What is the style of Liu Yong's ci?

The style of Liu Yong's ci is divided into the following four levels:

First, it is refreshing and beautiful, and the literary talent is romantic.

Liu Yong is brilliant, handsome and romantic, with the unique elegance of literati. This temperament is manifested in the text, which is' clear plum, literary talent flying'. The so-called beauty, literature and art, romance, is to write wonderful feelings and make waving sounds with heavy heroic spirit and clean energy. Like his song "Full Moon";

Moon, moon, moon. Competition is still insufficient. Just like the young people in the bridal chamber, they will meet temporarily and leave as they used to.

The small building is on the threshold, which was last year's season. The sky is still clear, the night is forever, and people are tired of it.

Although it is the excitement of writing infinite past lives, it is full of literary talent and vigor, and it shows a bleak heart in the clear moonlight, which can be more fascinating.

Second, it is easy to understand, elegant and popular.

Most of Liu Yong's poems are simple poems and popular sentences, which most people are happy to sing. Ye Mengde's "Summer Tale" says: "There is a well to drink, and you can sing willow words." Refers to the popularity of Liu Yong's ci, which is loved by the public. But Liu Yong is not only a manifestation of popularization, but also can find many traces of melting and casting ancient sentences in his ci. For example, the phrase "Heaven knows how to return to the boat" written by Klang Ganzhou was born out of Xie Tiao's "Heaven knows how to return to the boat, and the tree in the cloud distinguishes the river", which is why Liu Yong's ci can still be loved and refined by literati. But because Liu Yong's popular words can't do the theme of the relationship between men and women, this is also the place where he is criticized. For example, Zhang Yan called him "driven by the wind", and sixty-one poets said that he was "clumsy in several strokes and used many words. Some people not only took vulgarity as a disease, as the abstract said."

Three, charming feelings close to each other, state description.

In order to adapt to the theme of street life and song and dance pavilions, Liu Yong boldly and nakedly wrote about his wandering life, melancholy and decadent enjoyment in his travels, breaking through the conservative and restrained ci style since the Five Dynasties and creating a charming and lyrical style. In the Summary of Siku, I once said: "It is the sound of orchestral music, but Liu's charm makes people easy to enter. Although vulgarity is a disease, good people will never stop!' I can see that he is a very attractive and caring person. In addition, his description of geisha's modality is very delicate, so that people can not only see the vivid features of geisha from the ci, but also fully understand their restored mood, which is more different from the subtle and euphemistic description style in the early stage of ci development.

Fourth, the twists and turns are euphemistic and muddled.

When we study Liu Yong's ci, we will find that most of his ci seems to be tortuous and euphemistic, but if we recite it carefully, we will find that it contains a kind of vigorous and heroic spirit, which is' muddy spirit', and this kind of twists and turns is characterized by muddy performance, especially in the works of prison ci. Song Xiangfeng's "Yue Fu Yu Lun Yun" said:' Liu Ci is tortuous and euphemistic, but it is muddy and decadent. Although there are slang words, they are all experts, and they rely on the sound of their homes for their wishes.' For example, his masterpiece Rainforest:

The chill wailed, the pavilion was late, the shower began to rest, all the doors were empty, the party was lingering, and the blue boat urged. Holding hands and staring at tears, I was speechless. Thinking of returning to the south this time, this journey is another road. Thousands of miles away, it is misty, and the night sky is a vast night fog.

Since ancient times, passionate feelings hurt parting, more than comparable, cold and autumn festival. Where does the golden night wake up? Fear is just the edge, facing the sad morning wind and the setting sun of the waning moon. This past year should be a wonderful time, with beautiful scenery and various customs in Ruo Xu. Who should I talk to?

There is a vague feeling in euphemism, which not only strengthens the description of euphemistic tone, but also shows another kind of boldness.

In Liu Yong's style, some are in line with the changes in his life turning point, and some are the displays of his personal character, but in any case, they are all his concentrated literary displays. However, most ci works have several styles. If we can explore them carefully, we will find that the seemingly contradictory display is actually Liu Yong's unique success. After analyzing the style of Liu Yong's poems, the next step is to look at his artistic characteristics.

Liu Yong's ci creation is quite distinctive, which is not only influenced by his family background, but also the result of his personal talent and nurture. As far as the artistic features of his works are concerned, we can simply divide them into the following six categories:

First, be good at narration.

Describing slow words is what Liu Yong is best at. As we know, the long tune of slow words is to spread the thick eruption of feelings slowly by arranging music, so being good at arranging music has become a major feature of Liu Yong's poems. And we look at Liu Yong's works in order to express feelings and make them lingering, in order to write scenery and write scenery freely. Zhou's comments on staying in lent are mixed. He once said,' Qi Qing has devoted himself to the world for a long time, but his description is euphemistic, and his words are close and far away. The fun of Mori Xiu's leisure lies in his bones.' For example, the song "Klang Ganzhou" mentioned just now, in the layer-by-layer narrative, from scenery description to lyricism, from implication to magnificence, is precisely the performance of being good at narrative.

