Traditional Culture Encyclopedia - Photography and portraiture - Gu Cheng's Lonely Poems
Gu Cheng's Lonely Poems
2, fate is not the wind, blowing around, fate is the earth, wherever you go, you are in fate. -"Ying Er" from Gu Cheng
I am dreaming, and my fantasy is shattered. Fantasy always forgives disillusionment, but disillusionment never lets go —— My Fantasy by Gu Cheng
4. Push open the door and put on the most legal expression. I can't see others, and I can't hide my heart —— Gu Cheng's The World and Me
5. Sleep and close your eyes, the world has nothing to do with me-Gu Cheng's Fantasia for Life
6. You should be a dream and I should be a gust of wind. -"You and Me" from Gu Cheng
7. The clock perches in the church and ticks the time quietly-Gu Cheng's I Will Breathe Like Grass.
8. The stars are all dressed up to go down the mountain, and the bright moon is hesitant but not lonely-Gu Cheng's "I will breathe like grass"
9. Careless branches let me see the moon. And the moon can't see me or the branches-Gu Cheng
10, retreat from the back of the rising waves-the arc of Gu Cheng
1 1. Now the branches are thin and swaying in the wind. We are all gone at the age of twenty —— Gu Cheng's "Ran Ruo"
12, one needs the sun. -"I like to walk on the road" from Gu Cheng
13, I just need to fill them with small flower seeds. I want to know their birthdays-birthdays from Gucheng.
14. The night gave me black eyes, but I used them to look for light-Gu Cheng's generation.
15. The grass is bearing seeds and the wind is shaking its leaves. It's beautiful that we stand without talking. -"In front of the door" from Gu Cheng
Gu Cheng's creative style;
1969 to 1982 is the early stage of his creation, and his overall style is bright and pure. There are two creative peaks in this stage-from 1970 to 1972 and from 1977 to 1982. Gu Cheng wrote many works of genius during this period. He focused on the beautiful, pure and bright things in nature, supplemented by rich and strange imagination, and created a charming and incredible artistic space for readers and an ideal fairy tale world for himself. He is a born poet. His creation at this time depends not on social experience, but on his sensitivity to everything and his innate talent. Of course, he is also thinking and exploring attentively, and his poems also reveal a little nothingness and decadence.
2. Poem about Loneliness (Modern) "Loneliness" Author: Wang Guozhen's pursuit requires thinking and sometimes loneliness, and the sad figure is a kind of canopy, not dry. Two people can suffer, and one person can be happy. When you are lonely, the road will unfold before your eyes. Wonderful Loneliness Author: Grace's daughter always has a kind of beauty lingering in my mind. The lights on the street lamps are charming. People are lonely. The heart is cheerful, lonely, happy and lonely. Do not exclude loneliness. Loneliness is a wonderful idea. Fear of loneliness is unparalleled free and easy "Mountain Lily" Author: Xi Murong quietly opened a fragrant mountain lily without competing with others, quietly opened it in my heart, no one knew its existence, only my wanderer kept smiling and thinking of it on the lonely road. "Exile Island" Author: Shu Ting exiled to a desert island, and once again got close to the warm land as a child. You collected firewood, mowed the grass, planted fine old corn in the air, and occasionally looked up and sent rows of migratory birds home. At this moment, there is no wind in New Zealand waters. Your eyes are blurred. When they are outside, your bright red beak knocks helplessly on the high wall inside. Now that you are outside, all the secret doors inside are locked. Now that we have landed on the other side, we can't go back to the place where we were born and look in the same direction. Your foot is on the other pole of the magnetic field. Black-eyed wife sat on the threshold, nursing her hair, braids tightly on her head, like a strong sunflower. She smiled and turned to look for your light source, but you suddenly wiped your sweat with the sleeves of the Chinese tunic suit, and your feet gradually became plump and golden on the track of fate. Author: Shu Ting, a person who stole music into permanent silence, a person who copied and blinded the pure black confused light source, a person who took off the bracket from the roof and derived the building, is not crazy. Such a man can't help feeling sad when he stands on tiptoe. The telephone rang straight in the empty room, and the dragged silence was stubbornly restored again and again. The man's breath-holding ear was badly cut by its elasticity. Then we flip a coin, sweat, and then stop calling him. The words are silent and dense, and the dust extends for half a beat, making the room more empty, sorting out the five colors and turning it black, like the outline of a plane relief, clinging to the thin light of a dream. The man sold sunglasses to the audience as tickets, and the exhibition was always crowded in the preparation, and there was no one on the street. As soon as I turned away from my friend, I was discussed and chewed to pieces. Shrinking bees stung their meager paychecks. Since this man moved from the bookshelf to the next door, we have an obligation to help him guide him and disperse him. So we hid his feathered clothes and laughed at his nakedness. Author: Gu Cheng's soul has a lonely residence. He looked at the warm wind at the foot of the mountain. He noticed the bright kisses and shook them like flowers to drive away insects in honey. He noticed that another kind of fallen leaves was crawling everywhere, blown by the wind, revealing dry internal organs casually.
