How to understand the relationship between motion and stillness in movies?

The people upstairs posted all the movie history!

Landlord, let me talk about my understanding of movement. I happen to have a paper on this subject:

1. There is no real freeze frame in the film, and the movement of 24 frames is uninterrupted, so there is no absolute stillness. This is different from TV programs. TV programs often use static frames to make up time, which is obviously uncomfortable.

2. The contrast between motion and stillness is actually one of the ways to use various contrasts to produce a sense of rhythm. Others include: comparison of lighting, color, mood, action, machine action, scene, scenery and music.

3. Oriental thought has a special understanding of ethereal, belongs to a dialectical thought, and has a deeper thinking about being and not being, moving and static. Black and white in Chinese painting are also in good order in music.

4. In terms of techniques, it combines the use of various elements, such as the stillness of performance in movable seats and the replacement of sound (voiceover)-the seat is still, people paint (empty mirror) and music plays.

5. Motion and stillness in a narrow sense are relative. To give a simple example: the stunt shooting of chasing cars at the speed of life and death constitutes a fixed number of times; Extended example: In Air Force One, planes in the sky are flying at high speed, and people from the ground defense department are running around.