Where was Upp O born?

Ao, male, 1989 was born in Shaanxi in September, 1959. Joined the army for 2 1 year, and now works for CAO. 198 1 Start photography. Member of China Photographers Association, member of China Art Photography Association, member of China Folk Photography Association, executive director of China People's Photography Association and chairman of Shanxi Photographers Association. Many personal photography exhibitions have been held at home and abroad, and many photographic works have been collected by museums. They have won more than 100 gold, silver and bronze awards in various national photography competitions, and have been praised as "desperate" by people in the industry. Over the past 30 years, after work, I have used a large-format camera to record ancient murals, ancient painted sculptures and ancient architectural relics in Shanxi with a new perspective and a different attitude, which has won unanimous praise from experts and scholars and left valuable wealth for inheriting the history and culture of the Chinese nation.

Chinese name: Upo

Nationality: China.

Ethnic group: Han nationality

Place of birth: Yuncheng, Shanxi

Date of birth: 1958

Occupation: Chairman of Shanxi Photographers Association

Main achievements: National Photography Competition won many awards 100.

Representative works: Aoi mural photography exhibition

Personal life

Wupu 'ao and Shaanxi Ancient Mural Photography

1 origin

2065438+May 2, 20031day, while browsing Weibo, a message from @ Central Academy of Fine Arts caught my attention:

"The English-English exhibition of 100 ancient mural sites in Shaanxi is on display in Hall B on the third floor of Shaanxi Art Museum, and it will last until May 25th. The exhibition shows more than 300 photos of Shaanxi murals taken by Upu Ao. The photos recorded all the ancient mural sites of more than 200 temples, ancient temples and villages in Shanxi from the Northern Qi Dynasty to the Qing Dynasty, covering many aspects such as religious art, politics, economy, farming and drama in different historical periods in ancient Shanxi. "

The other eye knows this family. Ancient murals in Shanxi. These two groups of keywords touched my professional nerve. Then "Baidu". Artist Mr. Cui Zimo, Weibo, May, 2065438 19: "What do you think this guy is playing? On the murals of the Water Temple in Hongdong County, Shanxi Province in the Yuan Dynasty, we can see that China people started playing golf in the Yuan Dynasty. Some beautiful murals have become dust, and photography has become a peerless version. " Moving the mouse, there is such a thread: "Shock! Watching the exhibition, we can have a deeper understanding of the great achievements of traditional folk painting. The artist observes from the aspects of composition method, line application and traditional techniques. Art historians tend to observe from the development of figure painting and the changes of images in the times. In the face of these clear' first-class' mural photos, the purpose of' the other eye' should be achievable. " From the news photos, we can also see that famous painters and art educators such as Zhou, Chang Shana, Yuan Yunfu, Ouyang,, and Chen Danqing went to the exhibition and praised the ancient murals in Shanxi. Zheng Liu, a poet and calligrapher, wrote the Song of San Jin Murals for this purpose. Sculptor, calligrapher, artist Qian Shaowu and artist He Jiaying praised the exhibition: "It can be said that it is spectacular in life." I decided to interview this photographer from Shanxi.

Search, query. State the motivation of the interview. About an hour later, when I dialed Mr. Wu's mobile phone number, the hoarse Mandarin with a slight Jinnan accent came: "Sorry, I'm not in Taiyuan. At home. Mother passed away. "

It turned out that on May 19, 2003, on the opening day of "Beautiful Shanxi-Another Eye to Know the Treasure" and "Exhibition of 100 Ancient Mural Sites in Shanxi Province", Wupu 'ao's 87-year-old mother passed away. He hurried to his hometown-Yuncheng, Shanxi. "I have to go to Beijing again in a couple of days. When the photo exhibition is over and I return to Taiyuan, I will call you. " His voice sounds a little tired. 20 13 at 4: 00 pm on May 27th, I got a call from Mr. Wu and made an appointment to meet the next morning. On may 28th, 20 13, it was drizzling. At 9 o'clock in the morning, he drove to pick me up and went to his unit, Shanxi Branch of China Aviation Oil Co., Ltd., at Wusu Airport.

Before the interview, I did my homework and saw the news that "CAO knows other people's treasures" and learned that Mr. Ao works in CAO. However, when I saw the small words "General Manager, Party Secretary" on the business card he handed me, "Unexpectedly" almost blurted out.

He looks thinner than the news photos and exudes a rigorous and capable temperament. "I/kloc-enlisted at the age of 0/8. In the army 2 1 year. " No wonder, very special mix and match temperament.

2 cherish

In the record of the Central Academy of Fine Arts website after the academic forum on the afternoon of the opening ceremony of May 19, 2065, there is a passage: Mr. Yuan Yunsheng said from the perspective of the "Chinese Dream" that what we urgently need is not only to preserve the traditional excellent works, but also to inherit the spiritual and humanistic values behind them.

