Introduce the movie about first love (official)

Love Letter begins with a misunderstanding of the same name and surname. Through the correspondence between two women, two precious loves are slowly displayed with affectionate brushstrokes. Hiroko, the heroine's attachment to Fujii, and the hazy feelings between two Fujii trees did not wither because of Fujii's accidental death, but were deeply imprinted in the hearts of every audience through delicate and touching images, which will never change.

While describing love carefully, Shunji Iwai also deliberately expressed his nostalgia and memories of the lost years. Love letters, like the names of Proust's novels, evoke the past. The past love and youth gradually became clear and revived in the protagonist's memory. Compared with reality, the past in the film is brighter and more beautiful. In those beautiful pictures, cherry blossom fragments flying all over the sky and boys and girls in secret love evoke our infinite reverie. And the beautiful middle school time constructed in Love Letter may be the warmest and purest memory of Shunji Iwai and many people.

Like many Japanese movies, Love Letter also reflects death. It can be said that the story of love letters always revolves around life and death, but what is different is that it does not deliberately show the horror and indifference of death. The death of male Fujii tree and the death of young Fujii tree's father have all been diluted into a kind of grief and nostalgia. However, the film focuses on the critical illness and rescue process of female Fujii tree, aiming to set off the preciousness of life through this life-and-death contest.

The reminiscence of the past and the description of life and death in Love Letter are very oriental, which implicitly and elegantly expresses the theme of the film-cherishing limited life and precious love. I think all the arguments about life and love are meaningless. When I saw Bozi standing in the snow and calling out to the mountains, Fujii finally saw the portrait behind the book card and was moved to tears.

Love letter award-winning project

2 1 osaka film festival-the best film in Japan.

2 1 osaka film festival-works award

2 1 osaka film festival photography award

The Best Report of the 69th Film Festival —— The Third Place of Japanese Film

The 24th film ten-day newspaper was voted as the best by readers-the first place in Japanese films.

17 yokohama film festival-works award

17 yokohama film festival photography award

17 yokohama film festival-best first prize

The 24th Japanese Film P.E.N Club Award-the fifth best film in Japan.

The 36th Excellent Film Appreciation Conference-the 8th Best Film.

The 6th Excellent Film Works Award

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Calling for love in the center of the world

Original name: World Center, Love and Love.

Director: Xing Dingxun and Isao Yukisada

Screenwriter: Kyouichi Katayama

Starring: Takao Osawa Takao Osawa

Kou Shibasaki, Kou Shibasaki

Masami Nagasawa, Masami Nagasawa, Yongze.

Mirai Moriyama, Mirai Moriyama

Release date: 20041October 8 10

Region: Japan

Official website: http://aiosakebu.yahoo.co.jp/

If one day, the person I love is gone forever, how can I face the loss and the rest of my life and feelings?

Young me, I fell in love with your beauty, your purity, slender limbs and serene expression.

You got on my motorcycle, and your soft arms were around my waist. We laughed impudently and happily. Prove the beginning of a relationship with laughter.

You said to record each other's dialogue on tape. I can't talk. You laughed before listening to my recording. And I, when I hear the yawn at the other end of your earphone, will also show a knowing smile.

For you and me, this is a perfect trip. Perhaps this is the happiest time in my life. An uninhabited island, an abandoned house, your lips are so close to me, your dreams are so close to me.

Did bad luck suddenly befall you and us? I just want you to be my white bride, but you have white disease. You fell in front of me, I ran away, behind your car, behind you, and you left me. Can't escape the noose of fate.

On the night of Typhoon No.29, we didn't go to be the center of the world in your dream. In the storm, you went to the other side of the world, and I still stayed on this side of the world. Just like today's typhoon. /kloc-The typhoon 0/7 years ago was exactly the same as today. Seventeen years ago, I wanted to keep your back. Today, I can only meet you again in my memory.

How to love a dead person? How should I remember her? Should it be so hard to forget her? She has stored so many love words in my memory. I put the tapes box by box into the tape recorder and let my heart slide silently on the rubber disk of memory like the needle tip of a phonograph.

She is my lover today, my fiancee, and the little girl who sent us the tape at that time. At that time, she didn't send me your last tape. How to face the past, how to face her and you?

Today, I finally came to the world center, listened to your last tape, and scattered your ashes on the red soil in the world center according to your last wish. Your ashes were blown away by the wind. I heard you say in the wind:

I'm glad to meet you. Goodbye. . .

This is a film adapted from Kyouichi Katayama's best-selling novel Calling for Love in the Center of the World. Since the novel was released in Japan in April, 20001,its sales volume has exceeded 3.2 million copies, breaking the sales record of Norwegian forest in Japan 17. Lin, Haruki Murakami's spokesman in China, translated the book into Chinese. . .

This is a film directed by Isao Yukisada, who filmed The Great Escape and served as the deputy director of Shunji Iwai. At the same time, this film is also the image legacy of Shunji Iwai's royal photographer Noboru Shinoda. . .

This is a story with pure pictures, touching music, telling love, forgetting and memory. . .

Or, it was a cold rainy day, and I met a simple and beautiful love in a warm room. . .