3. Looking for the appreciation of Gu Cheng's classic poems,
You,
Look back at me,
Watch the clouds later.
I think,
When you look at me from a distance,
You observe the clouds up close.
This poem is very much like a push-pull lens in photography. It uses the transformation of subjective distance between "you", "me" and "cloud" to express the habitual fear between people and the intimate relationship between man and nature.
This contrast is not without tendentiousness, which implies "I"' s desire for human nature to return to nature.
-Gu Cheng
Enjoy 1
Although there are only six short sentences in Far and Near, it contains rich connotations of historical reflection. "Far" and "near" are the concepts of physical distance, which exist objectively and have scientific measurement. However, the psychological distance of emotions is different, and "far" can become "near" and "near" can become "far". The transformation of psychological distance between "you", "me" and "cloud" in the poem reflects the estrangement and vigilance between people, and the poet's yearning and pursuit of harmonious and ideal interpersonal relationship.
The three images of "you", "me" and "cloud" in the poem all have certain symbolic significance. "You" and "I" both live in objective reality and belong to social members, while "Cloud" symbolizes beautiful and simple nature. "If you look at me, you will be far away" means that the ground is near and the heart is far, "if you look at the clouds, you will be near", and "you are close to the sky". The poet's dialectical emotional way of "man is far away from the world" has become the development way of human aesthetic ideal, that is, "from the truth of the object to the truth of the subject, from passive reflection to subjective creation."
This poem seems handy, but in fact it is ingenious, giving people the feeling that it is natural but unnatural, clever but not artificial.
Appreciation 2
The poem Far and Near is the poet's essential discovery of abnormal life. When this poem was first published, it was considered as a strange poem that was difficult to understand. According to the rigid reading mode at that time, people have become accustomed to the passive thinking mode, and this poem is really difficult to interpret. Because the distance between you and me can't be far beyond the distance between you and the cloud. But why does the poet feel that "when you look at me, it is far away, and when you look at the clouds, it is very close"? The reason is that the poet wrote about an abnormal life and a distorted interpersonal relationship. In this twisted relationship, everything is upside down. The relationship between people who should be close is alienated by the barrier of the soul, which seems so lonely and inaccessible; Because of the alienation of interpersonal relationship, man and nature have narrowed the distance and become very close. Perhaps, it is precisely because of the closeness between man and nature that man's loneliness is further manifested; Perhaps it is this loneliness that often reminds Gu Cheng of the kingdom of dreams. But Gu Cheng should know that in this world full of contradictions, the dream kingdom of heaven does not exist.
Appreciation 3
This poem is a very famous poem among obscure poems, and many people have read it.
Gu Cheng expressed people's philosophical thinking about distance, the relationship between man and nature, and the relationship between people in his poems.
