Seventeen-year-old Bicycle (2000), the top ten forbidden films in Chinese mainland, is the latest work of Wang Xiaoshuai, the representative of the sixth generation directors. Wang Xiaoshuai attended Berlin International Film Festival and got the conclusion of film criticism. Although he got a silver bear, he was forbidden to show it in China. 2. The Devil Comes (2000) won the jury prize of Cannes International Film Festival. The film exposes the Japanese militarists from a unique perspective and has a good reputation in the circle. Because the good images of some political factions have not been highlighted, they have not been released so far. 3. Suzhou Creek (2000) won the Best Film Award at Rotterdam International Film Festival in the Netherlands and Ginza Film Festival in Japan. The film tells a tragic story of love in the style of Wong Kar-wai's film, which shows the persistence in love and the discussion on the meaning of love. First, it was banned because it was broadcast in Taiwan Province province. 4. Going Home for the New Year (1999) won the best director award at the 56th Venice Film Festival in Italy. This is a story about tolerance and love. The hero went home for the New Year and told his unspeakable life in 17. Director Bird was punished for slandering the image of socialism. 5. Mr. Zhao (1998) won the Leopard Award at the 5 1 Locarno Film Festival. Director: Photography: Starring: Shi Jingming, one of the most outstanding photographers in the fifth generation of the Jiang family, tried to successfully transform into a film director like his younger brother Zhang Yimou by shooting his debut "Mr. Zhao". However, this effort has not achieved much success. Although the film won the gold medal at the Locarno Film Festival, it was banned in China for defaming the socialist image. His second film, The Novel, is said to have been sealed because its plot is obscure and reflects the miserable life of the people in China. 6. Xiao Wu (1997) Director Jia became famous in the international film industry with Xiao Wu and became a representative of young directors who came from behind. He makes movies in the same way as others. He took the road of international financing and distribution, and basically had nothing to do with the local film market. In China, films like Xiao Wu are presented to the audience through pirated vcd, because they defame the image of political parties and are suspected of incitement. 7. The Postman (1995) was shot by director He Jianjun with a sum of money from Rotterdam Film Festival, and the post-production was completed in Europe. This prevented the film from being shown in China. Getting financial support from foreign film festivals or film funds is the basic operation mode of many young film directors, and it is also an important reason why their finished films can't meet the audience. Suspected of defaming the image of China officials. 8. To Be Alive (1994), the most highly appraised work in Zhang Yimou, won the jury award and actor award at Cannes International Film Festival. Adapted from Yu Hua's novels, it shows the sad tenacity and tenacity of people in extremely difficult living environment. So far, it can't be shown because it denigrates the socialist legal system and the ruling ability of political parties. 9. The East Palace and the West Palace (1996) won the best director, screenwriter and photography award at the Argentine International Film Festival. Based on Wang Xiaobo's novel, it tells the complicated mental journey of a gay couple. Because it slanders the image of socialism and is suspected of propagating corrupt ideas, it has not been allowed to be shown so far. 0. Blue Kite (1993) won the grand prize of Tokyo International Film Festival. Telling the past few decades in a sad and gloomy tone, seeing through the fate of people buried in the ashes of history, and entering the competition without passing the exam, led the China film delegation to withdraw from the Tokyo Film Festival. As a result, the film has not been allowed to be shown so far because it has slandered the image of socialism and the image of political parties.
I think horror movies don't add special effects, suspense stories, sound effects and good directors. Personally, I like Japanese, Korean and Thai movies. Europe and America only rely on computer stunts to support the scene. Mantra 1, 2 (Takashi Shimizu) and American curse 1, 2 (Takashi Shimizu) are also wonderful. Sisterhood is deep. The Red Shoes and the Devil Suite (Thailand) is horrible, but sadder. Unfortunately, the spell of the ghost girl (Takashi Shimizu) asks ghosts and gods (South Korea), and the ghost water and the fierce forest ring the bell at midnight. 1, 2(3, 4 are all blind shots, not worth seeing) Xiangsong haunted house (Thailand) terror nursing station (Thailand) Suddenly one day xxx a demon who missed the call 123 was behind him (South Korea). The plot is very good. Recommended corpse feast (Korea) Cello (Korea) ferocious (Korea) escape 1, 2 lost things (Japan) recommended soul code (Thailand) recommended coffin (multinational co-production) accuracy of death (Japan) Auntie (Korea) midterm blood test (latest in Korea) Curse of Chennai (Japan) Greeks (Japanese award-winning film) (Takashi Shimizu
There are no so-called 10 forbidden ghost films in the world, only so-called 10 forbidden horror films, such as Chinese mainland's series 1989, and Hong Kong and Macao's movie The Painted Skin 1988. There is a legendary Japanese horror film "Black Sun 73 1", but the news is very unreliable. It is estimated that 1973 there is no such film in America. 10 was once banned, but it was later lifted. 1993 the dead in the water bath thebayfmacon( 1993) is produced by many European countries. Few ghost films are banned, most of which are cult harmony films.