Requesting a documentary about Belgium

Belgium mainly produces documentaries, popular science films and folk custom films, such as "To the Center of South America" ??(1924), "Gran-Chaco Indians" (1925), "The Scalp of Hair" "The Tribe of Trophies" (1930), all three films were directed by R. de Valfrance

Belgium screened Lumiere L.'s film in Brussels in 1896. In 1908, French immigrant A. Marchant founded the first Belgian film studio in Hallefeld, and shot some short feature films from 1904 to 1914, such as "Defette's Daughter" (1908). After World War I, a new film studio was established near Brussels in an attempt to develop Belgian national films. However, due to competition from film companies in the United States, Germany, France and other countries and the relocation of some film workers to France, after the emergence of sound films, , Belgium produces both French-language films and Flemish-language films. The first batch of well-known films include "The Clintances" (1929) and "The Most Beautiful Dream" (1930) shot by director G. Schuckens. At this time, Belgian film directors began to explore new expressive methods under the influence of foreign film art works. C. Dececler and H. Stuck, two directors, contributed to the development of Belgian cinema. At that time, they mainly shot landscape films and folklore films. Beginning in the mid-1930s, he began shooting feature films. By the end of the 1930s, some films on art theory were filmed. Many films analyze Flemish classical works of art, such as "A Glimpse of Old Belgium" (1936) shot by director H. Sturker and "The Mysterious Lamb" (1939) shot by director A. Govan. C. Dececler used parallel montage in the film "The Source of Inspiration" (1938) to express the figures and landscape paintings of the old Flemish art masters.

The Second World War interrupted the development of Belgian cinema. During the German-Fascist occupation, Belgium's screens were filled with German films, as well as some French films intended for entertainment. In the early 1950s, due to the introduction of foreign capital for film production, the situation of Belgian films began to improve. The first film produced by this cooperation was Stoke, H.'s "Smuggler's Banquet" (1951). From 1953 to 1962, Belgium produced 48 feature films, most of which were co-produced with France, the Federal Republic of Germany, and the Netherlands. Excellent films produced during this period include "Seagulls Die in the Port" (1955, directed by R. Verhavitt, R. Quebels and I. Michels). In 1963, the Belgian government implemented state subsidies for film production. In the 1960s and 1970s, Belgium produced many films full of symbolism and mysticism. For example, in director A. Delvaux's films such as "The Man with the Shaved Head" (1966), "One Night on the Train" (1968) and "Meeting at Bray" (1971), subtle psychological depictions and realistic and illusory shots constantly alternate; films full of symbolism and naturalistic descriptions include director H. Kümmer's "Malbettus" (1971), "Red Lips" (1972) and director P. Goller , P. DeLo's "The Embrace" (1968). There are also some poetic and realistic films that show the relationship between ordinary people in Belgian movies, including "Home, Lovely Home" (1973, director B. Rami), "The Recruit" (1973, director R. Weil) Harveyt). There have also been some films reflecting modern life, such as "Amr's Son is Dead" (1974, director J.-J. Andrian), "The Woman Between Dog and Wolf" (1979, director A. Delvaux), "Meeting Anna" (1978, directed by C. Akaiman), etc.

Biographical films about artists and artists play a prominent role in Belgian cinema. Such as the films "The World According to Paul Delvaux" (1946, director H. Stoke), "Rubens" (1948, director A. Stoke, P. Hazaerts), "James "The Masks and Faces of Ensor" (1950, directed by P. Hazaerts), "Yelenim Bosho" (1963, directed by F. Viergans). There is also the color film "The Golden Century" (1953, directed by P. Hazaerts) about Flemish painting. The Belgian documentary is cleverly edited, has good photography skills and is full of poetry. Such as "Dockyard" (1955, directed by E. Dezhilin), "Belgian Suite" (1958, directed by L. Drouage), "Master of the Forest" (1958, directed by G. Hilleman, A. Bu rand). Many documentary contents reflect political issues in modern society, such as "Struggle for Our Rights" (1961), "Open Dialogue" (1971, two films directed by F. Bijens); "Wallonia" (1971, director Z. Golobel).

Winning glory for the country, I wish you good luck!