How do college students make micro-movies?

Personally, I think the script is just like the construction drawing. It should be as detailed as possible. Every word in the script should be carried out. Your photography director and on-site reporter should have a clear scene and action in their minds when they see the script. However, many students' scripts are full of unenforceable words, such as "Xiaoming is very sad" and "Xiaohong and Xiaoming have quarreled for a long time". You might as well write more carefully when you write the script. "Xiao Ming was very sad and pouted. Xiaohong said: xxxx Xiaohong didn't fall, and Xiaoming immediately said angrily: xxx. After all, the script of the college students' crew is for their own use, unlike Crouching Tiger, Hidden Dragon, which solved a scene in a few minutes. If you can't do the details, it's not a script, it should be a novel or a story outline. Secondly, although the script is a blueprint for implementation, it is also an art, and student films are often limited by space. In this case, the design of each scene is very important. Give priority to life and do a good biography. Every character has a soul and a story, and it doesn't have to be shown in your film. But it's best to do this work well in advance. Once a character's character is portrayed, all his actions, ways of speaking, eyes and hobbies should be based on the biography. Secondly, when modifying the script, every scene should have an emotional turning point or plot foreshadowing. Every scene of the microfilm is carefully designed. As a screenwriter, you should know who this scene is designed for. Every scene should have emotional changes. If the mood of the protagonist in the first sentence of this scene has not changed much from that in the last sentence, then you can consider deleting this scene. The plot should have a sense of rhythm and connection. Many times, it will capture the hearts of the audience in a few minutes, which is better than all the beautiful clips and shots. And student films must consider the difficulty of execution. Personally, I'm afraid of certain types of scripts. Auto show, sword fight, fighting, children, old people, big scenes, many group shows, ancient costumes, dialogue shows with more than 6 people, outdoor night shows, multi-person scheduling, etc. Such a scene is difficult to shoot. However, if you are well prepared, it is not impossible for these plays to be well prepared in the early stage, to see the venue and to rehearse the actors in place. After all, it is a student's work. Many times, a simple shot in the movie can't be done in your own hands. Then, focus on the narrative clarity of the script. In micro-movies, it is not easy to make one thing clear. You can only say one or two things clearly in a few minutes. So how to make the audience understand and how to make others sing. It's not easy. Sometimes the wording of a line is very important. But if your film is experimental, make your own style boldly. At least when Wong Kar-wai was filming, he only shot the script outline.