Traditional Culture Encyclopedia - Photography major - What is the position of the film War Horse in pilger's works?

What is the position of the film War Horse in pilger's works?

A standard work-War Horse

At the 84th Academy Awards, all six nominations for War Horse failed, and Spielberg didn't have many shots in the live show. Occasionally glancing at the picture, Lao Si's face has been elegant and calm for thousands of years. In today's position, awarding prizes to Lao Si is just a cloud. But as one of the most influential figures in Hollywood, there is no one on the podium. Is there really no loneliness in Old Four's heart?

In all fairness, War Horse is still a good movie, which has not been favored by the Oscar judges and won no prizes.

Although he is the most successful commercial film director, Lao Si's childlike innocence and humanistic care are known all over the world. With animals as the theme and World War I as the background, War Horse combines the childlike innocence of ET and the anti-war and standardization of Saving Private Ryan. The film is nearly two hours long, warm and touching, suitable for people of all ages to watch.

The story of the film is not complicated, which can be roughly divided into two parts: pre-war and war, and the whole film is strung together with Macsai as the line.

Before the war, the pony was born, met Albert, a country boy, and got a name: Joey. The relationship between pony and teenager is warm and childlike. Joey showed amazing spirituality and extraordinary strength in Albert's training. Before the war, the English countryside had a quiet and pleasant pastoral scenery. Although life is very poor, life has its own fun. For example, a strong goose will play jokes on everyone from time to time.

When World War I broke out, Joey was drafted by the army, away from the quiet countryside, and changed hands on the battlefield. It served in the armies of two warring parties and met a little girl in the country. In the second half of the war-oriented film, the European style under the lens is still beautiful, but the war is raging and devastated, which is quite different from the peaceful and peaceful pastoral life in the first half.

This film has an obvious anti-war theme. Unlike Saving Private Ryan, it doesn't present a bloody and cruel picture. More is to condemn the atrocities of war by comparing the lines of characters and the suffering of animals before and during the war.

Quite a few people are not satisfied with the rhythm of the film, and think that connecting the whole film with a horse is loose and slow. In fact, as far as the story arrangement is concerned, the film is not devoid of highlights, dramatic conflicts are everywhere, and the rhythm points are also very accurate. Joydon is the biggest protagonist in the film, and his performance is really rare.

At the beginning of the film, Ted, the tenant farmer, took a tit-for-tat with his employer and photographed a pony that could not plow the field at a "sky-high price" of 30 Taini, which was the first dramatic climax. His reckless anger met his wife's angry questioning, which immediately aroused the audience's curiosity. What can this pony do? The interesting interaction between Albert and Joey made the audience mistakenly think that they were getting better and better, and their mood was gradually relaxed. Unexpectedly, the employer urged the rent, and Ted was so angry that he wanted to kill the pony that could not farm, which made the mood of watching movies tense again. In the end, the boy and Joey finished the impossible task in the rain, and their feelings were vented, which is undoubtedly the climax of the first half of the film.

Speaking of war dramas, every time Joey changes owners, there is a dramatic climax: going to England.