Behind the scenes production 2 1g

Boys and girls are high school classmates. Girls are smart and beautiful, and have a large group of admirers. Boys are delicate and taciturn, and never take the initiative to talk to other girls. Boys sometimes discuss problems with girls, but they always stick to the subject and never lead to other topics. Girls still find some clues. Boys borrow girls' pencils before every exam, and when they return them, they have been polished round and smooth, without any traces of knife cutting, like a perfect handicraft.

It's also a tacit understanding. Both boys and girls are careful to keep secrets. But that time, when the boy returned the pencil, the girl found something strange. The girl opened the pencil box and found a note in it. That is the most unattractive love letter a girl has ever received: My love for you is 2 1 gram. Why is it only 2 1 g? The girl thinks that such a stingy guy makes the girl slightly angry.

It was a math test specially arranged by the school on Saturday. Boys are assigned to the extracurricular examination room, while girls stay in the original classroom. When the boy was going to the examination room, he saw the girl joking with a boy in the front row. The boy's face is a little red, but he still whispers to the girl. Did he sharpen the pencil? The girl said sullenly, "What's it to you? The boy's face turned pale in an instant, glanced at the girl in panic and turned away.

The results of the math exam released on Monday surprised everyone, and the boy who had been good at math failed. The math teacher was very angry and severely criticized the boy in front of the whole class. Girls are a little guilty and don't know if they should apologize to boys, but why should they apologize? On the way home, the girl thought about tomorrow and wrote him a note tomorrow.

The girl's note was not delivered, and the boy didn't come to class the next day. On the third day, he heard the news that the boy had transferred to another school.

The girl didn't expect this boy who always whispers in front of her to be so proud and so easily hurt. The girl comforted herself by not wanting such a boy.

Later, the girl went to college. In the carefree university campus, the girl's beauty blooms like a flower, and he naturally becomes the focus of attention. Among the many love letters that the girl received, one made her particularly tempted. Later, the girl fell in love with the boy who wrote this poem. Before the flowers fall on the moon, all the procedures were reviewed, and the girls realized that the boys' poems were plagiarized. Although the girl and the boy had a big fight,

One weekend night, the girl wanted her boyfriend to go to the movies with her, but her boyfriend wanted Aidit to say that there was a very important football broadcast tonight. The girl suddenly became angry. What matters is me or football? The girl raised her voice and said, "Are you going?" The boyfriend was obviously angry and said flatly, "No."The girl sneered, "But you did." The girl grabbed a passing long-haired boy and said, "Will my classmate accompany me to the movies?" The boy looked at the girl in surprise and immediately agreed. The girl grabbed the man and left. Her boyfriend pushed the boy with long hair away and shouted at the girl, "I forbid you to go!" The girl sneered, "Leave me alone. Who do you think you are?" Her boyfriend's face changed. 1 of "pa", the boyfriend's palm hit the girl's face. Two people were stunned at the same time. Tears began to swirl in the girl's eyes, and the girl bit her teeth. With a bang, the girl slapped the boy heavily and said, "From now on, we will.

Maybe it's too emotional Boyfriend never called again. The girl is very ill. After she recovered, she wandered around the campus at night. When she arrived at the auditorium where the film was being shown, the girl strolled in.

The girl sat in her seat, staring blankly at the screen, unable to get into the plot of the movie, but she heard the conversation of a couple next to her very clearly. "Why is the name of the movie and? Weird! " The woman asked.

