Traditional Culture Encyclopedia - Photography and portraiture - Brief introduction of film artists' knowledge
Brief introduction of film artists' knowledge
Modern film artists should cooperate with photographers, actors and other actors to complete the modeling performance of the film under the overall thinking of the film director. Design and produce scenes, objects and people with the characteristics of the times and regions, life breath and personality, thus producing the artistic effect of blending scenes. The following is my understanding of film artists. For more information, please continue to pay attention to our fresh graduates training network.
1, basic terms
SC (lens number) OL (background front layer)
T.p. (upper positioning) OL/UL (scenes in front and middle background)
B.p. (lower positioning) UL (middle scene layer and background layer)
Gesture (gesture prompt) S/A (for background * * *)
TR (motion tracking) zoom out (pull out)
Background magnification (advance)
2. Understand the shot table, understand the director's intention, and determine the plane position and viewing angle position.
Read the split-lens desk carefully and analyze the position of each lens in the desk in detail, that is, understand the specific intentions and requirements of whether the lens is looking up, looking up or looking down, as well as their visual field positions.
3. The concept of apparent horizon.
The apparent horizon coincides with the height of the observation point. The height of the apparent horizon depends on the height of the observation point. Outdoor can also be called horizon, which refers to the line where heaven and earth intersect.
4. The function and characteristics of the apparent horizon.
The height of the apparent horizon varies with the position of the painter's eyes (camera lens).
The higher the horizon, the larger the ground you see, and the less the scenery blocks each other; On the contrary, the smaller the ground is, the more it blocks each other.
All the changes of the scene in the picture are related to the horizon, and all the vanishing points of the perspective line segments are also related to the horizon.
5. The height of the horizon determines the inclination of a specific lens.
The position of Shiping County in the picture determines that the picture is straight up and down. When looking up, the obvious horizon is in the middle of the picture; When looking up, the apparent horizon is at the bottom of the picture; When looking down, the horizon is at the top of the picture.
6. Perspective of the lens
The perspective relationship of lens refers to the perspective relationship between characters and scenery in a specific lens picture. Usually divided into Parallel perspective and angular perspective.
The background perspective of the cartoon is designed by the artist in advance. It depends on the specific situation of lens movement.
7. Use and borrowing of background.
In animation art design, background design is a very important link, which is time-consuming and laborious to make. Therefore, at the beginning of the design, we should carefully analyze the shot table, find out the background pictures that can be used for reference or use, and which can choose some other lens backgrounds to reduce the cost and improve the production progress. Get twice the result with half the effort. The loan instructions or * * * are marked in red. Write? Borrow? * * * Use? Words.
8. Create a scene
The scenes in animation can be divided into main scenes and secondary scenes. At the beginning of design, the first thing to do is to understand the plot of the script paragraph by paragraph, and make clear the characteristics of the background and regional style of the times. According to the characteristics and the requirements of the director, the main scene and the cut are established. According to the information provided by the lens divider, it is determined whether to fix the lens background or move the lens background, and the screen size is set by the specification frame according to the setting of the scene.
9. Collect relevant materials
After the scene is established, it is necessary to collect the first-hand information in line with the background of the times, regional characteristics and cultural characteristics according to the requirements of the script and the director's ideas. Including pictures, written materials, historical research and so on. If conditions permit, it is best to collect the wind on the spot.
10, draw the scene map.
Draw sketches, plane coordinates, three views and structural analysis diagrams of the main scenes. After the scene style is established, design and draw the original sketch. After the director finalized the draft, he drew a plane coordinate diagram, three views and a structural analysis diagram. The plane coordinate map includes the environment around the scene and the walking route of the character. When drawing a plane coordinate map, it should be drawn strictly in proportion. Three views include the front, side and back angles of the scene. The structural analysis diagram includes the functions and corresponding positions of each part of the scene.
1 1, draw a line sketch.
After the sketch part is passed, we will begin to make the thin line sketch part. This is to make the details of the picture more full, require neat lines, draw in strict accordance with the requirements of the design draft, and there should be no errors in specifications and sizes, so as to provide accurate picture information for the color-mixing personnel behind.
12, draw a colorful atmosphere map.
According to the artistic style determined by the director, design the color atmosphere map of the scene, in which the outdoor scene includes the colors of morning, noon, dusk, night, rainy day, snowy day, foggy day, sunny day and cloudy day; Indoor scenes include daytime colors and night lighting colors. When painting, you can only draw a rough color relationship, without being very deep and delicate, just show the basic color atmosphere.
Scene-specific coloring The effect of scene coloring needs to reach the quality when the film is played, so it is necessary to draw it completely and concretely. According to the information provided by the background design draft, attention should be paid to the division of the front scene, the middle scene and the back scene, and every detail should be considered in place. The texture of the object should be authentic, and the relationship between space, sketch and color should conform to the laws of nature and not be sloppy.
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