The Jewish Museum in Berlin: A Building for Dialogue with the Soul

The Jewish Museum in Berlin is a portrayal of the desperate plight of Jews in a special historical period. As the cornerstone of the architect Daniel Liboskine's eternal position in the architectural world, although there are no intuitive exhibits or scenes of Jewish persecution, the tortuous passages, heavy colors and lights in the museum give people spiritual shock and spiritual impact. The Jewish Museum in Berlin: A Building for Dialogue with the Soul. It was dark around the huge empty room, and only the skylight overhead shone into the room. However, the skylight will only open at certain times. More often, when you open the heavy door, you are greeted by darkness without any lighting.

This is a portrayal of the desperate plight of Jews in that special historical period. In it, you can feel the powerlessness and fear of Jews under the Nazi iron hoof. This is the Jewish Museum in Berlin. This building, full of stories and talking with the soul, was created by the famous architect Daniel Libeskind.

Jewish Museum in Berlin: As the chief architect of the reconstruction project of the World Trade Center in the United States, this building that speaks with the soul once made him famous all over the world, while another important project, the Jewish Museum in Berlin, established his eternal position in the architectural world. From 65438 to 0999, Daniel Leigh boskin moved to Berlin and began to design one of the most important works in his design career.

He claimed that he "moved with only two boxes, three children and one belief". The design of the Jewish Museum in Berlin really lived up to expectations and handed over a satisfactory answer to the public. He endowed the museum with soul and made it a shocking building. The plane of the whole museum is zigzag, and all the passages, walls and windows in the museum are at a certain angle, and none of them are straight. Designers use this metaphor to describe the unusual history and suffering of Jews in Germany. The exterior wall of the building is made of galvanized iron sheet in irregular shape, and there is a group of sculptures composed of 49 concrete columns with different heights in the outer courtyard, which reminds people of the heavy and difficult experience of Jews. The dense trees at the top of the sculpture show the endless fighting spirit of the Jews. Berlin Jewish Museum: The building that talks with the soul enters the strange space of this building, and there are three lines running through it. An exhibition space leading to an acute angle, with the black part as the core and the white part as the closed patio of the exhibition space. The other axis leads to the outdoor Hoffman Park, which consists of concrete square columns, which are inclined and not perpendicular to the ground. Stepping into it, due to the feeling of sloping ground and non-vertical space,

It makes people dizzy and walk hard, showing the hard course of Jews going abroad to make a living overseas. Planting a tree at the top of each concrete row column shows that Jewish life is rooted in a foreign country and full of new hope. The third axis leads directly to the holy tower, which is a black chimney-like space more than 20 meters high. After entering it, you stand still and meditate, recalling the sufferings of the Jews in the past, and finally being shocked by the heavy door sound when you leave the tower, thus deepening the impression and feeling of your visit. The deep nostalgia caused by the light and sound in the architectural space will never be forgotten. Repeated rectangular buildings with sharp corners and forced compression in width are full of life-like painful expressions and contain a crisis of dissatisfaction and resistance, which is deeply unpleasant. The whole building is a rare work that condenses the pain and troubles of life. Jewish Museum in Berlin: Architects who speak with their souls themselves call the museum a "linear narrow space". The reason is that there are two clues related to the relationship between thought and organization lurking in this building. One is a straight vein, full of countless broken fragments. The second type is an infinitely continuous and tortuous vein. Although these two veins are limited, they extend infinitely in architecture and are formed through mutual communication. According to the discrete and free treatment, a discontinuous space runs through the whole museum. These two clues are the characteristics of "Jewish Museum" and also his unique viewpoint of "binary opposition and antinomy". The traces of Berlin are not only physical, but also it is said that the causal relationship is unknown, or the past is mixed in it. Observing the external relationship between Germans and Jews, he came to this conclusion. He persistently pursued and imitated the life trajectories of writers, musicians and artists who contributed to Jewish tradition and Germanic culture. Perhaps it is appropriate to sum up the Jewish Museum in Berlin with a sentence once said by the designer: "In fact, architecture is a story. Through architecture, I want to impress people and give them a sense of hope. Tragedy can never be changed, but we can give them hope. Just as young Germans after the war finally changed their fate, now they use this experience to educate the next generation. "

It continues indefinitely in architecture and form. According to the discrete and free treatment, a discontinuous space runs through the whole museum. These two clues are the characteristics of "Jewish Museum" and also his unique viewpoint of "binary opposition and antinomy". The traces of Berlin are not only physical, but also it is said that the causal relationship is unknown, or the past is mixed in it. Observing the external relationship between Germans and Jews, he came to this conclusion. He persistently pursued and imitated the life trajectories of writers, musicians and artists who contributed to Jewish tradition and Germanic culture. Perhaps it is appropriate to sum up the Jewish Museum in Berlin with a sentence once said by the designer: "In fact, architecture is a story. Through architecture, I want to impress people and give them a sense of hope. Tragedy can never be changed, but we can give them hope. Just as young Germans after the war finally changed their fate, now they use this experience to educate the next generation. "