Kinji Fukasaku's acting experience

1953, Kinji Fukasaku graduated from the Department of Literature and Art of Japanese University. In the same year, he was admitted to Dongying Co., Ltd. 1954 and transferred to the supervision department of Tokyo Institute of Photography. During this period, he served as assistant director of Masahiro Makino, Hideo Sekigawa and others.

196 1 was promoted to director, directing the first film "Detective Feng Laifang: The Tragedy of Red Valley", which showed his creative ability in modern action movies and attracted much attention.

1964, he directed the action film Villains and Iron Blood starring Gao Cangjian. The film describes the duel between the iron organized by the disadvantaged fishermen and the fisherman Sardine Wan, which was welcomed by the audience after it was released.

On 1970, the director of the Pearl Harbor War movie Tiger was not Akira Kurosawa, but richard fleischer! Tiger! Tiger! ",as part of the Japanese director.

From 65438 to 0972, he directed Under the Flying Army, an anti-war film, which reflected on the profound disasters caused by Japanese militarism to people in Japan and other Asian countries, and showed that there was still a problem of beautifying war in Japanese society. The film won the second place in 1972 film's top ten awards in ten days.

1973 to 1974, Kinji Fukasaku made a series of gangster movies, The War of Benevolence, which was adapted from the prison notes of the leader of the Japanese underworld Yamaguchi group, and told the growth history of a veteran, Hiroshi Changsan, from street hooligans to underworld bosses after World War II. Deeply change the routine of Dongying's "fist and pillow" police film, and record the cruel underworld life with the realistic tone of semi-documentary. This series of films created a new form of chivalrous films for Dongying, and also won Kinji Fukasaku the "Film Day Special Contribution Award" in "Ten Days of Film". Among the top 100 best films in Japan selected by Ten Days of Movies, the series "War without Benevolence" ranked eighth.

1977, Kinji Fukasaku participated as an actor in the detective mystery film "Witness of Human Beings" directed by Toshiya Sato, which was adapted from the work "Proof of Human Nature" by Japanese social school mystery writer Seiichi Morimura. The film is faithful to the style and characteristics of the original work, and ranks second among the top ten blockbuster movies in Japan in 1977.

From 65438 to 0977, he directed the new martial arts film "The Conspiracy of the Yagyu Family", which was the first time that Kinji Fukasaku directed a time film, and it was also the transformation of Kinji Fukasaku's directorial career. After the film was released, it received rave reviews. In the film, the phrase "kill Buddha when encountering Buddha" is often borrowed by Hong Kong films. The film was nominated for Best Picture in the Second Japan Film Academy Award, and Kinji Fukasaku was nominated for Best Screenplay.

From 65438 to 0978, Kinji Fukasaku stepped into the creative field of science fiction films and giant entertainment films. His famous works include Letters from the Universe and The Gate of Youth.

1982 directed the work "Putian March", describing the life of early Japanese film actors. The film shows all the main links in the filming process. By showing the "special friendship" between Yin Shiro and Jung Hwan Ahn and the stories derived from it, the so-called "humanitarianism" is well mocked. The film won the first place in the top ten awards of 1982 film newspaper, the award of the 37th Daily Film Competition, the award of hero and heroine and fine arts, the award of film works, the award of hero and heroine and supporting actor of the 6th Japan Film Art Association, the music award, the excellent film award of Japanese cultural department, and 1980 won the 26th best film in Japan. Kinji Fukasaku also won the Best Director Award of Japanese Film Ten-day Newspaper, the Best Director Award of Japanese Film Ten-day Newspaper, the Best Director Award of Daily Film Competition and the Director Award of Lu Shanzhen.

From 65438 to 0986, the literary drama The Man in the Firehouse, based on Tan's autobiographical novel of the same name, started shooting, telling the love and life of a middle-aged writer and revealing the heaviness and helplessness of life. The film won seven awards at the 1986 Japan Academy Awards, including best film, best actor and actress, best supporting actress, best director, best screenwriter and best cinematography, and its box office performance also ranked among the top ten local films.

From 65438 to 0988, he directed the drama China Uprising, which was adapted from Nagata's original works China Uprising and Dream of Ideal. The film tells a love tragedy in a turbulent and complicated historical background. The film won the 12 Japan Film Academy Award for Best Actress and Supporting Actress, and Kinji Fukasaku was nominated for Best Screenplay and Best Director.

From 65438 to 0992, he directed the crime film Endnotes starring Kenichi Hagiwara, Keiko Oginome, Kazuya Kimura, Renji Ishibashi, Sonny Chiba and Yoshio Harada. The film was nominated for best film in 16 Japan Film Academy Award, and Kinji Fukasaku was nominated for best director. During this period, he also supervised Asahi TV and personally directed the TV series "Must Kill", which was well received.

1994, Kinji Fukasaku interwoven the historical legend of Japanese loyal ministers' revenge, The Lost of Loyalists, and the tragic ghost story, The Mystery of Four Valley, and created a costume movie full of Japanese cultural charm. The film includes eight awards, including the best film of the year, the best director and the best actor and actress at the Japanese Academy Awards.

From 65438 to 0999, he directed the female-centered film Art Brothel starring Makoto Miyamoto and Sumiko Fuji, so he was nominated for the best director in the 23rd Japan Film Academy Award.

In 2000, he filmed the thriller The Great Escape written by his son Kenta Fukasaku. In the film, Kinji Fukasaku boldly shows violent scenes without mercy, and reveals naked human nature under extraordinary circumstances with shocking pictures. The film won the best film award of the Japanese film Blue Ribbon Award. Kinji Fukasaku was nominated for best director in the 24th Japan Film Academy Award.

In July, 2002, out of a strong desire to shoot another work with children, Kinji Fukasaku put forward the shooting plan of the sequel "The Great Escape", the soul song of "The Great Escape II". On September 25th, Kinji Fukasaku announced that he was suffering from bone cancer at the planning conference of "Song of the Soul of the Great Escape", and expressed his determination to film "Song of the Soul of the Great Escape" to the end anyway. 65438+February 16, the soul song of the Great Escape II was officially launched. But then, Kinji Fukasaku's condition suddenly deteriorated sharply, so his son Kenta Fukasaku took over from his father as a director.

June 65438+10/October 65438+February 2003, Kinji Fukasaku Evelyn died in his sleep at the age of 72.