Traditional Culture Encyclopedia - Photography and portraiture - The inheritor of Xiaogan carved paper-cut

The inheritor of Xiaogan carved paper-cut

Xiaogan carved paper-cut has been handed down from generation to generation, with four or five generations of paper-cut families, and there are hundreds of families in Paper-cut Bay Village. Hu, a paper-cut family, loved art since childhood and learned to tie lights and colors with his father. /kloc-started to carve and cut paper at the age of 0/6. He has been an artist for more than 50 years and has made outstanding contributions to inheritance and innovation. His works are gentle, charming and unique in style. He has participated in the first China Art Festival, the national export handicraft exhibition and the Canton Fair, and was awarded certificates and medals by the service department of China Artists Association. On Xiaogan Paper-cutting, 1988, published in Hubei Arts and Crafts magazine, with achievements published in Cihai, Local Records and Who's Who. He became a senior arts and crafts artist, a member of Hubei Branch of China Artists Association and Hubei Branch of China Arts and Crafts Association, a director of Xiaogan Painting and Calligraphy Society, and the chairman of Xiaogan County Folk Artists Association. Chi Fuxin has been engaged in cultural work all his life and devoted himself to the research of carving art under the influence of his ancestors. His paper-cut works have won many awards. From 20001to 2006, he won the bronze award in the middle-aged group of the first China Painting and Calligraphy Star Exhibition, the silver award in the first stunt competition in Hubei Province, the bronze award and the gold award in the folk art exhibition in Hubei Province, the silver award in the national paper-cutting competition, the silver award in the paper-cutting competition in the World Horticultural Exposition and the excellent award in the first international paper-cutting art competition.

With the expansion of social demand, Xiaogan paper-cutting has gradually formed a professional division of labor. Guan is a professional artist who specializes in funeral paper cutting. Before liberation, his family was a Taoist for generations, so he was famous for cutting small banners since childhood. After liberation, he participated in Xiaogan county carving paper-cutting research class, devoted himself to creation and achieved remarkable results. With profound traditional kung fu and smooth knife skills, his works are exported to nine countries, including Japan and Western Europe. In 1950s, professors and experts from Central Academy of Fine Arts and Hubei Art Institute interviewed him and collected many of his works.

No, female artists are better at being original. Zhang Qiuping, a granddaddy, is skilled. Just grab a pair of scissors and a few sheets of paper, and you can cut out the lifelike "Zodiac", the lifelike flowers, birds, insects and fish, and the solemn and elegant "dragon and phoenix are auspicious", which is praised by Fiona Fang as the "divine hand" hundreds of miles away. Xia, a famous female artist, began to learn art with her mother at the age of four. Her works are freely cut in one go, which is a famous "God Cut" in the village.

Xiaogan carved paper-cut is a treasure of Jingchu folk art, which conveys traditional ideas and ancient culture with rich image language and has unique aesthetic value and artistic value. It records the long and tortuous development process of paper-cutting technology, inherits the artistic essence of past dynasties, and gathers the creative achievements of different periods. It is like a historical corridor of carved paper-cutting art, which combines the essence of North and South art and forms its own system, and stands out in the forest of folk art with its fresh and lively, simple and elegant style. It is rooted in the society, based on folk materials, with a wide range of themes, simple content and strange expression techniques. The works of various schools and styles compete with each other, which is a valuable treasure house of folk art. Now it is endowed with aesthetic modeling and rich emotional color, which makes the works full of strong poetry and expresses the spirit of the times. Mr. Guo Moruo wrote a poem for this purpose: "I have seen window grilles in the north, and their taste is naive and rich;" Today, the carved paper in the south is beautifully carved; A wonderful cut, beauty is immortal in the world! "

Xiaogan carved paper-cutting has a long history, has a broad mass base, has been passed down from generation to generation, has developed rapidly, and has gradually ascended to the elegant hall. 1994 was named as "the hometown of folk art" by Hubei provincial government, which attracted the attention of news media at all levels. People's Daily (overseas edition) published articles such as Exquisite and Exquisite, Beauty in the World, Xiaogan Paper-cutting, the Treasure of Folk Art, and Hubei Daily published a full-page signed article "Paper-cutting with Charm", which made a detailed comment on Xiaogan paper-cutting from the perspective of artistic characteristics. Mr. Jin, President of China Folk Art Research Association, President of China Folk Paper-cutting Research Association and Professor of Central Academy of Fine Arts, spoke highly of his inscription "The Treasure of Jingchu Folk Art". A series of paper-cut "Hundred Phoenix Pictures" are composed of 132 phoenixes symbolizing good luck and wishful thinking, with different expressions and lifelike. It was exhibited in 1986 "The First Art Festival of China" and published in 1992 "The Second National Agricultural Games Album". With the theme of flower butterfly symbolizing vitality and infinite vitality, flowers attract butterflies to participate in exhibitions in more than 20 countries, including the former Soviet Union, the United States, Britain, Germany and France. 1988 produced the theme art film "Beauty of a Cut" with Xiaogan paper-cut as the theme, and went to Brazil to participate in the international film and television exhibition, and won the special prize of the 5th Rio de Janeiro International Film and Television Festival, among which "Huaiyin Ji" was selected as the poster illustration of this film festival.