Second, it is still rough.

It consists of two parts, one is straight talk and the other is folk slang. The so-called straight talk means that there are no implicit and obscure sentences in the words, but they can be expressed clearly. Liu Xizai once said in "The Outline of Art": "Qi Qing's ci is dense and appropriate, clear and homely, and he is good at creating momentum, which has been done by predecessors." This kind of "understanding and homely" is precisely the performance of speaking frankly. In addition, the so-called folk slang means that he does not avoid vulgar words and white words, and can use slang to enter words. It is precisely because his words can be understood by people and catchy, reflecting the whole life of ordinary people, so his works are very popular.

Third, the originality of words.

Zi Ling is Liu Yong's most unique idea! The so-called' leader' is located at the beginning of a sentence and is used to guide the sentence. This protagonist is different from empty talk, which is "almost". He includes many parts of speech, and most of them are dull, especially disyllabic. In terms of the number of words, he can be single word, double word and three word. In terms of effect, in addition to improving the whole word, it can also make the whole word feel more, and it can also be repeatedly enhanced in words and phrases in the same column, so that the love of words reaches a climax. More importantly, it can actively and directly narrate, so that the words have vivid phonological performance. Zhou Ji's "Selected Poems of Song Sijia" said: "Liu Ci, with plain narration, or with the beginning, or with the end, or with rhyme change, is infinitely powerful." This "one or two sentences outline the text" is the function of "quotation" We can see this song Klang Ganzhou:

Facing the rain from the sky, a piece of washed autumn scenery on the river is particularly cold. Frost wind is getting colder and colder, the river is closed by cold, the residual light is a building, the red declines and the green decreases, and Ran Ran is luxurious. Only the gushing water of the Yangtze river flows eastward without sound.

I can't bear to climb to the top of the mountain and look at my hometown. It's hard to think of it. Sighing where these years have gone, why do you have to stay in a strange land for a long time? Miss a beautiful woman, dress up and look up, miss a few times, God knows how to get back to the boat. Fight for me, lean on the dry place, I am in a hurry.

The first sentence uses' drizzly dusk rain on the river', which actually points out an image or situation! And this word' right' makes people feel abrupt. But in fact, he used the word "right" to highlight the effect of facing the autumn rain, as if he were a protagonist facing the scenery and made a strong foil; If you just describe the scenery, it's just a plain narrative. It is precisely because there is a fresh person in it that people can fully appreciate the sadness inside as the' protagonist', which is the effect of receiving words. In this poem, in addition to the word "right", there are many ways to get the effect of the word, such as "gradual", "forbearance", "hazy" and "thinking about beauty".

Fourth, the sequence structure

The so-called sequence structure is the beginning and the end, and the story is told at different levels. By using the method of montage' slow motion photography', all the images are connected in series to outline a situation, so when we look at Liu Yong's ci, we will feel that the whole situation has been fully expressed in layers of images. In Wang Zhuo's Biji Manzhi: "Narrating leisure begins and ends." It is to mention this characteristic of him. For example, this song "Rainforest Rain":

The chill wailed, the pavilion was late, the shower began to rest, all the doors were empty, the party was lingering, and the blue boat urged. Holding hands and staring at tears, I was speechless. Thinking of returning to the south this time, this journey is another road. Thousands of miles away, it is misty, and the night sky is a vast night fog.

Since ancient times, passionate feelings hurt parting, more than comparable, cold and autumn festival. Where does the golden night wake up? Fear is just the edge, facing the sad morning wind and the setting sun of the waning moon. This past year should be a wonderful time, with beautiful scenery and various customs in Ruo Xu. Who should I talk to?

The first three sentences only belong to different images, one is cicada, the other is pavilion and the other is shower. But in the narrative at the beginning and end, with a little expansion, the sadness of autumn is outlined. This is the characteristic of Liu Yong!

Fifth, the harmony of temperament.

Liu Yong has a musical genius and is proficient in music, so his lyrics are harmonious and graceful, which is beyond the reach of other poets. Liu Ci not only created a lot of epigrams, but also was different in syntax and peace. Without Liu Yong's musical talent, how could he do this? And this kind of performance also shows the open spirit that is different from other poets who dare to choose folk songs. Today, although we have never understood the melody beauty of Liu Yong's ci, critics all over the ages have praised it, such as Wang Zhuo's poem: "The Collection of Movements by Liu Yiqing" is appreciated by the world. ..... also good at talking, you can choose those who have harmonious temperament to use. "Chen Zhizhai's book title:' Liu Ci's style is not high, but its tone and rhythm are graceful, its meaning is appropriate, its weather is calm, its description is exhaustive, and it is especially suitable for traveling.'

