Is it a literary film?

Hidden in the dust is a literary film.

Directed by Li Ruijun and starring Wu Christina, The Dust Settled has created a "box office miracle" for this summer movie. Even after it went online last weekend, the box office of the cinema rose instead of falling, and the Douban score rose from the initial 7.8 to 8.5.

Like most literary films, "Into the Dust" began with the selection of films from overseas film festivals and exhibitions, and entered the public's field of vision with high threshold and aesthetic artistic achievements. The main competition unit of Berlin Film Festival is not only the highest stage reached by Li Ruijun on the road of film festival screening, but also the only film that has been shortlisted for the three major competition units in Europe in recent years. After returning from Berlin, I should have entered the cinema at the end of February, and the temporary withdrawal of files added mystery and topicality to the film.

Episode evaluation:

In Li Ruijun's stories, we often choose a small starting point, look at the protagonist quietly with a fixed lens, add some tiny variables, and wait for fate to happen. The film shows a lot of scenes of Cao and Ma Youtie working in the field. Under the warm light and careful composition, they are naturally captured on the sound track.

The scene of busy farming is exhausted by sweat and suffering, but it has become a picture full of romantic beauty. From the title to the aesthetics, Into the Dust has a kind of film aesthetics that is compatible with some film academy doctrine.