This relationship is full of a dialectical distance, a pain of beauty and love. The lover nearby is far away, but the clouds in the sky are very close. Lovers can be close, but they can't be really close. Naturally, they are isolated in distance, but beside their hearts.
Poetry shows a penetrating beauty, a pure beauty, a magical beauty, and a painful and speculative sadness.
Gu Cheng said that he would "cast a key with pure silver in his heart, open the door of heaven and face mankind." But "the horse of time is exhausted." Even in his best beautiful poems, his sadness and disappointment are vaguely revealed.
4. Poem about Loneliness (Modern) "Loneliness" Author: Wang Guozhen's pursuit requires thinking and sometimes loneliness, and the sad figure is a kind of canopy, not dry. Two people can suffer, and one person can be happy. When you are lonely, the road will unfold before your eyes. Wonderful Loneliness Author: Grace's daughter always has a kind of beauty lingering in my mind. The lights on the street lamps are charming. People are lonely. The heart is cheerful, lonely, happy and lonely. Do not exclude loneliness. Loneliness is a wonderful idea. Fear of loneliness is unparalleled free and easy "Mountain Lily" Author: Xi Murong quietly opened a fragrant mountain lily without competing with others, quietly opened it in my heart, no one knew its existence, only my wanderer kept smiling and thinking of it on the lonely road. "Exile Island" Author: Shu Ting exiled to a desert island, and once again got close to the warm land as a child. You collected firewood, mowed the grass, planted fine old corn in the air, and occasionally looked up and sent rows of migratory birds home. At this moment, there is no wind in New Zealand waters. Your eyes are blurred. When they are outside, your bright red beak knocks helplessly on the high wall inside. Now that you are outside, all the secret doors inside are locked. Now that we have landed on the other side, we can't go back to the place where we were born and look in the same direction. Your foot is on the other pole of the magnetic field. Black-eyed wife sat on the threshold, nursing her hair, braids tightly on her head, like a strong sunflower. She smiled and turned to look for your light source, but you suddenly wiped your sweat with the sleeves of the Chinese tunic suit, and your feet gradually became plump and golden on the track of fate. Author: Shu Ting, a person who stole music into permanent silence, a person who copied and blinded the pure black confused light source, a person who took off the bracket from the roof and derived the building, is not crazy. Such a man can't help feeling sad when he stands on tiptoe. The telephone rang straight in the empty room, and the dragged silence was stubbornly restored again and again. The man's breath-holding ear was badly cut by its elasticity. Then we flip a coin, sweat, and then stop calling him. The words are silent and dense, and the dust extends for half a beat, making the room more empty, sorting out the five colors and turning it black, like the outline of a plane relief, clinging to the thin light of a dream. The man sold sunglasses to the audience as tickets, and the exhibition was always crowded in the preparation, and there was no one on the street. As soon as I turned away from my friend, I was discussed and chewed to pieces. Shrinking bees stung their meager paychecks. Since this man moved from the bookshelf to the next door, we have an obligation to help him guide him and disperse him. So we hid his feathered clothes and laughed at his nakedness. Author: Gu Cheng's soul has a lonely residence. He looked at the warm wind at the foot of the mountain. He noticed the bright kisses and shook them like flowers to drive away insects in honey. He noticed that another kind of fallen leaves was crawling everywhere, blown by the wind, revealing dry internal organs casually.
5. What are Gu Cheng's classic poems? 1: You don't want to plant flowers, you say, I don't want to see them wither a little.
Yes, in order to avoid the end, you avoided the beginning. -Gu Cheng's "Avoidance" 2: You, look at me for a while and look at the clouds for a while.
I think when you look at me, it's far away, and when you look at the clouds, it's close. -Gu Cheng's "Far and Near" 3: Everything is clear, but we still miss it in a hurry, because you believe in fate, because I doubt life.
-Gu Cheng's "Missing" 4: I have never been known by anyone, so I have not been forgotten by anyone. Living in other people's memories is not my purpose.
