What's the difference between impressionist and post-impressionist painting?

Impressionism shows what the eyes see directly, that is, very objective things.

Post-impressionism is completely different. It can express a person's subjective feelings first. This color is the original color of an objective object. More importantly, use this image to express your subjective feelings. Therefore, this painting school pays more attention to expressing the painter's subjective feelings about the objective world, rather than imitating the world like Impressionism. If you are in a particularly bad mood or gloomy mood that day, even if the sun is gloomy, you will feel very sad. This is a different reflection of people's subjective feelings on the objective world.

Impressionism: Monet

Post-impressionism: Van Gogh is superior to Gauguin.

First of all, impressionism

Impressionism L9N came to the French painting world with an innovative attitude in the 1960s and 1970s of 19. Its sharp edge was to oppose Chen Xiangyin's classical painting school and fell into artificial romanticism because of his obsession with medieval knight literature. Impressionism absorbed the nutrition of realism of Koro, barbizon School and Courbet, and under the inspiration of modern science and technology (especially optical theory and practice) in the19th century, it paid attention to the study and expression of external light in painting. Impressionist painters advocated outdoor sketching and directly depicted objects in the sun, thus abandoning earthy tones, which has not changed much since16th century, and showed subtle color changes according to the painter's own eyes observation and direct feelings. In this respect, Impressionist painters also gained useful experience from Dutch small painting school, Spanish painter Velazquez, British painter Turner and constable. Starting from Impressionism, European painters tried to get rid of the influence of literature and pay more attention to the painting language itself. There are two kinds of impressionists. One is represented by Degas; The other is represented by Monet. Of course, there are also painters between the two types. As early as the 1960s, a group of young people with the spirit of exploration and innovation were deeply dissatisfied with the conservative official salon's suppression of young people's creative spirit. They took Courbet's fighting spirit against official art as an example, United around Manet, who was snubbed by the official salon and dared to explore new things, and formed a group opposed to the official salon. These painters met Renoir's studio in Basil and sketched directly on the banks of the Seine. Artists who often attend parties include Monet, Renoir, pissarro, Basil and Cezanne. Critics include Du Rui and Rivera, and the party is sponsored by art dealer Du Lang Runje. 1874 In April, this group of young painters held an exhibition in the studio of Na-Dar, a photographer in Kaposin Street, Paris. They call themselves the Association of Unknown Painters, Sculptors and Printmakers. Attending the exhibition are Monet, Renoir, pissarro, Sisley, Degas, Cezanne, Mo Lisuo, Qingye and others. Among these exhibits, the title of Monet's oil painting Impressionism was ridiculed by a conservative journalist Louis leroy, who called the exhibition "Impressionist Exhibition", hence the name "Impressionism". The Impressionist Art Exhibition was held eight times from 1874 to 1886. At 1874, 1876, 1877, 1879, 1880, 188 1 respectively. Except for the first, fourth and eighth exhibitions, the word "Impressionism" is used as the name of the exhibition.

Impressionism is a loose art society. This club has no clear plan. Artists get together just because their painting styles are the same, so it is convenient for them to hold exhibitions together. Some artists who participated in the exhibition were obsessed with Impressionism for a while, but later they pursued something else. Some also repeatedly change the style of painting. In addition, the level of participating painters is not consistent. Impressionism in painting is equivalent to naturalism in French literature. Impressionism and naturalism are both influenced by philosophical positivism.

Post-impressionist art movement is a painting style that appeared in France from 1885 to 1905. It includes all artistic movements that originated from impressionism or opposed to it, such as neo-impressionism, symbolism, comprehensive attention, Nabi school and so on.

Impressionism and neo-impressionism both draw by feeling and using scientific methods, which is a very objective art and the result of the excessive development of realism. Influenced by the anti-objective science in philosophy and literature, painting has to add subjective elements, that is, strong self-expression based on personality. In addition, influenced by the simple and clear landscape painting style in the East, and from the perspective of purely objective comparison of more accurate and correct photography, these are the reasons for the rise of post-impressionist art.

Broadly speaking, it refers to different schools that inherit impressionism and change it. Narrowly refers to Cezanne and Van? Gauguin and Gauguin's creative methods. They accept the impressionist color method to innovate, not satisfied with the objective description of nature by impression, but emphasize the re-creation of subjective feelings, generally do not express light, but pay attention to color contrast, volume and decoration. It had a great influence on later fauvism and expressionism.

On behalf of:

Amedeo Franco Modigliani.

Henri de Toulouse-Lautrec

Paul gauguin (paul gauguin)

Paul paul signac.

Vincent Van Gogh (Vincent Van Gogh)

Cezanne Paul Gezan