the 1 1 th Carraway? Farley International Film Festival Young Actor Award)

Director China is in Melbourne. If you have seen the movie Ji Hongchang or the movie The List of Gods, you can still remember that the hero who plays the role of Ji Hongchang or Shang Zhouwang is Dutch. This old artist from Heilongjiang has been an artist for many years. He immigrated to Australia as early as 10 and started a new career in Australia.

He has been acting in movies since the 1970s. In the early 1990s, he immigrated to Melbourne and started a new artistic life. In particular, he developed his own film and television center in Australia and founded some performing arts training centers and drama groups.

Australia Holland Film Co., Ltd. is now called Australia Holland Film Studio. It is an institution specializing in film and television production founded by Dutch, a famous director and producer in China who lives in Australia.

In 2004, as an Australian representative, Mr. Dach went to China to attend the opening ceremony of the Shanghai Australia Film Festival. Here, the screenplay "Don't forget Sydney" created by Mr. Dach stands out in the film festival. This will be the first film co-produced by the two countries.

In the following negotiations, Mr. Dach said that there is still a gap between the total investment agreed by China and Australia if the best artistic ideas and creativity are to be completed. I hope more funds will be injected. After the face-to-face meeting between Chairman Thygeson and Mr. Dach in Beijing, Mr. Guo expressed his willingness to invest 2-3 million Australian dollars to become a shareholder of the Australian Dach Film Co., Ltd. which Mr. Dach is about to set up. Assist Mr. Dach to successfully complete the filming of this far-reaching film and television work and more potential artistic creation in the future.

(Butterfly, 2004, "Thygeson will become a shareholder in the Australian Dutch Film Company in 2005.

Below is his personal blog.