Traditional Culture Encyclopedia - Photography major - Du Fu in Delighting in Rain on a Spring Night
Du Fu in Delighting in Rain on a Spring Night
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Introduction of works
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A Brief Introduction to the Author of Appreciation of Works
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Delighting in Rain on a Spring Night's Poetic Description of Delighting in Rain on a Spring Night
Du Fu in Tang Dynasty knew that it was rainy season, and there was spring. Sneak into the night with the wind, moisten things silently. The wild path is dark, and the river is bright. Look at the red and wet place, the flowers in Jinguancheng are heavy.
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Name: year: heyday of Tang Dynasty Author: (Tang) Du Fu Style: Five-character Poems Collection: Complete Tang Poems: Volume 226_4 1 Selected from: Anthology. This work was selected into the New Century Edition Experimental Textbook of Chinese Compulsory Education Curriculum Standard for Sixth Grade Primary School and the Nine-year Compulsory Education Textbook of Shanghai Education Publishing House.
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Note good rain: refers to spring rain and timely rain. ancient book
Yes: just. Occurrence: Promote plant growth, germination and growth. Secretly, quietly. Moisturizing: Nourishing plants through rain. Path: A path between fields. All: all, all. River boat: a fishing boat on the river. One person: one person, only. Xiao: Good morning. Red wet place: refers to the place with red rain flowers. Zhong (fourth sound): The flowers look full and heavy because of the rain. Jinguancheng: Located in the south of Chengdu today, it is also called Jincheng. During the Three Kingdoms period, officials in charge of brocade in Shu and Han dynasties were stationed here, hence the name. Later generations took it as another name for Chengdu. But also for Chengdu. This rain is like choosing the right time, just like everything grows in spring, and it will come soon. The drizzle came quietly on the night of spring breeze. It moistens things silently, without any sound. On a rainy night, the path between the ridges is dark, and only the lights on the fishing boats in the river are on. If you get up in the morning and have a look, Jinguan City should be colorful! Look at the safflower field with rain, and you will see that the flowers in Jinguancheng are full and heavy because of rain. )
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"Delighting in Rain on a Spring Night" was written by Du Fu in the spring of 76 1 year (the second year of Shangyuan in Tang Suzong) at the Caotang beside Huanhuaxi in Chengdu. At this time, Du Fu came to Sichuan and settled in Chengdu for two years because of the drought in Shaanxi. He cultivates self-cultivation, grows vegetables and flowers, and interacts with farmers, so he has deep feelings for the spring rain. He wrote this poem to describe the spring night rain and dew nourishing the beauty of all things and express the poet's joy. Although there is not a word of happiness in the article, the author's happiness is everywhere. Delighting in Rain on a Spring Night expresses the poet's love and admiration for the selfless dedication to the drizzle on a spring night. The whole poem reads: "Good rain knows the season, when spring comes. Sneak into the night with the wind, moisten things silently. The wild path is dark, and the river is bright. Look at the red and wet place, Jinguancheng is heavy. " One or two words of "good" are affectionate and praise the spring rain. "Knowing the season" endows Spring Rain with human life and emotion. In my opinion, the spring rain is considerate and knows the season, and it floats around when people are in urgent need, prompting the opportunity. What a good spring rain! The first couplet not only expresses the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood of eagerly looking forward to the arrival of the spring rain. Couplets are obviously the poet's auditory feelings. Spring rain has come, coming with the wind in the boundless night, quietly moistening everything, without any intention of pleasing, just seeking dedication. Listening to the rain, the author observed it carefully, and even the spring rain and silence were heard by the poet. Visible, Yu Chunyu unconsciously surprised, the poet stayed up all night. Tie couplets around the neck, the poet only looks forward to the spring rain for one night, but he is afraid of an abrupt end. He is happy and worried. He pushed the door out and stood