How to find a beautiful angle in the shooting process?

The beauty and ugliness of a photo is often the standard to measure a photographer's technical level. Whether it's the flowers, trees or scenes of joys and sorrows, it needs a certain sense of beauty. Most photographers in life can't find a beautiful angle, which makes it difficult to learn photography. Because my photos are not beautiful, I often discourage photographers. I took a group of photos hopefully, and when I saw my work, it was full of sadness. Some are because the angle is not beautiful, some are because the material is not beautiful, some are because of the combination with light, and some are because the movements of the characters are not beautiful. So how can we correctly grasp the scale of beauty? Is it hard to find the beauty in life? In fact, in life, beauty is a ubiquitous thing. An ancient house, a mountain forest, a wild flower, a mosquito, a pile of garbage, a road and so on, all have their beautiful gestures. Besides improving your aesthetic ability, the key is that you have a pair of eyes full of wisdom and imagination. Smart eyes need to look for shooting directions from multiple angles to get the best aesthetic feeling; When photographers are asked to shoot dynamic people and things, imaginative eyes should be the best performance. Maybe a wild flower inserted in cow dung really can't feel her beauty, but it's easy to think that a wild flower inserted in cow dung does show unique beauty. If we can put ourselves in the shoes, imagine that such examples can be seen everywhere in our daily life. A friend has a relative at home. When relatives want to leave, they ask for photos. Where should he go? My friend looked around the house and felt a little messy, so it was not easy to shoot. So I just went downstairs to have a look. When I went downstairs, I saw that the flowers and plants next to me seemed to have not been trimmed for a long time, fearing that they would not be photographed neatly. Then I went to the nearby park and found that there were too many people to choose a good scene. My relatives looked at my watch. If we don't leave, we will miss the bus home. Forget it! Or just take a picture! So the photographer had no choice but to take a picture casually, only to find that a relative's hand was missing in the panic after washing it. Imagine this example, is there really no suitable scene? Of course not. Choosing a good or bad scene is a photographer's aesthetic ability. Photographers always think about several landscapes on TV or pictures, and of course there is no good shooting scene without paying attention to the surrounding environment. It would be most memorable if that friend took a photo of chatting with relatives about the mess at home, or simply a photo of himself on the sofa or between the closet. With a commemorative photo, no matter how beautiful its environment is, the moment it recorded has profoundly demonstrated the meaning of beauty. Beauty is both real and ethereal; It has the beauty of grandeur and softness; There are also deformed beauty, sad beauty and so on. Beauty can reflect the best state of a thing at a certain moment. As long as you feel it with your heart and are good at capturing it with your lens, beauty is everywhere. Many people hope that one day, they can go to Tibet, Yunnan, or foreign countries to take some beautiful scenery and rich cultural pictures. In fact, most photographers in our country do not have such conditions. Since most of us don't, we should always pay attention to the beauty around us. The beauty around you doesn't need you to look down or look up. You just need to keep your head up. It is as big as a festival, as small as the placement of an item, from snowflakes in winter to green teeth in spring, from sunset in the evening to dew in the morning, from farmers' farming to street stalls. Beauty doesn't necessarily need a bright smile, a complete rhythm, or a perfect space. What it needs is simple, natural, imaginable and touchable air, and the photographer's heart can be seen everywhere.