The following painters are the earliest.

Question 1: Chinese painting has a long history. Zheng Banqiao was the earliest painter of this era, wasn't he? Zheng Banqiao (1693- 1765) was an official, painter and writer in the Qing dynasty. Name Xie, word Kerou, Han nationality, Xinghua, Jiangsu. He lived in Yangzhou all his life and made a living by selling paintings. One of the eight eccentrics in Yangzhou. His poems, books and paintings are all outstanding and independent, and they are called "three musts" in the world.

But he is certainly not the "earliest painter" in a certain period, so your statement is incorrect.

Question 2: The last painter in the Middle Ages and the earliest painter in the Renaissance in the new period seem a bit difficult.

Question 3: When was Wang Mingquan, a painter from Changxing, Zhejiang Province, in full bloom?

Good at cartoons and illustrations of children's books.

1957 entered Jiaxing Art College and later merged into the middle school attached to Zhejiang Academy of Fine Arts.

He has served as a stage art designer of Zhejiang Kunqu Opera Troupe, a cadre of the Art Exhibition Office of Zhejiang Culture Bureau, director of the Office of Zhejiang Culture Department, and deputy director of Zhejiang Cultural Relics Bureau.

His works "Precious Trust", "Messenger" and "Snail Man" were selected for the 6th and 7th National Art Exhibition.

He has published cartoons and children's books such as bwana devil, King of the Golden River, Dogs on the Roadside and Little Shoes.

Question 4: What is the name of the literary knowledge contest (multiple choice question)?

First, multiple choice questions

1. The content of education in the pre-Qin period was mainly "six arts", and the following did not belong to "six arts" (D).

A, shoot b, royal c, ritual d, martial arts

2. After the Wei and Jin Dynasties, there were seven sages of bamboo forest. Who wrote a letter to Dan Tao breaking up with Shan Juyuan?

A, Ruan Ji B, Ji Kang C, Liu Ling D, Xiang Xiu

3. The imperial examination system has a far-reaching influence in China. After having obtained the provincial examination, they are called "Juren", those in the senior high school entrance examination are called "Gong Sheng", and those in palace examination are called (C).

A, "Dayuan" B, "Xie Yuan" C, "Jinshi" D and "second place"

4. "Life is a great man, and death is a ghost hero. I still miss Xiang Yu and refuse to cross Jiangdong. " Which poet's work is it? (4)

A, Li Bai B, Du Fu C, Li Shangyin D, Li Qingzhao

5. "Cardamom" means (one) year old.

A, XIII B, XV C, XVIII D, XX

6, Chinese academy system since the tang dynasty, there are two kinds of official and private settings, the following belongs to the official academy is (c).

A, Yuelu Academy B, Songyang Academy C, Jixian Academy D and Bailudong Academy

7. The depth of friendship can be seen from which of the following idioms? (3)

A, girlfriends who never leave, girlfriends who never leave, girlfriends who turn their backs on Jin Lan, girlfriends who twist their necks and girlfriends who nod their heads.

8. When cursive script is mentioned in calligraphy, people will think of Zhang Dian Drunk. Which of the following works belongs to Zhang Dian (B)?

A, soliloquize post B, soliloquize post C, Mid-Autumn post D, Huangzhou cold food post

9. Mr. Lu Xun said: (1) "Historians never sing, and Li Sao has no rhyme."

A, Historical Records B, Hanshu C, History of the Three Kingdoms D, History as a Mirror

10, Zheng Guyou said in a poem: "What is a satellite and a wine star? A clock is in Mr. Li's place. He sings loudly, gets drunk and keeps company with the moon. " In this poem, Mr. Li refers to (c)

A, Li Shangyin B, Li He C, Li Bai D, Li Yu

1 1, which dynasty is the cultural relic of "Four Sheep Square": (c)

A, Zhou B, Yuan C, Shang D, Xia

12, Zhang Wei's poem "Farewell to Wei Langzhong" has a sentence "I didn't know the mulberry wine in Langzhong, but I had to leave". The origin of the mulberry wine mentioned in the sentence is in (a)

A, Yongji B, Muluo C, Fenyang D, Mianzhu

13, "Heaven is always there, not for the existence of Yao, not for the death of Jie" is the thinker's point of view (C).