there overlooking, only to see that the well-defined field paths on weekdays were also integrated into the night, and it was dark, showing how dark the night was and how dense the rain was. The river boat fishing fire is even more dazzling, reflecting the vastness and darkness of spring night, and also highlighting the richness of spring rain from the side. In the words of imagination, the poet witnessed the continuous spring rain, and was gratified to think that at dawn the next day, Jinguan City would be a colorful spring scenery. The profusion and vitality of flowers are the result of silent drizzle moistening and baptism. Therefore, writing flowers is really the selfless dedication of Spring Rain. Through the above analysis of poetry, it is not difficult to see that Du Fu conceived and wrote according to such an emotional thinking: that is, looking forward to rain-listening to rain-watching rain-thinking about rain. As the saying goes, "Spring rain is as expensive as oil". Everyone wants this precious spring rain to be like oil, and so do poets. When the spring rain floated down, this poem sang the noble quality of obscurity and selfless dedication of the spring rain. This poem "Spring Rain" is described so delicately and realistically that people can feel the scene at that time, and can't help but marvel at Du Fu's artistic skill of observing things and feelings. In addition, the capture and description of the details in the poem can also reflect the superiority of the poet's human body in observing the situation. "Sneak into the night with the wind and moisten things silently." The word "latent" is personified, imitating the silent and invisible modality of spring rain, which is quite interesting and induces people's love for spring rain. The word "run" conveys the spirit, accurately and vividly writing the characteristics that spring rain moistens everything and moistens things silently. Both drawing shapes and expressions, and both shapes and feelings are well prepared, profound and unique. "Flowers are more important than Jinguan City", with the word "heavy", accurately wrote the pattern that flowers in Jinguan City were red and full of vitality after being baptized and nourished by a night of spring rain, and conveyed the author's praise for the spring rain. "All the clouds in the wild trail are black, and the boats in the river are bright" captures the typical details and depicts them carefully, subtly and vividly rendering the hazy and colorful atmosphere of the spring rain. In a word, Du Fu's Delighting in Rain on a Spring Night embodies the superiority of observing other things' feelings and nuances in tempering sentences, capturing images and describing details. By comparing and appreciating Du Fu's poems and their gloomy styles, readers will surely understand another life interest in Du Fu's poems. This is a masterpiece depicting the rainy scene on a spring night and showing a happy mood. The beginning of the poem (the first couplet) uses the word "good" to praise "rain". In life, "good" is often used to praise people who do good things. The use of "good" to praise rain here has aroused the association of people who do good things. Next, personify the rain, saying that it "knows the season" and knows how to meet the objective needs. Indeed, spring is the season when everything germinates and grows. As long as it rains, it begins to rain. How nice. The second couplet (couplet) further shows the "good" of rain. Rain is "good" because it is timely and "moistens things silently". Praise the rainy and quiet characteristics of spring rain and show its selfless quality. Spring rain, usually accompanied by a breeze, carefully moistens everything. However, there are exceptions. Sometimes, it will be accompanied by cold wind, from rain to snow. Sometimes, it will be accompanied by strong winds and heavy rains. Although this kind of rain is in spring, it is not a typical spring rain. It will only hurt things, and it will not "moisten things quietly." Naturally, it will not make people "happy" and it is impossible to get a "good" evaluation. Therefore, the "knowing season" of the first couplet alone is not enough to fully show the "good" of rain. It was not until the second couplet wrote a typical spring rain accompanied by a continuous drizzle that the word "good" was implemented. "Sneak into the night with the wind and moisten things silently." This is still anthropomorphic. These two sentences are also famous sentences, which are metaphors of meticulous care and gentle rain and dew. The combination of "sneaking into the night" and "silence" not only shows that rain is drizzle