What are the five basic forms of lens movement in film and television works?

I only know that pushing, pulling, remote control, moving and following the camera should be included in the moving range. I wonder if it will help you.

The scheduling of a single shot includes two meanings: one is the change of optical axis, that is, the scene is changed by changing the photographic focal length of the photographic lens, thus changing the area of the subject in the picture and realizing the push-pull shaking of the lens. The second is to change the shooting distance, that is, the position between the camera and the subject, mainly by moving the lens, including horizontally moving and vertically moving (lifting) the lens, so that the area of the subject in the picture changes.

When the lens moves, shooting objects from different angles will produce different visual feelings:

Lateral movement: the foreground scene moves fast, and the farther the background scene moves, the slower it moves; The faster the speed, the more blurred the foreground and the stronger the sense of movement.

Move in depth: the scenery and the subject will feel moving towards you, and the faster the speed, the stronger this feeling will be. In the process of moving, there are obstacles ahead, and turning or crossing will find new space.

Follow-up: Because the camera moves with the subject and the subject's irregular movement direction and route, it presents irregular lens scheduling.