Picture photography school

The school of photo photography came into being in the 1980s of 19 and ended in the early 1920s and 1930s.

Painting school: advocates that photographers express their individuality and talents without relying on traditional models. Emphasizing the importance of aesthetic elements such as tone, line and balance in the picture exceeds the actual meaning of the photo.

At that time, the painting school seldom used collage and superposition to produce similar painting effects, but made them through direct shooting and special techniques.

If in the19th century, the technical threshold is still the natural enemy of the painting school; So now, the difficulties faced by the masters of the film age are almost negligible. In the final analysis, the "access card" of painting is not high, and any photographer who knows the original meaning of painting can do well-because the current technical means and auxiliary props have exceeded the imagination of predecessors. But in fact, there have been many reservations about photo photography, regardless of the division of labor and status of practitioners in the industry. However, in such a wide variety of development roads and such a huge market, photographers hope that their works will become more exquisite. In this context, the "Picturesque School", a photography category that was once brilliant and faded in the film era, quietly sounded the drum of recovery.