accompanied by breeze, but also shows that rain is intended to "moisten things quietly" and has no intention of seeking "goodness" If you are interested in seeking "good", it will come during the day and create a little momentum for people to see and hear clearly. Just because it deliberately "moistens things quietly" and has no intention of seeking "goodness", it chose a time that does not hinder people's work and labor, and quietly and carefully went underground at the night when people were sleeping. If it rains so well, I hope it rains enough and stays up all night. If only for a while, the clouds will disperse, then "moistening things silently" is very incomplete. The poet grasped this point and wrote the third couplet (neck couplet). On a less gloomy night, the path is easier to see than the field, and the river is easier to distinguish than the shore. At this time, looking around, "the wild trails and clouds are all black, and the rivers and boats are bright." Only the lights on the boat are on. Besides, you can't even see the river, and you can't tell the path clearly. The sky is covered with dark clouds and the ground is as black as clouds. It looks certain that it will rain until dawn. The tail couplet is about an imaginary scene. After a night of such "good rain", everything will be nourished and prosperous. One of the flowers of all things, the flower that best represents spring scenery, is about to drop with the rain. Wait until tomorrow morning to have a look: the whole Jinguan City (south of Chengdu) is full of peanut trees, "red and wet", red and heavy, and merged into a sea of flowers. This poem is about "rain", and the poet keenly grasped the characteristics of this rain and described it from all aspects. The first two sentences are about the rainy season, which directly praised the timeliness of the rain. Rain seems to know people's minds and comes quietly when it is most needed. The last six sentences focus on "rainy night". It was dark in the wild, only a little fishing fire was looming. The poet then guessed excitedly: By dawn, Jinguan City will be colorful. There is not a word "hi" in the poem, but the words "latent", "moist", "fine" and "wet" all reflect the poet's joy. Pu Qilong said: "It is easy to write about rain and cut the night, but difficult to cut the spring." This poem "Delighting in Rain on a Spring Night" not only cuts the night and cuts the spring, but also writes the noble character of a typical spring rain, that is, "good rain", which shows the noble personality of poets and all "good people".
Brief introduction of the author
Du Fuxiang
Du Fu (AD 7 12-770) was the greatest realistic poet in the Tang Dynasty. The word is beautiful, and the name is Shaoling Night Old. Originally from Xiangyang (now Hubei), he was born in Gongxian (now gongyi city, Henan). When he was in Tang Suzong, Guan Zuo collected it. Because he once lived near Shaoling in the south of the city when he was in Chang 'an, he was recommended by his friends as a foreign minister for our time and proofreader in the south of the Yangtze River, so he was also known as Du Shiyi. Du Fu was hungry and cold, and always had the ambition to help the world, and he was poor but not tired of the world. In terms of poetic art, it combines the great achievements of classical poetry and innovates and develops it, which has a wide influence on later poets. When Du Fu was alive, his poems were not valued by people at that time. Forty years after their death, they began to be more important than Han Yu, Bai Juyi, Yuan Zhen and others. Bai Juyi and Yuan Zhen's new Yuefu movement were obviously influenced by Du Fu's poems in literary thought. The famous satirical articles on current affairs in Li Shangyin's modern poems, both in content and art, have got the essence of Du Fu's poems. The famous poets in Song Dynasty, such as Wang Anshi, Su Shi, Huang Tingjian and Lu You, all praised Du Fu, and their poems inherited Du Fu's tradition from different aspects. At the end of Song Dynasty, Wen Tianxiang, a national hero, was captured by Yuan people and imprisoned in prison. He collected 200 five-character poems by Du Fu, and said in Preface to Du Fu's Poems: "Zi Mei is my first word." The influence of Du Fu's poems is not only confined to the scope of literature and art, but more importantly, the patriotism and love for the people in his poems have been inspiring readers for thousands of years and still have educational significance today. Du Fu is good at using many systems of classical poetry and creatively developing them. He is the pioneer of the new Yuefu poetry style. His Yuefu poems contributed