What is the picture of prehistoric human life described in Sahara murals?

There are tens of thousands of painted pictures and carved patterns in the rock paintings in Tahiri. Most of the murals show that the Sahara Desert was once a paradise with abundant water plants and flocks of cattle and sheep. The earliest murals can be traced back to the Middle Stone Age, about 1, years ago, and the latest murals belong to works around A.D., which lasted for nearly 1, years. The theme and content of murals in different times are different, with different styles, some scribbled, some rigorous, some immature, some concise and colorful, which records the activities of blacks, Farbai, Libyans, Tuareg and other ethnic groups here.

The oldest pictures in rock paintings were drawn by prehistoric people who lived between 8, and 6, BC. The brushwork was immature, and some crimson figures were depicted, with extremely asymmetrical figures, big and round heads, and legs and arms as thin as reeds. They may be painted by black people who hunt and gather for a living, because there are tattoos and people wearing masks in rock paintings, and this custom is exactly the same as that of black people. In the cave, there is a picture of a 5.5-meter-high giant with two hands, a round head and shoulders shrugged. It seems that there are four pieces of metal on his head. His face has no nose, and his eyes are crooked, just like Picasso's works. Because thousands of other mural patterns are not very freehand, but this giant image is particularly abstract, Lott is puzzled, so he is named "Mars God". Swiss visionary Von Denken thinks that Mars God is wearing either a spacesuit or a diving suit, and wearing a spherical helmet with an antenna on his head, which is obviously an alien. In fact, what looks like a helmet and an antenna is actually a headscarf decorated with feathers. Moreover, the figure painting on the uneven rock surface is not necessarily drawn neatly in the vertical direction, so it is far-fetched for Danny to speculate that it is a cosmic person.

Headless figures and grotesque objects abound in the rock paintings of this period, and similar pictures have also been found in the remains of the early Neolithic period in the Anatolian plateau of western Asia, but most of them can't be explained.

During this period, there were scenes of weddings, banquets and circumcision ceremonies, and a group of people gathered around a man holding a "magic wand" to look for water. In addition, several children were sleeping under a blanket, a group of women were building an arbor, a man was shaking a drunk to wake him up, and a dog was barking ... These vivid pastoral scenes reproduced the tranquility and tranquility of the former Saharan residents.