Who is the prototype of the Nazi officer Amon in "Schindler's List"?

The prototype is Oskar Schindler.

Oscar Schindler, a real person, became a famous actor after he won 7 Oscars in "Schindler's List" directed by Steven Spielberg. A symbol. Against the gloomy background of the most brutal war in the 20th century, Schindler's image shines with the glory of humanity.

Schindler is often mentioned at the same time as another German hero Rabe. Rabe is known as the "Schindler of the East" and Schindler is the "little Rabe".

During the Japanese invasion of China and the Nanjing Massacre, Rabe, the manager of the German Siemens office in Nanjing, used his special status as deputy minister of the Nanjing branch of the National Socialist Workers Party of Germany to establish an international safe zone. , served as Chairman of the Safety Zone Committee and protected approximately 250,000 Chinese people. He also wrote "Rabe's Diary", which recorded the atrocities committed by the Japanese invaders. He is called the "living Bodhisattva" by the Chinese.

The plot of "Schindler's List" is touching and tragic, and the documentary-style shooting technique with black and white photography as the main tone gives the film a real effect, which is touching and thought-provoking. .

The use of film language in this film is very good. When showing the tragic experience of the Jews, red appears in one shot. In the scene of the stormtroopers massacring the Jews, the little girl in red is in line with the scene. It formed an extremely strong contrast and produced a visual effect with great artistic impact. When the little girl appeared again, she was already a corpse on the corpse truck. This treatment method is very classic, and it also highlights the impact on the protagonist's mind.

For Schindler, this little girl represented the misfortune of all the Jews he saw and the changes that occurred in his psychology. The deep connotation and artistic value of this lens are enough to be recorded in history.

When the film progressed to the point where the Jews walked out of the concentration camp and gained freedom, the screen suddenly lit up with brilliant colors. This obvious use of film language techniques has given the film a very good effect. From the depressing and gloomy black and white to the rich natural colors, it vividly shows the cheerful mood of people after they are relieved of the danger of death and regain their freedom.

The ending of the film also has its touching artistic charm. It reflects the Jews' infinite respect for Schindler, and at the same time gives the film a historical and thought-provoking artistic effect, which greatly expands the film's performance space.