Coloring steps of Camellia Ji Xue Tu sketched in Song Dynasty

Hello, I'm Xiyuan. Today, I will share with you the coloring steps and techniques of the representative work of Song painting sketch, Camellia Jixue Map.

Preparation materials:

1. Antique color roll cloth

2. Jiang Sixu's meticulous painting

3. Yi Yun Bizhuang Dyed Wool Brush

Step 1: Tick the horizontal line

Key points: Hold the pen gently and relax your shoulders and arms. When drawing long lines, use the elbow as the fulcrum and let the whole forearm drive the strokes.

1. Start writing-steady and powerful, not casually. If the pen wants to go right, hide the pen in front to the left first, then go right, if you want to go right first, otherwise you want to go left first, so there will be friction between the paper and the pen.

2. Pen writing-the pulse should be steady, cadence and cadence, the speed should be slow, the pen should be steady and slow, the paper should be evenly stressed, and there are various changes in the pen. When turning halfway, stop "pause" and turn back to the right "back" to adjust the direction of the pen tip to avoid side edges. The center turn is "turn" and the side turn is "fold". "Staggered" means that the hook line will pause temporarily in the pen, but the pen will not leave the paper step by step, and the pen will continue to die, resulting in the rhythm of the line.

3. collect the pen-keep it, collect it steadily, and have the meaning of returning to the front, that is, collect the pen in the direction of coming back. The so-called "the sky does not return, the ground does not hang down, and the ground does not shrink" makes the end of the line implicit and powerful.

The ancients said: "The beauty of a stroke begins with the end. If the beginning and the end are right, the painting will be beautiful. "

Step 2: Color setting

Tick the draft according to the above method.

The petals are adjusted to vermilion, and the back of the cloth is thin and flat, and the front is flat.

Spend green and ink (too much ink) first, and dye the positive leaves once.

The positive film Ye Jing was dyed with ink for three or four times, and the color behind it became more serious and uneven, showing mottled effect.

Rouge (less) plus eosin to dye petals (water retention line)

Pure rouge lifts dyed petals.

Deep ink and rouge are used to lift and dye the dark parts of petals.

Magenta (Zhu Biao Shu Hong), rather than real vermilion powder, is applied in the previous unit.

Juicy greens (ivy, yellow and Zhu Biao) cover and dye the front.

Stone green and rattan yellow cover dye the back

Stone green dyeing front, mottled effect

Stone green and white leaf stems

The reverse leaf juice is dyed green and dyed twice.

Chlorophyll is coated on the back and petiole of the reverse leaf.

Green plane coating reverse leaf front.

Container dyeing

1. Juice green base.

2. rouge dyed the top twice.

3. The back is painted with stone green.

4. Dye the bottom stone green.

stamen

1. Garcinia cambogia is painted in front of Zhu Biao.

2. White crocheted silk (surrounded)

3. Zhu Biao's rattan yellow dots are dyed on the front.

4. Garcinia of white stamens

5. Garcinia cambogia and Zhu Biao rub some stamens to achieve the effect of mottling and peeling.

Zhu Biao added ink to dye the atmosphere.

Influence of dry pen stained with white powder on snow scene