to the development of the new Yuefu movement in the middle Tang Dynasty. His "May 7th" ancient novel, which is also a history of poetry, begins to narrate and focus on the whole story, marking the high achievement of China's poetry art. Du Fu also showed extraordinary creativity in the May 7th law, and accumulated complete artistic experience in the aspects of temperament, antithesis and refining words and sentences, which made this genre reach a fully mature stage. Du Fu and Li Bai are called "Du Li". In order to distinguish them from the other two poets, Li Shangyin and Du Mu, namely "Little Du Li", Du Fu and Li Bai are also called "Big Du Li", and Du Fu is often called "Old Du". Du Fu and Du Mu are distant relatives, both descendants of Du Yu, the general who destroyed Sun Wu in Jin Dynasty (Du Fu was Du Yu's twentieth grandson). Although Du Fu was not known to the world at that time, his works had a far-reaching impact on China literature and Japanese literature through the research of later generations. About 65,438+0,500 of his poems have been preserved, and his collection is Du Shaoling. His influence on China's classical poetry is far-reaching, and he is called "the sage of poetry" by later generations, and his poems are also called "the history of poetry". Mourning, visiting the past, living in Buju, Tang Cheng, being a scholar, being a farmer, being a guest, being a madman, being a shed, being a village, being a wild old man, being an eight-array figure, being happy, being near the south, hating farewell, being a guest, being a pavilion, and feeling pity. There are two poems about peach trees in Delighting in Rain on a Spring Night, two poems about thatched cottage, two quatrains, four quatrains, four poems about the moon, five poems about spring in Jiangcun, two poems about spring water, six quatrains about spring, and Li Shihao. There are two books in the night, two water thresholds, three officials: Tongguan official, official, Xin' an official, and three farewell: newly married, resigned and homeless.
background
"Delighting in Rain on a Spring Night" was written by Du Fu in the spring of last year (76 1) in Huanhuaxipan Caotang, Chengdu. This poem was written in the spring of the second year of Shang Dynasty (76 1). At this time, Du Fu came to Sichuan and settled in Chengdu for two years because of the drought in Shaanxi. He cultivates self-cultivation, grows vegetables and flowers, and interacts with farmers, so he has deep feelings for the spring rain. He wrote this poem to describe the spring night rain and dew nourishing the beauty of all things and express the poet's joy.
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① Occurrence: refers to the occurrence of rain, that is, rain, rain. These two words mean that the spring rain comes in time, as if the rain also knows when it is needed on the earth. (2) Diving: quietly (the rain quietly follows the wind). Moisturizing: refers to moistening the land and vegetation. The good rain mentioned in these two sentences comes quietly at night. The tone seems to blame it for not letting people find it earlier; This seems to be praising Dont Ask For Help for doing good deeds in secret, and there are surprises and welcome between the lines. (3) These two sentences are about the night scene in the rain. Du Fu lived by the river. Looking out from his room, he saw that the sky was dark and the river boat was brightly lit. ④ Jinguan City: another name for Chengdu. Chengdu is an ancient big city and a small city. Shaocheng was the place where the officials in charge of brocade lived in ancient times, because it was called Jinguan City. Chengdu was later called Jinguan City, referred to as Jincheng for short. It was one of the most prosperous commercial cities in the Tang Dynasty. These two sentences are so heavy that you can imagine seeing the rain flowers all over the city tomorrow. This is related to the above-mentioned "moistening things silently" and also shows the mood of "loving the rain". ⑤ Small: It's just dawn. Describe the poet's imagination of the next morning, the world is full of vitality.
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Good rain in time is like knowing the season. When spring comes, it floats underground to promote the growth of plants. Spring rain rises quietly at night with the spring breeze, silently moistening the plants in spring. The country road is dark, and only a little fishing fire on the boat by the river is looming, which is particularly bright. Until dawn, looking at the flowers with rain, beautiful and fiery red, the whole Jinguan City became a world of flowers and flowers.
