What is comparable school photography and what kind of photography does it belong to?

Kanpai photography is the main photography school that opposed painting photography after the First World War. This school of photographers advocates respecting the characteristics of photography, emphasizing truth and nature, advocating that the subject should not be manipulated or interfered when shooting, and that the instantaneous modality of the subject should be grasped in the natural state. Henri cartier bresson, a famous French photographer, said, "For me, photography is to record the meaning of an event and accurately express its precise organizational form in an instant." Therefore, the artistic characteristics of this school are objective, true, natural, cordial, casual, unpretentious, vivid and full of life. As far as their aesthetic thoughts and creative tendencies are concerned, the situation of "Kan" photographers is more complicated. Although they advocate the expression of human nature, most of them are engaged in news photography, but there are also naturalists and realists. The work that gave birth to this genre was 1893 photographer Alfred Stig's Winter on Fifth Avenue, which was really completed by German photographer Dr. ehrlich salomon. He shot the Rome political conference with a small camera at the end of a night meeting held by the German and French prime ministers, which became a classic in the history of this genre of photography because of its vividness, truthfulness, simplicity and naturalness. In photography aesthetics, they believe that "a photo based on the basic characteristics of photography cannot be imitated by painters or etchers." It has its own inseparable self, has its own special expressive force, and even has characteristics that other media can't show. " Secondly, for the performance of objective things, they attach importance to and emphasize originality, and think: "(Photographers should look at the world with their own eyes, not with others' eyes, and this is the standard to distinguish whether a photo is mediocre or brilliant, valuable or worthless. "