"Little fool," said the man, "2 1 gram is the weight of the soul. Westerners say that people lose 2 1 g after death. "

2 1g, 2 1g, the girl murmured, and the past time surged like a flood. The girl suddenly felt as if she had been stabbed by a needle. He put his hand over her eyes, but the tears could not stop and ran down her fingers silently. The girl couldn't help crying in despair, which was enough to touch anyone with a heart of stone, girl. In fact, the boy didn't transfer. He just thought that the girl was rejecting him by doing that. The boy is very sad. He had his first drink that day and was taken to heaven by a truck when crossing the street. But girls don't know, and they will never know-21gram is the weight of the soul. It is said that people will lose 2 1g after death, which is the purest love, and that 2 1g is: one gram is tolerance, one gram is acceptance, one gram is support, one gram is narration, one gram is unforgettable, one gram is romance, one gram is communication, one gram is prayer for her, one gram is apology, one gram is consideration and one gram is unforgettable. Dear friends, are you moved? I didn't waste your two minutes. Do you know the meaning of "My love for you is 2 1g"? If you are happy enough and someone says "My love for you is 265,438+0g", then accept her and love her better, because she gave you all your soul. Dear friends, if you feel moved, please reprint it to let more people know about "2 1 Ke Ai". If you don't know the meaning of "love with a net weight of 2 1 g" before then, please remember it, because maybe one day a boy or girl will say to you, "My love for you is 2 1 g", then you will be the happiest in the world.

The human soul is weightless.

Soul is the structure of biological magnetic field and the wave field form of human thinking consciousness. Just like computer software, it is a program, not a file. The hardware structure of a computer is matter, and matter has weight. If the soul is an anti-biological magnetic field formed by antimatter particles, then the soul weight of 2 1 g written by philosophers and theologians in our society today is unscientific. At present, it is against the laws of nature for scientists all over the world to use dying human bodies to engage in pseudo-scientific research. If the soul really exists, it should be the virtual substance of human image, and more rigorous scientific means are needed to obtain new theories. We firmly believe that in the near future, scientists all over the world will definitely uncover the true face of the human soul.

The title refers to the weight lost when you die in legend. Three different fates, but tragically intertwined. There is no standard for who is right or wrong, and no one can stop the accident that has happened, which is followed by mental torture. In fact, this story is about what is lost between life and death, and it is a film about the meaning of life from a special angle. The shooting technique of the film is a bit messy in time and space, with a gray style. The brilliant part is the flashing fragment of the whole article, which makes the viewer know the ending and fate inadvertently. Like Amores Perros in 2000, this film shows amazing talent: the same structure, more exquisite performance and chilling feeling, which really shows the brilliant talent of Mexican directors to the world. Several protagonists in the whole film can be described as pure tragedies, without a smile, which makes the sharp and real images of the film melt into the same real emotions. The hardships, pains, love, loss, repayment, hope and responsibility that the director wants to express clearly emerge and become an unavoidable and unforgettable film.

Film deconstruction

The first still picture in the film is: Christina is sleeping on her side naked, and Paul is sitting by the bed smoking behind her. This "focus plane" is excerpted from the plot (independent of itself), and then the picture is titled "2 1g", and the movie begins.

This is a story about the transmission and continuation of life. A person who occasionally meets strangers but is willing to pass on the soul baton. In a traffic accident, Christina's husband and two daughters died under Jack's car, but this provided Paul with the possibility of survival. Paul pointed the gun at his chest to appease the repentant Jack and save the benefactor (Christina) (otherwise Jack would die at Christina's hands). The film ends with Christina pregnant with Paul's child, showing a transaction and reincarnation of the fire of life.

Similarly, the expression used by director Inarido in the film also carries a handover. Except for the first shot mentioned above, the whole article consists of two parallel clues: direct narration and flashback. One is from back to front, and the other is from back to front. The direct narrative story begins with Christina's husband taking his two daughters to have a cold drink, and the flashback story begins with the dying old Paul lying in a quasi-morgue bed with tears in his eyes.

The contextual structure of the film is not untraceable and complicated. On the contrary, it follows the double-line trajectory of alternating direct narration and flashback. In the first three quarters of the film, the linear stories in two different spaces, direct narration and flashback, travel in parallel and staggered. The last quarter of the film completes the handover and coherence: at this time, the independent direct narrative and flashback clues just developed to the same point in time, so the two lines merged into one. Then, the combined third line repeats the flashback of the first story (the scene of Paul lying on his deathbed). Of course, this is a continuation of Paul's death, and then Paul died and Christina was pregnant.