Meeting is a matter of two people, leaving is a decision of one person. Meeting is just the beginning, but leaving is to meet the next one; This is a world where one person is gone, but we are not good at saying goodbye.
-Gu Cheng 5: I need the craziest wind and the quietest sea. Gu Cheng 6: The grass is bearing seeds and the wind is shaking the leaves.
It's beautiful that we stand without talking. Gu Cheng's Door 7: The night gave me a pair of black eyes, but I used them to look for light-Gu Cheng's Generation 8: How I wish I had a door where the morning sun shone on the grass.
We stood there holding our doors and windows. The door is low, but the sun is shining. The grass is sowing and the wind is waving its leaves. We just stood and said nothing, and everything was fine.
-Gu Cheng's "In front of the door" 9: I have never been known by anyone, so I have not been forgotten by anyone. Living in other people's memories is not my purpose.
-Gu Cheng Early Seeds 10: I hope every moment is as beautiful as colored crayons. I hope I can draw on my beloved white paper, draw clumsy freedom and draw eyes that will never cry.
A sky, a feather and leaves belonging to the sky, a light green night and apples. I want to draw the morning, dew and smile that I can see.
Draw all the youngest love. -Gu Cheng's I am a wayward child 1 1: You should be a dream, and I should be a gust of wind.
-Gu Cheng's You and Me 12: Go to sleep and close your eyes, the world has nothing to do with me-Gu Cheng's Fantasia for Life 13: The bearer loses. I lost my poem when I wanted to be a poet. When I wanted to be a person, I lost myself.
When you don't want anything, everything comes as planned. -Gu Cheng's Lost Holder 14: Time is running out, the world is still long, and I should take a rest in the middle-Gu Cheng 15: The alley is winding and long, with no doors or windows, and I knocked on the thick wall with an old key-Gu Cheng's Alley Introduction: Gu Cheng (.
Gu Cheng has high attainments in new poetry, old-style poetry and fable poetry. The phrase "The night gave me black eyes/I used them to look for light" of his generation became a classic sentence in China's new poems. Gu Cheng/Kloc-started his writing career at the age of 0/7, contributing to various newspapers and magazines.
1987 began to travel to Europe for cultural exchange. 1988 lived in seclusion in Rapids Island, New Zealand, and lived a self-sufficient life. 1993, 10 year10.8, he killed his wife Xie Ye with an axe and hanged himself under a big tree. Xie Ye died later. The fairy tale stage from 1969 to 1982 is the early stage of his creation, and his overall style is bright and pure. There are two creative peaks at this stage-1970 to 1972 and 1982.
Gu Cheng wrote many works of genius during this period. With beautiful, pure and bright things in nature as the main content, supplemented by rich and peculiar imagination, he created a charming and incredible artistic space for readers and an ideal fairy tale world for himself. He is a born poet. His creation at this time depends not on social experience, but on his sensitivity to everything and his innate talent. Of course, he is also thinking and exploring attentively, and his poems also reveal a little nothingness and decadence.
The language of Gu Cheng's early fairy tales is concise, with the characteristics of children's language, ethereal and pure, short sentences and beautiful artistic conception. The delicate artistic feeling mixes all sounds, sounds, lights and tastes into a wonderful world. Children can be said to be a unique image, and the image of children in Gu Cheng's poems has its own unique meaning.
The creation of such poetic images should be said to be quite successful. Image-building in performing arts, as a different style in art categories, sometimes has the same effect. Gu Cheng wrote fairy tale elements such as animals and plants in nature in his poems. Technically, personification is often used; From the perspective of writing, it is a childhood perspective; But in artistic style, simplicity comes from a childlike innocence.
Gu Cheng's poems are very natural. Although his poems are far from the appearance of complicated social life, they are close to the real state of quiet and complacent cosmic life.
This is precisely the truest and best state of poetry. Gu Cheng's poems are easy to read, and there are no obstacles in image, language and form.
