In your mind, what kind of film does "One by One" belong to?

After watching movies for so many years, Yang Dechang is my favorite director. His early masterpiece, The Terrorists, which is famous for its experimental image means, once surprised me, but after reading the masterpiece One by One, I realized that the latter was even worse than the former. In the past, all kinds of trademark expressions in movies were fully displayed in "One by One", and almost every shot and even every picture reflected Yang's painstaking efforts. He won the Cannes Best Director Award for this film. These carefully designed details have made an unparalleled and wonderful interpretation of the living conditions of three generations of urbanites in the film.

The important theme of Yang Dechang's films is the oppression and alienation of urbanites. The film language in which he expresses this motif can be called "the picture frame in the picture frame", that is, people's activity space is compressed and bound by the frames and lines on the screen, thus revealing the general psychological and mental state of modern people. Director Yang frequently used this technique in films such as One Day at the Beach, Childhood Friends, and Terrorists, and the application of box in box reached its peak in "11". These "frame" elements can be walls, doors, windows, screens, narrow corridors, large and small posters, criss-crossing railway networks, high-voltage lines, even crowded people and shallow depth of field. In the paragraphs showing the NJ family many times, in the crowded room, the picture is still divided by walls, doorframes and corridors. This closed, cramped and divided space is the best environment footnote for this big family whose members are confused, struggling and difficult to communicate.