A, Mencius B, Han Feizi C, Xunzi D, Laozi

14, Jue is a wine vessel used in etiquette, so how many feet does Jue have? (1)

A, three feet b, two feet c, four feet d and five feet.

15, the seven sons of Jian 'an in Wei and Jin Dynasties were representatives of literature at that time, and the following belonged to the seven sons of Jian 'an (D).

A Ji kang b Cao zhi C D Ruan r

16, four ZTE poets appeared in the Southern Song Dynasty, among which Lu You was the most famous. The following poems were not written by Lu You, but (c).

A, the Great Wall is empty, and the sideburns in the mirror have faded first. B, there is no way to recover from heavy mountains and heavy waters, and there is another village.

C, I used to be ashamed of five bushels of rice, but I lost three hectares of land because of the national source. D, Jinghua makes friends with all strangers and shares life and death.

17, which of the following names is related to Wu Zixu? (2)

A, Yue Lao B, lovely girl C, groom D, father-in-law.

18, the following is (c) which does not belong to Chinese medicine.

A, Xinglin B, Hanghu C, Astragalus D, Huang Qi

19, "Alone and inseparable" comes from (c)

A, B, reply to Sima's suggestion C, Chen Qingbiao's suggestion D, and report to cutie.

20, the following does not belong to the "thirteen classics" is (c)

A, Zhouyi B, Shangshu C, Shiji D, Erya

2 1, who put forward that "the existence of form means the existence of God, and the gratitude of form means the death of God" (a)

A, Fan Zhen B, Liu Zongyuan C, Zhou Dunyi D, Liu Yuxi

22. During the period of (b), the state established the Doctor of Five Classics.

A, Qin Shihuang B, Han Wudi C, Han Gaozu D, Guangwudi

23, bodhi tree, mirror, originally nothing, where the dust, from (b)

A, Huisi B, Huineng C, Shen Xiu D, Xuanzang

24. In addition to the well-known Li Qingzhao, there was also a famous poetess in the Song Dynasty, Zhu. The word set of the former is called Shuyu Ci. What is the word set of the latter? > & gt

Question 5: When was Peng Jing a painter? Peng Jing was a painter in the Tang Dynasty.

