A representative figure of pastoral school

The representatives of the pastoral school are: Tao Qian, Xie Lingyun, Meng Haoran and Wang Wei.

Tao Qian 1

As an idyllic poet, Xie Tao was obviously influenced by metaphysics, but because of their different identities and life paths, metaphysics left different marks in their poems. The mystery and interest in reason in Tao Qian's poems not only show that there are many ideas full of life experience in his poems, but more importantly, this mystery permeates the idyllic picture of "true meaning in it" in his poems.

2. Xie Lingyun

If Tao Yuanming was the first person to express his love for rural landscapes, then Xie Lingyun, who was contemporary with Tao and later, was the first person to express his affection by lettering. Xie Lingyun's landscape poems are skillful in using words, such as a craftsman who is good at scheduling language, often conveying the modality of landscape in one word. He has an extraordinary talent in refining poetry and understanding language, which even Li Bai admires.

3. Meng Haoran

Meng Haoran, a native of Lumenshan, Xiangyang, was one of the few poets who took cloth as their home in feudal times. Li Bai has a poem for Meng Haoran: "Master, I cheer you from my heart, and your reputation has risen to the sky." In the rosy youth, you gave up the importance of hats and chariots and chose pine trees and clouds; Now whitehead. Drunk moon, sage of dreams, bewitched by flowers, you turned a deaf ear to the emperor. Mountain, how I long to reach you, it is a pure fragrance. " Meng Haoran is a real hermit.

4. Wang Wei

Wang Wei writes political poems and frontier poems, but what can reflect his unique achievements is his unique pastoral poems. His pastoral poems are not only a portrayal of his personal soul, but also a projection of the ideological trend in the poetic country era.

Poems describing rural scenery:

1, prepare chicken and rice for me, old friend, you entertain me on your farm. -Meng Haoran's Passing Old People's Village

I called back to the north last night and set out from the east today. -Meng Haoran's "Tian Jia Yuan Day"

3. Distant villages, smog in the Yi market. -Tao Yuanming's "Return to the Garden, Part I"

We looked at the green trees around your village and the pale blue of the distant mountains. -Meng Haoran's Passing Old People's Village

5. The mountains are green and the mountains are white, and the rain is like smoke in the rules of sound and sound. -April in rural Weng Juan.

6. In April, there were few idle people in the countryside, and only sericulture was needed. -April in rural Weng Juan.

7. Excuse me, where is the restaurant? The shepherd boy just laughed and didn't answer Xingshan Village. -Du Mu's Tomb-Sweeping Day

8. Plant beans in Nanshan, and the grass is full of bean seedlings. -Tao Yuanming's "Returning to the Garden"

9. When the shepherd boy returns to the cow's back, the piccolo has no room to play. -Lei Zhen's "Country Night"

10, looking at Noda from the front door alone, buckwheat flowers are like snow in the moonlight. -Bai Juyi's Country Night