Panoramic lens details: how do photographers shoot panoramic lenses?

Robert richardson, a cinematographer, won the academy award for best cinematography three times for his films The Aviator, The Assassination of Kennedy and Hugo. He has long-term cooperation with directors quentin tarantino, martin scorsese and oliver stone.

Robert richardson is on the set.

Then,

How to take a panoramic view in the way of robert richardson?

First of all,

Let's learn the difference between panoramic lens and large panoramic lens.

Panoramic lens:

Panoramic lens is one of the composition methods of large scene shooting angle. Let's study the various uses of panoramic lenses in Richardson's films.

Panoramic lens is a picture of a person from head to toe. These lenses are used to show the background and space scenes of the audience. Their size, distance and location will play an important role.

The picture above is an example of the panoramic lens widely used in "Liberated Jiang Ge", which makes him a hero in the movie. Notice how the background is perfectly balanced.

Jiangge stands high in the center of the picture. Behind him is a big tree. By adding three women to the left rear, you can fill the dead angle and increase the depth of the lens. The man on the right is like a carriage.

At the same time, please note that the leaves on the tree only make your eyes pay attention to Jiangge and move things on both sides. This kind of shooting lens is really great.

Panoramic shooting does not always focus on prominent people. They can also be used to represent the planes in Aviator, such as highlighting the proportion and position of the planes in the sky, and still showing a sense of depth in the lens.

Richardson is also a master of silhouette. He often uses this method to show panoramic shots in movies. In the wonderful picture of "Kill Bill 1" above, we were crazy for this amazing indoor battle scene for 88 seconds. Compared with the montage shown in the training of Black Bill 2, this is absolutely amazing.

All the characters standing in front of a bright background will attract you to focus all your attention on their actions. The goal is mainly martial arts. By weakening the character's clothes, you can concentrate on the action and the effect is amazing.

Richardson also uses silhouettes to express "secrets", such as Shutter Island below, and points out the ominous feeling of the whole scene. We can't see the faces of any people, and we are completely surrounded by the surrounding fence. This is a good way to create tension between the picture and the audience. This kind of panoramic lens will make you uncomfortable.

The picture below is a panoramic view of the movie Hugo. There are incredible details around Georges Méliès in the picture, but the central composition and stage lighting attracted the audience's full attention.

There are four stage lights on both sides of his feet, and two lights on the high balcony are close to his shoulders. Two statues in the background are backlit, and then a large audience is there to watch his performance. The picture shows all the details, but you still focus on Mei Li Ai, which is a powerful panoramic lens with correct composition and lighting.

Panoramic lens:

Large-scale panoramic lens is shot from a long distance, usually characterized by shooting scenery and the appearance of large buildings.

Large-scale panoramic lens shows the surrounding environment of the characters like a panoramic lens, highlighting the proportion, distance and position. If people are visible, their size usually doesn't matter. They are not the focus of the lens, but they can play a complementary role.

The picture above is from the movie Inglourious Basterds. We can see the appearance of the whole house and explain the empty buildings and the surrounding environment. The shooting also uses cows and washed clothes to fill the sense of isolation of trees in the independent space, which also helps to balance the composition of the left room.

The picture below shows the scene in Jiang Ge Liberated. We watched a western movie with a standard panoramic view. The vast and open landscape shows their long journey, and this mountain represents the obstacles ahead.

Between panoramic and panoramic shooting:

Now that you know the standard rules, you should know that you can break them. You can shoot between a standard panoramic lens and a standard large panoramic lens. The best part of film photography is to use the surrounding environment to shoot the best pictures.

Above the movie Hugo, we see a young Hugo standing in the center of the photo, but he is standing in the composition at the end of the tunnel. The light behind him lit up him, and we could hardly recognize his face. This is a perfect example between panorama and panorama.