No matter in the context of direct narration or flashback, they all tell the stories of three families. In the direct linear story, Paul with heart failure and his wife Mary are waiting for the donation of a healthy heart. Christina's family with her husband and daughter is still harmonious, and Jack, who has converted to Jesus, is no longer a rogue. However, the three families who are strangers have become a line because of an accident outside, and subtle emotional changes have taken place between them. The director's background explanation from the initial three families changed into the close relationship between the three families after the accident.

Distinguishing between direct narration and flashback, the director intends to show it in the transition of image and color. In the direct narrative story, the picture gradually darkens from cheerful bright color, and finally turns into dark yellow, while flashback changes just the opposite. The place where the two lines meet and merge into one is when the colors of the two pictures are the closest.

"In any case, life will continue", and the powerful words of "Unbearable Lightness of Life" hit the hearts of the audience many times, and also reflected the idea of objective supremacy of film materialism. Taking "2 1 g" (soul) as the title of the film is actually a symbol and medal of the struggle between life and death. Because life is always quiet.

Inarido is an absolutely "very sober" realist. Like Janderovsky, religion and gods are just symbols of his advocacy of human kindness (it seems that this is a "common disease" that Mexican people should be proud of). He even questioned the bewitched religious belief many times, and this film is his allusion to the "dogma" in the Bible. Jack changed completely after he turned to Jesus. His wife said to him, "At least I used to know you were an asshole, but now I don't know who you are?" .

After "Love is a Son of a bitch", Inarido insisted on his "super fragmentary" style, although he was liked by Hollywood. However, Hollywood, the demon that stifles individuality and creativity, will not let him go. Inarido's future in Hollywood is still unknown. I hope he doesn't follow in the footsteps of Danny Paul and Tonatore. Simply put, this is a story about religion, life and redemption, but what the film really says must be seen in person, because every shot, every line and even every expression of the actor contains multiple contradictions, which is worth chewing carefully.

Let's talk about religion first, of course, mainly Christianity. Different from our Buddhism, Christianity believes that a person's life is only once, and "in another twenty years, he will be a hero" will not happen. Of course, there will be no retribution and gratitude in the next life, so life is particularly precious, and any crime and punishment that violates the Ten Commandments will be punished by God. Speaking of the Ten Commandments, Kislovski's exposition of the death penalty in the Ten Commandments is a classic example. The focus of the story is whether a repentant murderer must be executed. After all, the death penalty can't bring the dead back to life, and prisoners have lost the opportunity to mend their ways. Of course, this film does not continue Kislovski's exposition, but puts the problem into the perspective of responsibility. Jack has a great responsibility to his family. His surrender can't bring the dead back to life, nor can it alleviate the pain of the relatives of the deceased, but it will add more pain to his family. These innocent children of God will pay for his mistakes all their lives. But Christians can't lie, and they can't escape their sins. This contradiction of Christianity has not been made clear, so it comes down to a big ideological conflict between Jack and the priest in this film. The priest believes that Christians' responsibility to the family is beyond the judgment of society, and the so-called social justice is often the beginning of greater pain. There is a clip in the movie that illustrates this point. Jack's two children are fighting, but he wants to hit each other in the face when he is beaten, instead of hitting each other or directly punishing the children who do it. Direct punishment is a legal practice, but when Jack really faced the same problem, he chose secular punishment. The priest advised him to take care of his family with biblical words, and he refuted them with biblical words. It seems that a Bible can't save a wounded soul. When people can't really understand their own purpose, they lack an open mind of introspection and introspection, and lack a wisdom that is detached from foreign things. No matter how reasonable the sage's words are, they will be misunderstood and even become a burden.

