Selected exhibition of Liu's works

"Happy Shake" was selected for the 7th National Art Exhibition;

"Spending Money Bag" was selected for the 8th China Art Exhibition;

"The Three Monsters of Kanto" was selected for the 9th China Art Exhibition;

"Manchu Marriage Custom-Satisfaction" won the Excellence Award of the 9th National Art Exhibition;

200 1 The work "Winter in the Northland" was selected as a large-scale album of Chinese painting sketches;

In 2002, he held a solo exhibition at Guangzhou International Art Fair.

In 2003, he held a personal landscape painting exhibition in Maoming, Guangdong;

In 2004, he held personal landscape painting exhibitions in Shenzhen, Qingyuan and Zhanjiang.

In 2006, he held a solo exhibition in Linyi, Shandong;

In 2007, he held a solo exhibition in Huangshan, Anhui;

In 2008, he held a solo exhibition in Dongguan, Guangdong;

In 2009, he held a solo exhibition in Beihai, Guangxi.

Many works are collected by local museums and art galleries. 1997

Bai camel photography

1994

Tiexue Kunlun Guan photography

1996

Changzheng photography

1983

The harbor is not calm, trick photography.

199 1 year

Sun photography on the roof of the world

1989

"Dream of Goddess" Photography

"China swordsman" photography

1992

Photography of "Prison Break Female Prisoner"

200 1 year

"Three-way True Love" Photography

Photography of "Golden Post"

1987

"Moon in Mountain Village" Photography

In 2003

"Paper airplane" photography

38 degree photography

In 2005

"Iron Blood" shoots Liu's precious works, especially the landscape Chinese paintings, which are pleasing to the eye and appeal to both refined and popular tastes. His works combine the characteristics of the northern and southern painting schools, pursue the beauty in the vigorous atmosphere, and attach great importance to the combination of traditional pen and ink and modern techniques, so that the charm uniquely shows the texture, space and artistic conception of mountains and rivers, as well as the changing beauty of the four seasons. It can be said that Liu's works are "written", not just "created" by imagination. Almost all his paintings were created by climbing mountains and wading in person. It is a second creation to take photos and sketch with its profound modeling skills, then join in the inkstone field and rub into the theme. This is not only related to Liu Bao's life experience and artistic experience, but also related to his personality.

Liu's precious personality, introverted, calm and quiet thinking, has gradually formed a solid and profound style of painting. Although he also appreciates the free and easy painting modeling language, he prefers to express the ideological spirit of his works in a realistic way, and organically embodies the traditional painting charm and appreciation interest in his works. He believes that it is not enough to have realistic modeling skills, but also to form high-quality and tasteful landscape Chinese painting through vivid, vivid, profound and interesting modeling language. So in recent years, he has been insisting on sketching, writing not only the famous mountains and rivers in various places, but also the mountains and rivers in his hometown. At the same time, on the premise that traditional pen and ink and realistic modeling are precious, he explored more innovative creative forms and techniques to keep up with the trend of aesthetic taste. Therefore, the appreciation of Liu's new works highlights the majestic momentum, especially the artistic conception created by various styles and techniques, which makes his works have the beauty of silence. The work not only has the grand momentum of the distant view, but also has the plump texture of the close view; Far view gives people shock, while close view gives people agility. This unique composition and brushwork enabled him to successfully create an artistic atmosphere and a kind of poetry. So there is a rich, harmonious and boundless meaning. In the picture scroll, the smoke is like a veil, light and ethereal, the mountain is like a hero, showing the power of the plate, the tree is like a trance and psychic. The cloud belt runs through the bottom of the forest, showing the atmosphere of singing late in the autumn; The house in the mountains is like a fairy's residence ... Now, the focus of Liu's exploration is still how to integrate the landscape painting with sketch characteristics with traditional forms of expression, including pen and ink, so that the decorative and ornamental "hall landscape painting" can become a brand-new world in the space of traditional painting and contemporary art.