What is the experience of Fuji GFX 50R COSPLAY shooting at night?

I think the COSPLAY shooting of Fuji GFX 50R night scene is such an experience. Since I took photos with COSLPAY, which is becoming more and more commercialized, my requirements for my works have also improved, with more exquisite makeup, more sophisticated props and costumes, more professional lighting and more detailed and high-quality images. As I am used to the 135mm SLR camera, I am looking forward to using China camera for the first time. Ultra-large-scale complementary metal oxide semiconductor, high pixel, high tolerance and amazing detail description ability will be realized on Fuji GFX 50R.

As a long-term COS photographer, I have always longed for the off-axis appearance of Fuji GFX 50R. Retro style is completely different from all SLR and SLR you can see at present (except Fuji X series of course). Of course it's worth it. Fuji GFX 50R really deserves to be the first in the whole network. Of course, all Fuji cameras do this.

When you get it, the first impression is that it is slightly heavier than the model used in daily life, but when you see the huge complementary metal oxide semiconductor in the center of the camera, all the feelings of "big" and "heavy" will disappear. In addition, for lenses with the same size as SLR cameras, there is almost no obvious difference in weight when using 135 mm SLR cameras.

Of course, for conventional COSPLAY photography, various postures are needed to reflect the content and story of the work, and a reversible screen is essential. Therefore, when I got Fuji GFX 50R, the first thing I did was to play with its flip screen. I can shoot at low or high angles easily. The high pixel screen is not only pleasing to the eye, but also can see enough picture details visually.

Besides the screen, I also pay more attention to the focusing performance of the camera. Although most of the current shooting is done through tent shooting and flashing step lights, it is often necessary to shoot at night or in dim light, even in a completely black environment. In most cases, I use a lens with a focal length of 32 mm, which is equivalent to a medium frame spacing of 25 mm in a full frame, which is very practical in wide-angle COS photography. It can be seen that this kind of lens is excellent in distortion control. Although it brings a picture of an environment full of tension, it also brings excellent clarity from the center to the corner. Therefore, the above is the experience of Fuji GFX 50R COSPLAY shooting at night.