Gu Cheng's poems are generally short in sentence structure, uncommon in language, ordinary in words and pure and simple in words. In "I am a wayward child", the poet constructed a fresh and beautiful fairy tale world, and with the poet's unique imagination, he broke the shackles of the real world and realized his spiritual freedom.
In Lonely Man in the North and Snowhouse of Eskimo, Gu Cheng not only realized the true meaning of marriage and love in the art world, but also devoted his life to pursuing it in real life, even fighting against secularism and morality for the true love in his heart. The transition period from 1983 to 1986 belongs to the middle period of his creation. The works of this period are a period of self-exploration and transformation of poets, and there are different opinions.
From this part of the works, readers can clearly feel the difference and connection with the works before and after, and this stage is the transitional period of the poet's creative transformation. The works of this period still have a strong fairy tale color, but they also have a deeper connotation. It may be that the conflict between reality and ideal played a role in Gu Cheng, which made him unable to continue writing simple poems invariably and had to deal with it.
6. The poem about loneliness 1, with whom did the piper go to Lou Yu to be heartbroken?
2, sitting alone, advocating independent pay, lying alone. Standing hurts, even touching people hurts.
3. A boat, a bamboo cloak, an old man fishing in the cold Jiang Xue.
The sober man and saint of the old days were forgotten, and only the drinker left his name.
5, the soul dream is unbearable, more embarrassing.
6, it's hard to say, the window is bright and clean, and the shadow is still romantic.
7. I miss heaven and earth, and there is no limit, and I cry alone.
8. Where are people? Even it's getting dark, and the way home is broken.
9. Wash and dress, and lean on Wangjianglou alone.
10, who saw a lonely person traveling alone, ethereal and lonely.
Netizens who have seen this beautiful poem have also seen the lonely poem, the saddest sentence in the world and those sad sentences.
1 1, only the running water in front of the building. If you miss me, stare at me all day. Looking at that place, I added a new sadness from now on.
12, I sang. The moon encourages me and I dance. My shadow is rolling in the back.
13, it's easy to meet, but difficult to leave, so where will I look back?
14, all the lonely cries fly towards the moon and shadow.
15, broken bridge outside the post, lonely and ownerless.
16, this time, what a sad sentence!
17, tears on the pillow are like rain outside the window.
18, few friends, who will listen to the broken string.
19, walking in the bustling crowd, every step is lonely, every step is lonely!
7. What are Gu Cheng's poems about parting? 1. In spring, do you wave a handkerchief to let me go or come back right away?
No, it's nothing. It's nothing.
Like a fallen flower in the water, like dew on a flower. ...
Only the shadow knows, only the wind can understand, and only the butterfly that leaves with a sigh is still flying in the heart.
-"Don't" from "Gu Cheng"
Interpretation: We can't elaborate on the sadness of parting. There is a faint sadness of parting in the wind. Although "you" and "I" don't give up, they still have to leave. Both "you" and "I" have a deep understanding of this and can only understand it.
2. You silently turned to face the dense lights in the middle of the night. They are always together. We always have to meet again. Goodbye, goodbye-goodbye from Gu Cheng
It means that two people have to be apart for some reason. The time is set at night, their future is unknown, and there is a sense of loss that they are reluctant to leave. The last two sentences are goodbye. The first sentence is farewell, and the second sentence is for the next meeting.
Everything is clear, but we still miss it in a hurry, because you believe in fate and I doubt life. -"Miss Gu Cheng"
It means that two people will eventually miss each other because of some opinions.
I have never been known by anyone, so I have not been forgotten by anyone. Living in other people's memories is not my purpose. Meeting is a matter of two people, leaving is a decision of one person. Meeting is just the beginning, but leaving is to meet the next one; This is a world where one person is gone, but we are not good at saying goodbye. -"In front of the door" from Gu Cheng
You should be a dream and I should be a gust of wind. -"You and Me" from Gu Cheng
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