Sixth, Qiu Shi is vulnerable.

The development of China's early Ci is still in the stage of "spring girls are kind to each other". It was only in Liu Yong that the frustration and sadness of talented people and beautiful women were combined with the sadness of autumn, and the word boundary of "Susceptibility to Autumn" was refined. This kind of "autumn students are susceptible" scene blending is exactly what the predecessors said, "Don't fall into the prosperous Tang Dynasty", and the prosperous Tang Dynasty is exactly the scene. Peng Jinsu's words say, "Liu Qi also has its own wonderful scenery in the Tang Dynasty." This' Tang people's wonderful place' is the' Tang people's highland', which is a blend of scenes. In Liu Yong's ci, the characteristics of scene blending are more common in the works of staying in service. During the journey, there are many opportunities to climb mountains, face the water and see far. He integrated this magnificent and open atmosphere into his poems, and let us see the situational expression of special scenery and artistic conception, which is where Liu Yong succeeded.

Seven, make good use of reduplicated words.

The so-called overlap is a compound word with the same glyph, which is a continuation of monosyllables. Therefore, the length of his voice is shorter than that of a compound word composed of two different words, and his sense of rhythm will make people feel faster, thus increasing the melody beauty of the text, enabling readers or listeners to understand the author's feelings and achieve the purpose of touching the hearts of readers or listeners. There are many usages of reduplicated words in Liu Yong's ci. One of his shortcomings is that by constructing the same syntax to express the same meaning, people feel that the words are lack of change and greatly reduce the color. This is what we should pay special attention to!

Here, Yao Guang analyzes the content category of Liu Yong's ci, summarizes the evaluation of Liu Yong's ci style and artistic characteristics through analysis, and makes a rigorous introduction to it. Although it can't be said to be original, combing scholars' comments on Liu Yong's ci should inspire future generations.

Finally, I want to talk about Liu Yong's achievements in history. Liu Yong is a professional poet. Lyrics by voice is the focus of his life. Although Liu Yong has a humble position in officialdom, he is an outstanding figure in the development of ci history. He inadvertently pushed forward the development of ci. The following are his achievements:

First, "where there is well water to drink, you can sing Liu Ci"

Liu Yong's ci is popular and easy to understand, which leads to the popularity of ci, which is loved by ordinary people and attracts the attention of literati. With the attention of literati, Ci gradually changed from vulgar to elegant, and the popularization of Ci is imperative, and Liu Yong has contributed a lot to promoting the popularization of Ci!

Second, create a large number of long and slow words with new styles.

Before Liu Yong, no one devoted himself to the creation of long tunes. Until Liu Yong devoted himself to the creation of slow ci, which not only attracted the attention of many ci writers, but also popularized the creation of slow ci. Slow words expand the capacity of words, enrich the expressive force and express complex contents that are difficult to express, which is why they are widely accepted by everyone and quickly become the mainstream of words.

Third, create many new slow word tunes.

Among many slow words, Liu Yong is not satisfied with the old epigraph. Liu Yong doesn't just accept pop songs blindly. He knows that such songs contain rich inspiration and fountains, not just a set of rules to follow! * * In his Collection of Movements, he collected more than 120 kinds of tunes, among which only 16 kinds are the same as the existing Dunhuang lyrics, and even among the same 16 kinds, only 3 kinds use the rhyme of Dunhuang lyrics. It can be seen that Liu Yong did not stick to the old ways, dared to choose folk songs and introduced a new open spirit. And he used his musical talent to create new sounds for these slow words, further expanding the tone of the words, which were originally written for singing!

Fourth, expand the realm of writing.

Liu's poems mainly focus on the relationship between men and women, but after all, they also bring many new contents and themes, such as showing the prosperity of the city, the magnificence of mountains and rivers, the melancholy of traveling, the regret of homesickness, the description of working life, the rejection of officialdom, etc., which makes his poems present a broader picture and deeper feelings. These themes did not appear in the literary works of the predecessors, but in the ci, Liu Yong was heavily integrated into various genres. It can be said that Liu Yong did not follow the old customs in the content of Ci, but showed diversity, which made him make a breakthrough in the realm of Ci and made people feel the expansion of the realm of Ci.

Liu Yong is an important turning point in the development of Song Ci. In addition to expanding the field of slow words, he is also a representative writer who combines music and literature and connects experts and the public. Therefore, we should affirm Liu Yong's contribution to Ci. Without Liu Yong, not only will the life span of words be shortened, but the songs behind will certainly not become a fashion!

(From Sina, if you have any questions, please ask O(∩_∩)O~)