A movie?

Japanese director Kinji Fukasaku's new film "The Great Escape" is not soft on violence. Its bloodiness is the means, and its anti-bloodiness is the purpose. The film once caused a storm in Japan that the National Assembly wanted to ban it because it involved the campus.

Life is 7 years old, and his personality may have faded. However, Kinji Fukasaku, the Japanese imperial director whom John Woo respects most, is still full of anger.

See the consciousness of pure physical fighting violence

Since the plot of Yagyu clan in 1978, Kinji Fukasaku has made many different types of movies, but 2 years later, his old man suddenly made a Battle Royale, although the Battle Royale was not his Tomb of Righteousness, Tomb of the Underworld, and.

Kinji Fukasaku made his debut a little later than Shohei Imamura, and was a contemporary of directors such as Yoji Yamada, Nagisa??shima and Kei Kumai. In the final accounts of the Millennium, his 1973 work "War without Benevolence" successfully broke through, entered the top ten list of the best 1 Japanese films in a century selected by the well-known Japanese film Ten Days, and stood out among the directors of the same generation, and its position was obviously affirmed. In fact, Kinji Fukasaku became famous when he took the place of Akira Kurosawa in the international film "Attack on Pearl Harbor" in 7 years.

The Japanese parliament wants to ban it

The Great Escape was officially launched in Japan today, but because the film is violent and involves the campus, it also caused a storm that the Japanese parliament wants to ban it in Japan, so not many people are optimistic that it can be released locally. However, after the wise "cutting" by the local censorship bureau (because the cutting did not affect the plot), the audience finally had the pleasure to see the film.

In fact, a violent plot is not necessarily a meaningless film. In the Japanese film industry, a deep director is said to reflect the views of the lower class after the war by violent vendetta of gangster films. Under the false democracy after the war, the lower class lost their sense of helplessness and isolation.

Kitano Takeshi, the "master of violence", starred in

The Great Escape, which is set in an unknown world in the new century, says that the country is facing collapse, social unrest and violent incidents on campus are constantly happening. The Japanese military government simply played a game of wild war with these problem students to kill each other. The story describes a group of 42 students who were cheated to a desert island under the design of the class teacher. He gave his classmates different weapons and ordered that only one person could survive. In order to survive, usually good classmates have to show their animality and kill their friends in the most cruel way. It is the Japanese "master of violence" Kitano Takeshi who plays the cruel head teacher.

At the beginning of The Great Escape, a little girl, the winner of the Great Escape, appeared. Her blood-stained face and childishness were replaced by evil spirits, and she was still holding a bloody doll in her hand. At an early age, she smiled grimly, because she survived by successfully killing all her companions. That kind of terror simply made the audience's back cold. The ugliness, weakness, evil, selfishness and nakedness of human nature are presented.

From the death of the first classmate, the audience witnessed the horrible mentality of all kinds of people, some died of weakness, some took the opportunity to vent their usual repressed hatred and animality, some passively quit to seek death, some actively fought against survival, and the real exposure was even more shocking than the unbearable sight of the rotten face.

There is black humor in addition to fright

In order to add irony, the director also added absurd humor. For example, the dying classmate's last words were: You are the most stylish boy I have ever seen; Kitano Takeshi, the murder teacher, appeared in the rain and was magically concerned that the students should not catch cold and get sick. At this moment, the reader didn't know whether to laugh or cry. In short, the film is full of black humor in addition to being frightened.

If the South Korean film Drifting for Sex, which was released locally last Thursday, still has its power to expose human nature, The Great Escape will never be soft in this respect. Bloody is the means, and anti-bloodiness is the purpose. Regardless of the director's technique, content and enlightening reflection and educational significance, this film is definitely a must-see choice in 21.

The "Great Escape" in the West is equally shocking.

Every once in a while, people in the film industry will shout about the shortage of creativity and the drought of creation, and movies with the pattern of fighting between animals and animals have long been played badly by Hollywood. Everyone thought that the fight between the trapped animals was really exhausted, and the overseas box office super-strong "The Great Escape" opened the sky for the fight between the trapped animals and proved the status of the rivers and lakes again.

No one would believe that My Barbarian Classmate, directed by Jing Wong and starring Nicholas Tse, which was recently released locally, has no shadow of The Great Escape. According to the inquiry, local filmmakers have purchased the western version of "Series 7" (temporarily translated as "Survivor of the Great Escape"), and I believe the audience will see this equally shocking film soon.

"The Great Escape to Kill Survivors" is directed by Daniel Minahan, starring Brooke Smith and others, and is based on TV programs. It is said that "The Great Escape" is one of the high-rated TV programs in the United States, which sells human nature and bloody scenes. Participants were drawn from the ID card numbers issued by the government. Those who were drawn were given a gun and a photographer, and then all the participants were killed one by one to become the only survivors. Although everyone thought they were just watching a TV program, everything they saw was a real danger, and the film was as scary as the Japanese version.