Before the 1960s, Keisuke Kinoshita's film style was

Keisuke Kinoshita's film style before 1960s was romanticism.

Keisuke Kinoshita, whose real name is Muxia, was born in Hamamatsu City, Shizuoka Prefecture on February 5, 2002. Japanese director and screenwriter. Graduated from Hamamatsu Industrial School. Before 1960s, Keisuke Kinoshita's film style was lyrical romanticism. In the Japanese film industry, his performance style is different from Kurosawa's masculinity and grandeur, and he prefers tenderness, purity and femininity.

1933, Keisuke Kinoshita entered Putian Studio of Songzhu Film Company as a photography assistant; 1936 transferred to the director department as assistant director; 1943 made his debut film "Flower Harbor" and won the "Sadao Yamanaka Award" from the cutting-edge director. During the period of 1946, he produced and filmed the first Japanese anti-war film "Morning at Ausone's House" after World War II, which won the first place in the top ten films.

Keisuke Kinoshita's Personality Evaluation

Keisuke Kinoshita is a rare all-round director in Japanese film history. He not only has profound artistic attainments, but also knows photography techniques. I often write and direct myself, and every work strives for new exploration in photography technology. Love location shooting, inject a fresh natural wind into the film. The works are rich and comprehensive, which can not only make people laugh, but also make people cry. It can not only make a historical film detached from reality, but also make a thought-provoking social film.

Director Keisuke Kinoshita challenged comedies, experimental films, romantic films, social films and other genres, bringing a new atmosphere to the film industry. He and Vincent Minelli are very similar in color application and music. In addition, director Muxia has a great influence on directors after 1960. In the studio system of Matsuzaka, Japan, his films have obvious own style.