Film majors come in

A brief analysis of the time and space processing techniques of "All Quiet on the Western Front"

In the film, we can see that after the protagonists were buried in the cemetery, they appeared again The situation while alive. It can be said that at this moment, the director used a short picture to make the audience look back on everything that had happened before.

And this is the processing of time and space. The film not only has a long span of history, introducing people to the war-torn years, but also can completely and reasonably handle the plot content of each part in just a few dozen minutes, but it harmoniously forms a story. A complete whole, with no unnecessary shots.

It can be said that we saw decades ago in a few dozen minutes, and reviewed the excitement of these dozens of minutes in a short moment. From this point of view, this film can be called an epic.

As shown in the picture:

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The movie "Red Sorghum" is in What are the characteristics of the processing of light, shadow and color?

In this movie, we can see that director Zhang Yimou used red as the keynote for the entire film, expressing a theme of unrestrained freedom, enthusiasm and wildness.

Compared with unrestrained freedom, after combining the story content of the film, it is not difficult to see that the true meaning of the film is "dare to love, dare to hate", thus pulling the audience into the story. In that crazy and chaotic era, the blood, masculinity, passion and wildness unique to an ordinary person, or a passionate young man, also revealed the many ways young men and women struggled to break free from the shackles of the old era. The kind of pursuit that burns in the face of oppression.

Just like the deep glance of Gong Li in the film, this film is deeply imprinted in the hearts of the viewers.

As shown in the picture:

But it doesn’t stop there. Perhaps we have noticed the bright and eye-catching red, but we should not ignore the warm and warm yellow. Throughout the film, warm colors become another tone, just like the passion of red. This warm color makes people feel comfortable, peaceful and calm. And this represents exactly what people wanted in that era.

"Red Sorghum" is full of color and emotion. Different colors, different looks, different moods.

The green moon hanging high in the sky, yet resentful, is an anomaly and jump in color, and reveals an ominous nature that makes the viewer uneasy.

And what about the sun? At the end, the bright red sun suddenly turned dark. During this period of the sun turning dark, the director's unique author's ingenuity used large-area backlight photography to complete and clearly express the emotion through the contrast and changes of light and dark tones. What the viewers want to express but cannot express is depression, pain and despair.

The black sun is both real and nihilistic. Through it, the director accuses the audience of the unfairness of fate and the absence of heaven, and also shows a kind of sinking from personal to national in the film...

This represents a kind of death-like death. Silence is also cruel indifference.

After that, the sun turned from black to red, which not only cleverly grasped the viewer's ability to withstand depression, but also generated enough stimulation within a reasonable range. It also showed a kind of vast earth, who is in charge. Ups and downs, general confusion...

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All the above are hand-made ...very tired, really...