Traditional Culture Encyclopedia - Photography major - Factors affecting the shape and color of photographic images in killian photography

Factors affecting the shape and color of photographic images in killian photography

What are the factors that affect the shape and color of photo images? As mentioned above, the image of killian changes with the different psychological states of the subject. The light emitted by a person in an angry state is different from that emitted by a person in an excited or meditative state in terms of color, size, brightness, distribution range and density of light clusters. So, are these changes observed by people due to the change of the subject's "energy form" or some ordinary changes?

A group of physicists and psychologists from Delecque Sai University have made their own contributions to this issue. In recent years, W. Eddison, H. Keller, D. Foster and J. O. Pechek have been studying the killian effect in detail, and their work is an objective, meticulous, expert and scientific model. They photographed killian with their fingertips in different wet and dry conditions. The results show that the water vapor in and on the fingertip can change the size and brightness of the glow zone. Water vapor will make the light mass sparse. The reason may be that wet fingertips will make water vapor enter the air above the photosensitive film and stick to the film, thus affecting the current path and changing the corona glow area.

The research team also found that stimulating factors that can cause emotional changes, such as strong noise or tweezers, will change the image of the photo, but this change is still related to the humidity change of the subject. This conclusion is not surprising. We have long known that even if we are not too nervous, it will cause changes in the moisture content in the skin. The lie detector is made according to this fact. In killian test, the change form of humidity is similar to that of polygraph, but the former may be more sensitive. Therefore, it is reasonable to think that all changes-at least most changes-of the observed object in different emotional or perceptual States are caused by the humidity changes on the skin surface.