Question 6: Compare the different characteristics of Chinese and western art painting, including the representative works and artistic characteristics of the painter's era. Differences between Chinese and Western painting concepts and thinking characteristics: Landscape has always existed in the lives of China literati and artists as a pure and important spiritual symbol. The ancients believed that the natural landscape was colorful and ever-changing in spatial form and extremely vivid and diverse in time state. It is the true intention of ancient artists in China to seek the truth of life existence from rocks, trees, Shui Ze and clouds and grass, and to entrust their hearts and emotions. For the creation of landscape painting, the spatial characteristics of China's landscape painting are closer to a transformation of time and space. The painter not only considers what he sees, but also cares about the process of inner change and what he thinks. Express objects with the state of life. Unlike western paintings, China's landscape paintings are not limited by light, shadow, texture and perspective, but rely more on virtual reality, occlusion and irregular proportions to imply the space of clouds, running water, rocks and trees, which makes the expression of nature more casual, subjective and profound. The so-called "inferiority complex, heart wandering in space, heart harmony in the mysterious realm, meaning floating white clouds, forgetting my face, aiming high." A painting can walk from the front of the mountain to the back of the mountain, or from the top of the mountain to the bottom. A long scroll can hold all the seasons, rain and snow. It is not a specific mountain, a specific water. It has light and shade, expression, spirituality and more life, which can make viewers feel happy and sad together. This magic, this unique vision and soul of China's philosophy and culture can't be seen in western landscape paintings. To put it simply, western paintings focus on perspective, highlight themes and attract attention, such as depicting the crucifixion of Jesus. Westerners emphasize the individual. A simple example is that children in westerners' families enjoy the same right to personal dignity as adults, while children in China are "children who know nothing". China, on the other hand, pays attention to integrity and extensiveness. In ancient and modern paintings, scattered perspective is widely used, such as The Riverside Scene at Qingming Festival, which can show a vast space and highlight big scenes. Of course, modern Chinese painting absorbs the essence of many western paintings, and so does the west. Now all kinds of perspectives are only used to express different contents. Specifically, you need to check the information on Baidu website, such as: 3. Focus perspective and scatter perspective are different understandings of space when Chinese and western painters paint. Focus perspective, like a camera, shows the distance through clear focus and out-of-focus blur. Based on the principle of physics, the same space is represented by a fixed viewpoint. This perspective only has a fixed viewpoint, visual direction and visual field, and painting and framing are limited to the visual field determined by this viewpoint and visual direction. Scatter perspective means that the composition of Chinese painting is not limited by time and space, and it is a method of expression combining time and space. As early as the Wei and Jin Dynasties, Gu Kaizhi's A Picture of Women's History, A Picture of Luo Shenfu and Gu's A Picture of Han Xizai's Banquet all combined the continuity of space with the flow of time with the environmental scenery as the link. Zong Bing, an early landscape painting theorist in China, said that painting landscapes "does not take the city as an example, distinguishing states, marking towns, and paddling streams". Later, Hao Jing proposed that painting landscapes should be "seeking beauty and creating truth", and all of them used scattered perspective to express natural beauty. In the Song Dynasty, Guo put forward the "three-distance theory" of landscape painting in Lin Zhi: "Climbing from the bottom is the highest, viewing the mountain from the front is the far, and viewing the mountain from the near is the far. The lofty color is clear, the far-reaching color is heavy and gloomy, and the far-reaching color is bright and gloomy ... Every distance is different. The so-called mountain line moves step by step, and every time you look at each difference, the so-called mountain shape looks. " The ternary method provides a broad world for the painter's commercial position. Artists can arrange images in a painting in a comprehensive and staggered way, so that the scenery fluctuates, hides and opens in a long scroll, and combines scattered perspective with artistic expression effect. Scattered perspective brings a sense of music rhythm and harmony to the whole picture. China's paintings are from limited to infinite, and then from infinite to limited, so the rhythm is distinct. Western painting, on the other hand, sees the finite infinity, which is gone forever. For example, Luo Shen by Gu Kaizhi in the Eastern Jin Dynasty in China and Nina Laxme by Spanish painter Velazquez in the 7th century/kloc-0 (that is, Maid-in-waiting) are both figure paintings, while Luo Shen breaks through time and space, making the still picture flow with life and situation and full of sense of time. On the other hand, Raksmei Ninas creates a changing space in the vertical direction with a single viewpoint and a still picture. In composition, Chinese painting uses scattered perspective to express the internal relationship between objects and images; In the aspect of location management, interlocking, interlocking, shaping from both inside and outside ...

Question 7: When was Yin Yuting a painter? He should be a painter in the late Qing Dynasty and the Republic of China. Few works have been circulated.

I'm not very clear about the specific information, so I need to consult relevant books and materials.

Question 8: Is 8:got only used in American English? Not just America. . There is also a trend of universal use in Britain. In fact, going even means going, whether British or American.