China murals flourished in Shang, Zhou, Qin and Han Dynasties, and the breadth of ancient murals is the best in the world.

The days of the ancients were idle and slow, and seemed to be more "artistic". There was always exquisite beauty that surprised us. They paint beautiful murals everywhere, splashing them at will, and don't even need to outline them in advance. The carriages lined up and the ladies-in-waiting looked very proud.

Shanxi is one of the birthplaces of Chinese civilization, and the total number of existing ancient murals exceeds 24,000 square meters. Its quantity, long history and exquisite art are second to none in the country. It is the essence of Chinese inheritance and a valuable resource for the development of Shanxi culture.

Among the ancient murals in Shaanxi, one is highly praised by experts, that is, the Jin Dynasty mural "Restaurant Street Map" of Yanshan Temple in Fan Shi. Many experts call it the "Riverside Scene at Qingming Festival" on the wall. Experts say that if this painting is painted on a scroll, it can be compared with The Riverside Scene at Qingming Festival. The murals of Shenglong Temple in Jishan are considered as masterpieces of painting in Yuan and Ming Dynasties. Seven buddha of Xinghua Temple in Beijing Palace Museum is the work of Zhu and his disciple Zhang, a famous painter in Yuan Dynasty. The painting level is extremely high, which is quite similar to the Eighty-seven Immortals Volume painted by Tang Wu Daozi. Yongle Palace murals are the epitome of murals in past dynasties, especially directly inheriting the style of religious murals in Tang Dynasty, such as the opening of characters, strict proportion, meticulous brushwork, vivid posture, carefree clothing patterns and magnificent momentum, especially completely following the painting tradition of the orthodox painting school in Tang Dynasty represented by Wu Daozi. Therefore, Yongle Palace murals provide a good copy for deciphering the Tang Dynasty murals in the peak period of China's religious figure painting. It is a link between the past and the future. It is not only independent of Yuan Sijia's literati landscape painting, but also an independent religious figure painting system, which is the ultimate destination of China's religious murals.

In Mr. Upo's office, he showed me the album he brought back from Beijing, and the words written by Mr. Hou Yimin, honorary president of China Mural Society and general curator of the exhibition at the opening ceremony: "Upo is my friend. For decades, he has taken tens of thousands of photos of ancient murals in Shanxi. I have also been to Shanxi, and the most representative mural in Shanxi is of course Yongle Palace. But when I saw the photos he took, I was shocked. In the face of the remains of these murals, I think a considerable number of Shanxi murals are really well painted, not well painted in one place and two places, nor generally good, but really good! "

Teacher Wu took out two volumes of works and carefully laid them on the ground. I saw: On the murals of the Ming Dynasty in Duofu Temple, Taiyuan, there are life scenes such as welcoming etiquette, friends giving gifts to each other, hunting in the mountains, etc. The zaju pictures in the murals of the Water Temple in Hongtong County and the pictures of selling fish, playing marbles and playing chess reflect the customs and feelings of Pingyang area, showing the picture of secular life at that time.

In more than 30 years, Mr. Wu Pu 'ao has traveled to many places in Shaanxi Province that are difficult for ordinary people to see, and shot nearly 10,000 large-format movies, involving murals from the Han, Tang and Five Dynasties to the Song, Liao, Jin, Yuan, Ming and Qing Dynasties. He restored the ancient murals in Shanxi in a new form, gathered things scattered among the people, and made the murals visible, tangible and learned. While recording the tradition, he also showed him that today's murals are seriously damaged due to poor protection. He turned on the computer, clicked on the photographed works, and said to me, "You see, due to the influence of natural and human factors and the change of living environment, these rare cultural relics have been seriously affected, and many diseases such as fracture, armor-breaking, hollowing, crisp alkali, falling off and pollution have appeared, and quite a few of them are already in serious danger. I hope to take this exhibition as an opportunity to better protect the ancient murals in Shanxi and let more people know these precious heritages left by our ancestors. "

"On the afternoon of May 25, when we were about to withdraw the exhibition, a German scholar who studied murals stood for three hours and seized the last time to watch." He showed me.

And we really didn't put our cherished eyes on these thousand-year-old painters.

Step 3: Twilight

In the final analysis, the artist's responsibility, awe, and the eternal twilight in these long times are more worth pursuing.

