What are the similarities and differences between Makoto Shinkai and Miyazaki Hayao's animation?

Similarly, to be honest, I really don't want to.

If you insist, it is that both Miyazaki Hayao and Makoto Shinkai are taking advantage of the opportunity to introduce new business representatives in the industry.

There are many differences between them.

Makoto Shinkai: In fact, Makoto Shinkai has many common features of the new generation of animators. Photography is very careful, the performance of light and shadow and the use of lenses are bold, and the colors are often bright and beautiful.

These things can't be found in Miyazaki Hayao's works, so they are easy to see. Because of the different digital technologies, a lot of words and images on mobile phones and computer screens in Makoto Shinkai's works are totally absent in Miyazaki Hayao's works.

Some focal length transformation designs, although in Miyazaki Hayao's early works, are invisible in long-form animation anyway. ? Then the story is often based on the campus, the protagonist is a student, or at most the stage from school to society. This feature is not only Makoto Shinkai's works, but also many works based on campus.

One is because the main audience of animation is always young people and children, and it is easy for everyone to feel the same when writing about campus. The other is that young creators must have more memories and feelings about the school, and there are more works on the natural campus.

Miyazaki Hayao: Miyazaki Hayao comes from a family that runs an airplane factory. In his early years, he often made airplanes, which inspired his realistic painting style.

Dreamy painting style, always insisting on making animation by hand drawing, and using watercolor art extensively. Most of its scenes come from imagination and fairy tales, that is, overhead.

The painting style of character modeling has not changed, and it has been used since the 1980 s. Coloring is all painted on the transparent film with pigments. Computer coloring was not popular in Gong Lao's time, let alone computer animation.

Miyazaki Hayao never gives the characters that extraordinary appearance (except Hal). If the character setting is too aesthetic, it will completely reject the overall narrative style. It is those simple but vivid lines that are unpretentious, conform to the character and have a sense of reality.

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