How many classes are there in the textbook Photography Course of New York Institute of Photography? How many chapters are there?

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Photography course of New York Institute of Photography

catalogue

The first chapter photography basic skills 6

First, the photographer's eyesight 6

Second, a good photo should have a theme.

Third, a good photo should have an eye-catching subject.

Fourth, good photos should be concise.

Verb (abbreviation of verb) Application of Three Basic Principles 10

Six, find the best 12

Seven, observe the world around you 12

Chapter II Cameras and Lenses 13

I problems involved in photography 13

Second, the basic components of the camera 14

Iii. Type of camera 15

4. What kind of camera do you need for this course? 18.

Verb (abbreviation of verb) shot 19

Six, the lens speed 20

Seven. What is aperture 23?

Eight. Focal length 26

What is the relationship between focal length and image size?

X. What are standard lenses, wide-angle lenses and telephoto lenses?

XI。 What is a catadioptric lens 3 1?

Twelve. What is a zoom lens 32?

Thirteen, what is the macro lens 34

Fourteen, what is dazzling 35

Fifteen, what is perspective deformation 36

Sixteen, what is a portrait lens 37

Seventeen, what is linear distortion 38

Eighteen, what is a fisheye lens 40?

Nineteen. Appreciation of representative works 4 1

The third chapter framing and shutter 44

First, the frame system 44

Second, the optical viewfinder and rangefinder 45

Third, the SLR viewfinder 47

Four, double lens reflective (TLR) viewfinder 48

V. Back of frosted glass machine 49

Intransitive verb video viewfinder 50

Seven. Focus 50

Eight, focusing method 5 1

Nine, depth of field 55

Ten, depth of field application skills 58

Twelve. Shutter speed 63

Thirteen. Shutter speed and action 65

Fourteen Selection of shutter speed 66

Fifteen. Appreciation of representative works (2) 69

Sixteen, how to get a clearer picture 72

Seventeen, shutter speed and camera vibration 75

Eighteen. Useful attachments 76

Nineteen. Camera vibration or out of focus 77

Twenty, how to maintain the camera 78

2 1. Represents the appreciation of works (3) 80

The fourth chapter movie 82

I. Movies 82

Two. Type and size of film 83

Three. Film characteristics 89

Four. Film speed 89

Verb (abbreviation for verb) granularity 92

Comparison of intransitive verbs 93

What kind of black and white film will you use?

Eight, the principle of color film 94

Nine, how to form the color of the film 95

X. color negative film 97

XI。 Color reversal film 97

XII. Selection of Color Movies 99

Thirteen. Color film characteristics 100

Choose your color film 100.

Fifteen. Gao Fancha Movie 102

Sixteen. New color film 102

Seventeen. Eastman 5247 and 5294 103

XVIII. Color Balance 104

Nineteen. Disc packaging 105

Twenty, film storage and protection 106

XXI. The law of reciprocity is invalid 107

The fifth chapter exposure 108

I. What is exposure 108?

Second, how to determine the appropriate exposure 109

Three, fool exposure meter 1 12

How does the exposure meter work 1 13

Verb (abbreviation of verb) exposure meter 1 15?

VI. Use 18% grey board 1 19

Seven. What is latitude 120?

8. What exactly does the latitude of the film mean 123?

Nine. Gao Fancha scene exposure 124

X. Getting Perfect Exposure 127

XI. Use of Automatic Exposure Camera 129

Twelve. Flaky granular film 129

Thirteen. Color film exposure 130

Fourteen Color negative exposure 13 1

Fifteen. Color reversal film exposure 13 1

XVI. Forced development of color film 133

Seventeen. Aim at perfect photos 134

XVIII. Special exposure occasions 135

Chapter VI Black and White Film Processing 137

I. Development Basis 137

Second, the constant temperature and timing method 138

Three. Equipment required 139

Four. Selection of developing tank 139

Verb (abbreviation of verb) developing chemicals 140

VI. Film Development Arrangements 14 1

Seven. Chemical storage 143

Eight, temperature control 144

Nine. Developing step 145

X. film storage 150

XI。 Observation film 15 1

Twelve. Density 152

Thirteen. Contrast 154

Fourteen Contrast contrast 155

Fifteen. Film review 156

Sixteen. Frequently asked questions about development 158

Seventeen. Normalization 16 1

XVIII. Several deep operations 162

Chapter 7 Filters 162

I. Filter 162

Second, the sky mirror and warm filter 164

Three. Polarizing filter 167

IV. Filter size 169

Five, fluorescent lighting filter 170

Six, black and white photography how to use the filter 17 1.

VII. Filtration System 175

Eight, special filter 176

Nine. Exposure with filter 178

X. color compensation (CC) filter 178

XI。 Use the filter of New York Photography Institute to calculate the disk 180.

Chapter 8 Cultivate your eyesight 18 1

I. Composition and Vision 18 1

Second, highlight the key points through the layout 182.

Third, highlight the key points through the proportional relationship of object size 184.

Fourth, highlight the main body through framing 186.

Verb (abbreviation of verb) highlights the subject with light 189

The intransitive verbs converge to highlight the key points 190

Vii. Highlighting key points by converging lines 19 1

Viii. Highlighting key points through repetition 19 1

Nine, common mistakes and their prevention methods 193

Chapter 9 Natural light 197

I introduction to light 198

Second, the basic characteristics of the lamp 198

Third, the basic direction of light 199

4. Headlights 199

V. 45 Side Light 200

Six, 90 side light 20 1

Seven, reversing lamp 202

Eight, how to shoot portraits outdoors 203

Nine, tourism photography 204

X. equipment 205

Xi。 Take travel photos from dawn to dusk 209

Twelve. Extreme weather conditions 2 1 1

Twelve. Extreme weather conditions 2 12

XIII. At the airport 2 13

Chapter 10 Living Light 2 14

I spotlight 2 14

Second, why use spotlights 2 14

Iii. On-site lighting photography technology 2 15

Four, the scene lighting photography skills 2 15

Verb (abbreviation of verb) uses exposure meter 2 16.

Six, the scene lighting and development 2 17

Chapter 11 Artificial light 223

I. Artificial light 223

Two. Floodlights and spotlights 223

Third, the layout of the home studio 224

Four. Types of lamps 225

Five, the basic lighting equipment of home studio 226

The lighting characteristics of studio lighting equipment

VII. Basic Light Distribution Process 229

Viii. Lighting Exercise 23 1

Exercise 1: using light to represent the shape of an object 233

X. Exercise 2: Show the texture of an object 235

XI。 Exercise 3: Displaying the Transparency of Objects 237

Twelve. Illumination contrast 238

Thirteen. The use of exposure meter 239