Review of the movie "Railway Hero"

After watching a film and television work carefully, you must have a new understanding and view of life. Write a review and record your harvest and contribution. Then can you write it down? The following is the model essay of the movie "Railway Hero" that I arranged for you, for reference only, and I hope it will help you.

Comments on the movie Railway Hero 1 The movie Railway Hero is an unexpected work. Although it is a well-known story, it does not lie on the "credit book", but has a unique way and made a rare new idea.

In the 1930s and 1940s, countless people with lofty ideals in China bravely stood up to defend the motherland in the face of the frenzied Japanese invaders. The Lunan Railway Team, which belongs to the First Division of the Eighth Route Army, is also a powerful anti-Japanese force. Taking railways and trains as the main positions, they fought against the Japanese aggressors with wit and flexibility, and repeatedly made outstanding achievements. The heroic deeds of railway soldiers have long been passed down from mouth to mouth among the people, and have been interpreted countless times on large and small screens, thus becoming a household name.

The so-called "new creation" should not only shoot new ideas to meet the growing aesthetic needs of the audience, but also do not shoot indiscriminately and respect historical materials. In short, look for new breakthroughs in the traditional version. The movie "Railway Hero" has done quite well in this regard.

The first is the way of presentation. Compared with the traditional war films with the theme of anti-Japanese war, the content of this film is intertwined. There are not only the excitement of grabbing the train, but also the hot action scenes of hand-to-hand combat, and there are even more secret confrontation between ourselves and the enemy. From the danger of the railway team under the enemy's eyes to the successful portrayal of the villain, the positive and negative clues are intertwined, and every clue of action and suspense has its own characteristics and presents different colors, which also creates a strong dramatic tension for the film.

In history, the deeds of the railway corps belonged to the enemy's rear, and it was the daily life of the team members to play intelligence and hide their identities. Therefore, the movie "Railway Hero" presents two different styles to the audience, namely, the hot stimulation of action drama and the battle of wits. In the action mode, the film uses a lot of dynamic and static contrast, highlighting the tension and crisis of the atmosphere.

For example, the opening of the oncoming war on the train depicts the agile skill and courage of the railway corps from the fast-moving camera language and easy editing techniques, and shifts the story with strong sense of substitution to the enemy's rear and underground activities. Compared with the big scenes of gun battles and train wars, this kind of spy films are hidden under the surface and are "quiet". Snow-covered plains, harsh and cold atmosphere, and the switching of two styles seem to ignite a flame on the vast snowfield, which requires the director's scheduling ability to be very high, and the actions of the characters in the film will also create a tense atmosphere in the audience's mind, which is also a very advanced drama tension. The reason why the director dares to shoot like this is because there are super powerful actors like Zhang Hanyu and Fan Wei in this film.

After all, in rendering the tension between the enemy and ourselves, showing conflict is the strength of the image, and depicting the atmosphere and psychology is the weakness. So this kind of story is a test for actors, and that's how to express the characters' thoughts.

For example, Fan Wei, as the dispatcher of the railway station, plays a smiling game with the enemy every day, especially when he goes out to deliver information under the eyes of the enemy. In the face of the enemy's questioning, his Lao Wang's expression remained calm and unchanged, and he could completely escape the enemy's eyes, but his serious eyes flashed quickly, making the audience from the perspective of God aware of the anxious side of the role. Then, after knowing that he was being targeted, he simply played along, using grenades not only diverted the attention of the West, but also destroyed the traitor. You can kill two birds with one stone. The play is calm, but the tense and cold atmosphere is completely driven by the performance of the Fan Wei-winning actor.

Therefore, to show the popularity of action scenes, we can use special effects, fireworks and other technical means to show the conflict between the enemy and ourselves, and use photography and editing to set off the atmosphere. However, the portrayal of the inner drama of the role and the presentation of the role state in a tense atmosphere can only be completed by the performance of the actors.

Another example is Lao Hong played by Zhang Hanyu, or he and Fan Wei handed over the secret code by handing out cigarettes, and then solved the traitor who followed him with lightning speed, highlighting the characteristics of tough guys. The two scenes are one after another, one static and one moving, and there is a life-and-death contest hidden in the calm. The contrast between dynamic and static further reflects the atmosphere of confrontation.

It is worth mentioning that Fujiwara, the villain in the Japanese army, is the key to promoting the development of the plot. He was resourceful and ruthless, and became a "wolf-like opponent" that Lao Hong and Lao Wang had to face together. By creating a powerful enemy, the film not only enhances the atmosphere of confrontation, but also shows the bravery of the soldiers. Under such circumstances, the enemy and I are testing each other, and the tit-for-tat between the lines implies murder. This is a bright line. The hidden line is equivalent to the "bomb fuse" in the mystery novel, which becomes the explosion point through sudden action, and leads the audience into a new environment through story advancement and plot setting, thus achieving unexpected results.

Movies rely on the "quiet" plot of open lines, and the "dynamic" characteristics of dark lines set off the atmosphere and enhance the impression, thus greatly enhancing the tension of the story. However, only the static braking shooting technique, the actor's wonderful interpretation of the role and the perfect display of the inner scene can help the director integrate these seemingly two completely different styles of chapters, let the audience feel the environment and atmosphere where the role was at that time, and get the theme of the film more easily.

Only then did we find that the familiar story "Railway Hero" became very innovative under such a brand-new shooting technique. Especially from the director to the actor, the psychological hype of the role has reached the extreme. In the face of the enemy's atrocities, they will suppress their instinctive reaction, pretend to be watertight in the enemy's control area, and even forget their lives at critical moments. From Lao Hong and Lao Wang to Qi Shun and Qi Lu brothers, and even Zhuang Yan, a nurse played by Zhou Ye, I suddenly found that they are also fresh and ordinary people, and no one can appreciate them when they are fighting alone behind enemy lines.

Comments on the movie Railway Hero 2 In Railway Hero, Fan Wei's "undercover" Lao Wang was tied to a dining car. Facing Fujiwara's persuasion and confession, his eyes were burning and his words were like iron.

"Railway Hero" and "Fan Yingdi" lambasted the Japanese aggressors. The characters he created in recent 9 years saw 1 time and cried 1 time.

Lao Wang persistently characterized the Japanese aggressors as animals.

When he was escorted to the car, Fujiwara asked the photographer to take a picture of them. At the moment when the photo was taken, Lao Wang called "eggplant" "beast" ...

Although I got an old fist, I think Lao Wang's expression is like a chivalrous man robbing the rich and helping the poor, and he is very proud.

At that moment, Lao Wang's daily undercover face, which was used to humiliating and passive Nuo Nuo expression, was washed away and revealed its true colors-that is, a chivalrous man, a hero walking on the tip of a knife.