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The poet closely followed the word "happiness" in the title of the poem and described the spring rain in detail. In this poem, the first two sentences say that the rain falls at the right time, and the word "knowledge" is used incisively and vividly, which simply brings the rain to life; Three or four sentences describe the "occurrence" of rain, in which the words "latent", "moist" and "fine" express the characteristics of rain; Write five or six sentences about the beautiful scenery on a rainy night. "Black" and "Ming" set each other off into interest, which not only points out the thick clouds and rain, but also gives people a strong sense of beauty; In the last two sentences, the word "hi" is still used to describe the charming scene of Jinguan City in the early morning after the rain. The utensils are extremely delicate with "red and wet" and "heavy flowers". There is not a word "hi" in the whole poem, but there is a word "hi" between the lines. This artistic technique of "speaking with images" is worth imitating.
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"Delighting in Rain on a Spring Night" was written by Du Fu in the spring of last year (76 1) in Huanhuaxipan Caotang, Chengdu. Background and ideological content of Delighting in Rain on a Spring Night: This poem was written in the spring of the second year of Shang and Yuan Dynasties (76 1). At this time, Du Fu came to Sichuan and settled in Chengdu for two years because of the drought in Shaanxi. He cultivates self-cultivation, grows vegetables and flowers, and interacts with farmers, so he has deep feelings for the spring rain. He wrote this poem to describe the spring night rain and dew nourishing the beauty of all things and express the poet's joy. Praise "Spring Rain" with a "good" word from the beginning. In life, "good" is often used to praise people who do good things. Praising rain with "good" now will arouse the association of people who do good things. Next, personify the rain, saying that it "knows the season" and knows how to meet the objective needs. Isn't it? Spring is the season when everything germinates and grows. As long as it rains, it begins to rain. Look how nice it is! The second couplet further shows the "good" of rain. Rain is "good" because it is timely and "moistens things silently". Spring rain, usually accompanied by a breeze, carefully moistens everything. However, there are exceptions. Sometimes, it will be accompanied by cold wind, from rain to snow. Sometimes, it will be accompanied by strong winds and heavy rains. Although this kind of rain is in spring, it is not a typical spring rain. It will only hurt things, and it will not "moisten things quietly." Naturally, it will not make people "happy" and it is impossible to get a "good" evaluation. Therefore, the "knowing season" of the first couplet alone is not enough to fully show the "good" of rain. It was not until the second couplet wrote a typical spring rain accompanied by a continuous drizzle that the word "good" was implemented. "Sneak into the night with the wind and moisten things silently." This is still anthropomorphic. The combination of "sneaking into the night" and "silence" not only shows that rain is drizzle accompanied by breeze, but also shows that rain is intended to "moisten things quietly" and has no intention of seeking "goodness" If you are interested in seeking "good", it will come during the day and create a little momentum for people to see and hear clearly. Just because it deliberately "moistens things quietly" and has no intention of seeking "goodness", it chose a time that does not hinder people's work and labor, and quietly and carefully went underground at the night when people were sleeping. If it rains so well, I hope it rains enough and stays up all night. If only for a while, the clouds will disperse, then "moistening things silently" is very incomplete. The poet grasped this point and wrote the third couplet. On a less gloomy night, the path is easier to see than the field, and the river is easier to distinguish than the shore. What about now? Looking around, "the wild path is dark, and the river boat is bright." Only the lights on the boat are on. Besides, you can't even see the river, and you can't tell the path clearly. The sky is covered with dark clouds and the ground is as black as clouds. All right! It looks certain that it will rain until dawn. The tail couplet is about an imaginary scene. After a night of such "good rain", everything will be nourished and prosperous. One of the flowers of all things, the flower that best represents spring scenery, is about to drop with the rain. Wait until tomorrow morning to have a look! The whole Jinguan City (Chengdu) is a peanut tree, "red and wet", red and heavy, and merged into a sea of flowers. So, what about the seedlings in the field? What about the Woods on the mountain? Everything. Everything? Pu Qilong said: "It is easy to write about rain and cut the night, but difficult to cut the spring." This poem "Delighting in Rain on a Spring Night" not only cuts the night and cuts the spring, but also writes the noble character of a typical spring rain, that is, "good rain", which shows the noble character of poets and all "good people".
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