Question 9: Read the following text and write an article of not less than 800 words as required. (60 points) Tang Shiceng is a world famous photojournalist. When he filmed Wolong Mountain, he often heard people say that he wanted to be like what he was doing, and some said that he liked it or not. Come to think of it, that's really a lie. Does it look not on the surface, but inside? Yes, how do real experts dress up? Singers should wear knickerbockers with swinging crotch and leave some paint on their eyebrows? When a leader, he should dress up as a clay tire and speak with a pinch of accent? A photographer should wear a vest with pockets everywhere, carry a tripod and carry a "long gun and short gun"? Anyone who dresses up on purpose must be a fake with two knives and two eyes, 250 or 24 people who don't know how to do it. They dress themselves up with images and samples to scare laymen. The real experts are all hidden people, the writer Zhao Shuli, a long-stemmed Chinese pipe and a coarse cloth, full of wisecracks, and there are more farmers than farmers. Guan Mucun, a singer, wears simple clothes and speaks simply. He is not so much a worker as a worker. Tang Shiceng is a world-famous photojournalist, but his photographic equipment is extremely simple. He said that his equipment is like pencils and erasers, as long as it can write. However, it is such an ordinary person, who is sick all over, dares to go deep into Wolong mountain area to photograph giant pandas, endures loneliness and cold to photograph Tibetan antelopes in Hoh Xil, and dares to photograph the Iraq war in the face of bullets, and is the last war correspondent to evacuate. He said that dry photography should not be too like a photographer, but should pursue nature and maintain its true colors. A real businessman proves himself with his works, not his appearance. Writers should have recognized good books, painters should have good paintings handed down from generation to generation, and politicians should have enduring political voices. Just like Michelangelo's sculpture, Pu Songling's Liaozhai and Zhang Zeduan's Riverside Scene at Qingming Festival, who knows what these immortal figures look like, only their works. Michelangelo said, I want to save my soul from the stone with a hammer and chisel. He can't even afford to get married. How can he care about decorating his image as an artist? There were no writers in Pu Songling's time. He is just a strange old man who likes to listen to and tell past stories in street teahouses. Xiaogang Feng, a famous film director, said, with a comb-shaped head and a long beard, are you an artist? I don't believe it! Anyone who puts on airs is either a liar or a liar. Looking back on some works in the 1950s and 1960s, the words of ordinary people are the most vivid: open your mouth and you will see a dung bag. To play a hero, you must stand in the center of the stage, raise your right hand and shout at the top of your lungs: comrades! The figure in front of the painting must occupy two-thirds of the picture, and the eyebrows are raised: Go! Those books, paintings and photos not only waste paper and film, but also set up a bad cover and spoil many young people. Lu You was dying and suddenly realized the true meaning of art. He told his son bitterly: Kung Fu is beyond poetry. Tang Shiceng also warned young photographers: Kung Fu is beyond photography. Mei Lanfang told his disciples that kung fu was outside the play. I have been teaching all my life, and I deeply feel that teaching is also "teaching kung fu". Seven points for preparing lessons and three points for speaking. Only you have enough knowledge reserves, your educational literacy is rich enough, your classroom language, blackboard writing and classroom structure are beautiful enough, and your classroom will naturally be beautiful. Teachers, like teachers, like connotation, not external image. Don't be too like anything, like an external form. The key is inner kung fu. Material use: try every means to imitate, at most, you can learn a spirit likeness; Only by shaping yourself with your heart can you apply what you have learned. Flowers with gorgeous appearance may not all blossom and bear fruit, but seeds buried deep underground may eventually bear peanuts everywhere. Test analysis: we can discuss the following aspects: superficial and substantive work depends on strength, and secondary simplicity and greatness. First, the theme: superficial and substantive work depends on strength, simplicity and greatness of importance and secondary. Second, a better title: true beauty does not need to be deliberately dressed up with poems and songs. The power of self-improvement does not need to be carved, but it is better to pretend well than to do well in the world. Don't be self-righteous, and forget that taking off your coat is the Buddha. Why is gold the last word? The success of blooming great flowers in ordinary places depends on strength. Grasping the inner balance, I always tend to be really talented and learn to dress up. It is better to dress up your heart than to dress up your heart. Why do experts dress up still water and deep water with clothes? > & gt