Life is an extremely complicated topic, but it may just be a beating heart. The heart was changed from one person's body to another's, but the donor's widow had to bear great pain and decided to donate the heart of the deceased to others at the moment when she was notified of her death. I still remember Christina sitting alone in the hospital. The doctor came and handed her a lot of information and said, "I know this is difficult for you, but this decision must be made at once." After the operation, Christina left the hospital accompanied by her sister, miserable and desperate, while watching Mary waiting for her husband's transplant, full of hope. A simple shot links life and death, despair and hope. Medicine gives some people hope, but it is inhuman to others. Everything is just for life and survival. Life is also fragile. A complete accident can kill three people, but a little medicine in Christina's blood forced Paul to die. But life is still an eternal hope. Even if Mary is afraid to fight for her life, she will have children of her own. Her husband can have it, but the children can't. Christina's last posthumous child became the only hope among all the desperate images in the film.

Salvation, in fact, did not give them any chance in this movie. Maybe this is the director's intention. The so-called redemption is an illusion and an escape from real suffering. Because we still have a conscience, we can be forgiven, but many times, we can't forgive ourselves. In this way, human beings must know themselves through suffering. The judge told Jack that you are free and innocent, but the pain of killing will still follow him, making him unable to live and die forever. Paul had a gun to his head. He really wanted to die under the gun and escape from the endless torture of his conscience, but Paul was unable to kill anyone. Paul's mentality is very complicated. On the one hand, the law can't punish the perpetrator, he wants to do justice for heaven. On the other hand, his new life was given by the criminals. No matter what kind of "benefactor" he is, he can't face his conscience. In fact, almost all people have been tortured by this kind of conscience, which makes them afraid, but life must go on, and they need hope, so they look to Christianity and rely on the Lord for strength. The problem is that many people are still skeptical about the Lord, and the world of mortals still dominates their thinking. Even very devout Christians are still in the world of mortals. What should come is still coming, and what should be faced is still to be faced. Can not be broken, suffering, is helpless jack; Ginseng is broken, see the desolation of the world clearly, understand the weakness of people, finally tired, just want to leave. That's a bullet that Paul shot into his chest.

This is the "melancholy of existence", a state doomed to sink, because in the confusion of the world of mortals, sink is the only way to protect. But Paul, Jack and Christina don't want to sink. They struggle with fate, examine their sins, and even want to clean themselves up. They don't want to escape, so the pain arises. They are all kind people, unwilling to give up their conscience, but this soul has stabbed them. They are struggling in their own souls, and their weight of 2 1 g, which is lighter than hummingbirds, has become a lifelong torment. Perhaps life is patience, that is, the process of constantly swallowing bitter fruit. Bitterness begets bitterness, and new bitterness begets it. When the director truly put the suffering of reincarnation in front of us, it destroyed our beautiful dreams, awakened us from the state of sinking, and showed a real desert. For us, we don't know whether it is a blessing or a curse. The film's behind-the-scenes creators are the original crew of Love is Mother Dog, including director Inarido, screenwriter Guillermo Arriga Jordan and photographer Rodrigo Prito. Still using the same structure as the previous work, the lives of three strangers are linked through accidental events, comforting each other's pain, and the audience will see their past lives one by one. Rodrigo Prito said that although the plot structure is similar, the film is more complicated than Love is a Son of a bitch, involving many places, and the time structure is as confusing as a mystery. On the other hand, the image is very realistic, and he uses a lot of hand-held photography so that he can clearly control the beat and speed.

2 1g refers to the weight that a person will lose when he dies. 2 1g is the gravity of life and also represents the separation of souls. The film Return to the Root of Human Suffering and Rebirth shows how people overcome suffering. It is about sadness, loss, regret, redemption, sacrifice and God's infinite love.

The film connects three unrelated people through dramatic plot, violent vibration of emotional atmosphere and entanglement between characters. The space-time structure of narrative is also quite complex, which subtly implies the final outcome by mixing pre-flashback, flashback and present continuous tense. For the audience, finding the clues and reasons connecting these three people has also become a puzzle-like game. The style of editing and photography is very harmonious with this fine structure, full of rhythm and sense of rhythm, like jazz.