Upo fell in love with photography when he was a soldier in the army. After his job-hopping, he used holidays and spare time to travel to and from several shooting spots in Beijing and other places many times, and almost all the transfer fees, wages and bonuses were used for photography consumption. After he returned to work in Shanxi in 2009, his wife worried about his health and sometimes came from Beijing to Taiyuan to take care of him, but he either went to the countryside to shoot or looked up information in the study. Mr. Wu's good friend and famous calligrapher recorded such a thing in his blog: "At a photo exhibition, I went to see Mrs. Pu 'er and said a bunch of words of thanks to her. Without the understanding and support of his family, it is difficult for him to have today's achievements. He has severe diabetes, but he seldom cares about himself and is always ready to help others. Every time I travel, Upo's own photographic equipment weighs dozens of pounds, but he still grabs my camera bag and climbs the mountain. He has lost a lot of weight recently, but his spirit is still not as good as that of ordinary people. " There is also a blog post written on 20 1 1. 8. 22: "In addition, I went to Chongfu Temple in Shuozhou, Shanxi Province last week to shoot murals of the Jin Dynasty. It is not easy to keep them for more than a thousand years. Like Saburo, my good friend and photographer Upo wants to shoot all the ancient murals in Shaanxi with 8× 10 film. He said he would race against time, getting worse every day! "

Mr upo is known as "desperate martial arts" in photography. "This stems from my childhood experience. I lived on campus when I was in middle school, and my family was poor. I can only bring a small bag of raw sweet potatoes to school every time, and I don't even have money for school meals. So I have developed a self-reliant character since I was a child. When I encounter any difficulties, I must find a way to solve them myself. Plus my 2 1 year military career, I have a passion to fight to the end no matter what I do. Once, in order to go back to Shanxi to shoot, I couldn't wait to get on the train with my shoulder bag on my back as soon as the family leave was approved. After arriving at the station, I walked dozens of kilometers without rest for six consecutive days. I really didn't give up until I got there 1May, 999, I took photos with two friends on the mountain. Facing the unfinished mountain road, we hiked with heavy photographic equipment. At that time, it was estimated that the mountain road could not be so high and so far, so I took hypoglycemic drugs in advance. I didn't expect to walk for eight hours. It was terrible. When I got to the mountain, my face turned pale, I was sweating all over and my blood sugar was too low. I sat on the ground and thought it would all be over. My friends around me quickly stuffed sugar and chocolate into my mouth, and it took me more than half an hour to recover. Now that I think about it, I am still a little scared. "

Professional books such as Outline of China Mural History, Outline of Oriental Mural History, Lecture on Chinese and Foreign Art History, and County Records of Shaanxi Province occupy considerable space in Mr. Ao's four bookcases. Uppo has a unique view on mural photography: "Mural photography is different from general subjects, and it reproduces the artistic value of ancient murals through the documentary characteristics of photography, so authenticity is the first element. Before shooting, I should prepare carefully, study hard, get familiar with the nature of the subject, determine the picture, and choose the machine and lens according to the content. I usually use a 4×5 or 8× 10 large format landline. The advantage of this camera is that the front and rear frames can be raised and lowered, and the axis can be moved left and right, so as to adjust the perspective deformation caused by different angles of the lens to the mural, and ensure the depth of field and the clear range of the mural with a smaller aperture. It is best to choose a header that conforms to people's visual habits. The second more important factor is the accuracy of color reproduction. It should not only show the unique soil texture of ancient murals and the dust-sealing tempering of time, but also reflect the body line and quaint colors of ancient murals. This requires that in the process of shooting, we must master the shooting angle and use light. I often choose a camera to shoot in parallel with murals, and choose a reflector to brighten the light source. For this reason, I specially made five or six super-large reflectors, which use side light when lighting to enhance the depth of murals. Remember not to exaggerate, distort or embellish when shooting. The third element is to ensure clarity. A tripod must be used when shooting, which is conducive to composition and focusing, avoiding the jitter caused by hand-held shooting, and truly presenting the solemn, quiet, heavy and simple artistic characteristics of ancient murals. "

Mr. Wu Puao's works cover a wide range of topics. He likes innovation and pursues perfection, and has won hundreds of awards. He said: "Photography has taught me about life, society and art."

"Beautiful Shanxi-Another Eye to Know the Treasure" and "Exhibition of Ancient Mural Sites in Shanxi Province 100" will also be exhibited in the provincial capital. Later, Mr. Uppo will present all the exhibits to the China Mural Society. "I want to build a house for these mural photos!" In his opening speech, Mr Hou Yimin finally waved and said loudly.

respond

I think it can be understood as echo logic if it can be deeply influenced by someone, something or a situation. Heart or fate. After interviewing Mr. Wu Puao this week, in such a logical system and in such a factual connection, the world is playing in friendship, but every scene is yours and mine.

Please look at these precious remains from another angle, from the perspective of painting, from the perspective of art history, especially from the perspective of the development of figure painting in China. I seem to have heard the earnest words of the old man Hou Yimin.

There are more echoes that we haven't collected yet. They have been ringing softly, maybe you will hear them tomorrow.

Personal experience

2013 May 19 Upo mural photography exhibition "Looking at the family from another perspective" will be exhibited in Central America.

20 13 10 9 photographer upo gave a photography lecture on "knowing a family with another pair of eyes"

October 20131012 Photographer Ao was invited to give a lecture on Shanxi history and photography art in Shanxi Art Museum.