Question 10: Read the following materials and write an article of at least 800 words as required. 1. David the Jew engraved a sentence on the ring: Everything will pass. The lingering fragrance in the wind and the glorious Tang Dynasty have long passed, but poetry has been flowing in people's hearts for thousands of years; The ancient Greek city-states have long been destroyed, but the spark of freedom and democracy is still spreading. In a deeper and wider land, David, a Jew, burned for thousands of years and engraved an inscription on the ring, "Everything will pass". Yes, nothing can last forever, and the most magnificent buildings will eventually turn into a handful of broken soil in the historical dust, but the thoughts and beauty we create will become the lingering fragrance in the historical dust after their carriers and bodies are annihilated. When Zuo Guangdou was killed by Wei Zhongxian, his throat bone was ordered to be ground into powder, and then (later) Wei Zhongxian swallowed it and even his throat bone was completely broken, and Wei Zhongxian was completely relieved. So, how should you write and suggest? He didn't know that what he drank was lifelong fear, and the pride of Lindong party member would never die. Their souls became the eternal nightmare of treacherous people and the eternal and tragic swan song of history. Yes, nothing will pass. The past indicates eternal connotation. Now, in this era of rapidly changing scenery around you, have you ever smelled the lingering fragrance in the wind? Gu Long once said that where there are people, there are rivers and lakes, and where there are people living, there is the loss of intangible cultural heritage left by so many people. So they are eager to rebuild and want to carry this forward. There is nothing wrong, but there are many cultures and historical clouds, and it is already difficult to sit on the top spot in today's world. They should become the fragrance in the wind and the bonsai of people's spiritual home. It is inevitable to nourish and moisten our feelings in silence. Traditional aesthetics, or customs with a little superstitious color, have never dissipated around (us) in fact. They just want to change back to a vigorous form of commemoration, so that we can feel their passing posture, and everything will be fine, which is worthy of being a dialectical reflection of the lingering fragrance in the wind. The local surface is gradually melting with the sandstorm, and the core is slowly revealing its essence. The hourglass left by time can let us see one thing clearly. Dunhuang in the northwest once flew completely and clearly, but to those who painted it, it was just a mural; Today, although it has dried up a hundred holes, it can better bear the weight of history. A real masterpiece must have been weathered by history, and then some of it has passed away, but it has left more truth, goodness and beauty in our time. Do you want future generations to look back and find such a fairy? Then let the bubble of literature fade and the packaging of the market fade. They will only dissipate an unforgettable exhibition in the wind. They were spontaneously organized by emerging painters. A friend saw a painting and asked me, is it traditional painting style or post-modern painting style? I look at this picture. It's warm. At that moment, I seemed to smell the lingering fragrance in the wind. Test analysis: As a composition topic, we can borrow philosophical methods. The theme of "everything will pass" should be objective things, from the development of history to the collapse of dynasties, to the birth and death of people, to the demise of things. The main body of "nothing will pass" can be subjective spirit, moral belief, mainstream values of truth, goodness and beauty, family love, everlasting friendship and so on; It can also be objective laws, natural laws and systems. As for the background of proposition expectation, there is a vast hinterland. With the rapid development of the times and the rapid development of science and technology, we obviously feel that the speed of the "past" is accelerating. On the rolling wheel of history, how can we see the face of the times clearly, how can we recognize our own value and really participate in it, instead of just watching the demise of ancient heroic undertakings, the passing of sages and sages, and endless humanistic spirit? In fact, the stories around us are all pitching: Yao Ming is injured, Liu Xiang can't return to the peak, O' Neill retires, telling us that heroes will pass, but their competitive sports spirit will never pass; Students who carefully observe life can look at environmental protection and think about the possible consequences of human behavior from the disappearance of species, the destruction of grasslands and forests, the pollution of rivers and the radiation of the ocean; Look at the life around you, the change of traditional lifestyle, the fast pace of life, and the landscape trees in the distance; Let's take a look at the impetuous mentality of modern people, the lack of faith and the frequent breaking of the moral bottom line, calling us to regain the mainstream values of truth, goodness and beauty. Stylistically speaking, students don't have to write arguments ... >>