Both the grass and the tree know that spring will come back soon. What do you mean by trying to crack down on wheatgrass?

Flowers and trees know that spring is back, and they all want to keep the pace of spring and compete for beauty.

Two poems from Late Spring by Han Yu, a poet in the Tang Dynasty.

The whole poem is as follows:

One?

Flowers and trees know that spring is about to pass, and they want to keep the pace of spring and pay more attention.

Even the fickle elm tree without beautiful colors is unwilling to be lonely, dancing with the wind and turning into snowflakes flying all over the sky.

The translation is as follows:

Spring will come back soon, and flowers and trees will try their best to keep it. First of all, they will compete with each other and make the world colorful.

Poor Huayang Yu Qian, not gorgeous, just flying all over the sky, like snowflakes.

Extended data:

This is a poem describing the scenery in late spring. At first glance, it is just a common sight of a hundred flowers blooming, but further, it is not difficult to find that this poem is ingenious and unique.

The poet doesn't write about the flowers falling and dying in late spring, but he writes about the plants staying in spring, presenting a colorful and moving scene: flowers and trees find that spring will come back, each according to his ability, colorful and flowery. Even Yang Shuhua and elm pods, which were originally full of color and flavor, were not to be outdone, and turned into snowflakes dancing with the wind, joining the ranks of staying in spring.

Speaking of it, it is quite interesting to renovate this poem in an ordinary way, and it also lies in the magical use of personification in the poem, combining people with flowers. Vegetation is a heartless thing, but it can know, understand and fight, and there are differences between talent and wisdom. Fantastic imagination is really rare in poetry. The last two sentences are particularly chewy, and readers can boldly imagine according to their own life experiences, which makes people think endlessly and have endless aftertaste.

Brief introduction of the author

Han Yu (768 ~ 824), a writer, philosopher and thinker in the Tang Dynasty, was born in Heyang (now mengzhou city, Jiaozuo, Henan) and was of the Han nationality. Originally from Changli, Hebei Province, he was known as Han Changli in the world. In his later years, he served as assistant minister of the official department, also known as the Korean official department. Posthumous title "Wen", also known as Han Wengong. He and Liu Zongyuan were both advocates of the ancient prose movement in the Tang Dynasty, who advocated learning the prose language of the pre-Qin and Han dynasties, breaking parallel prose and expanding the expressive function of classical Chinese.

In the Song Dynasty, Su Shi called him "the decline of eight generations of literature", and in the Ming Dynasty, he was regarded as the head of the eight masters in Tang and Song Dynasties, and was also called "Liu Han" with Liu Zongyuan. Known as "a great man of literate Sect" and "a hundred schools of literature", all his works are included in Mr. Changli's anthology. Han Yu is the founder of China's "orthodoxy" concept and a symbolic figure who respects Confucianism and opposes Buddhism.

Baidu Encyclopedia-Two Late Spring Songs