Shifeng famous calligrapher

Shi Feng, male, Zhuang nationality, born in September, 196 1, bachelor degree. He is now the Party Secretary, President and Editor-in-Chief of Hechi Daily, a member of China Calligraphers Association, a member of the Editorial and Publishing Committee, a vice chairman of Guangxi Calligraphers Association, a distinguished calligrapher of Guangxi Calligraphy and Painting Institute, and a vice chairman of Hechi Federation of Literary and Art Circles. His works have been selected in the National Calligraphy Exhibition for many times and won awards, including:

199 1 was selected as the first exhibition of new works in China book circle.

1993 was selected as the second exhibition of new works in China Book Circle.

1996 was selected for the 6th National Calligraphy and Seal Cutting Exhibition.

1996 was selected for the 6th National Exhibition of Young and Middle-aged Calligraphy and Seal Cutting Works.

1998 won the Excellence Award of the 8th National "Stars Award" Calligraphy Art Photography Exhibition.

1998 was selected as the "Lanting Award" national calligraphy exhibition.

1999 was selected as the first national fan calligraphy art exhibition.

In 2000, he was selected for the seventh national exhibition of calligraphy and seal cutting works.

200 1 won the "bronze drum award" for literary and artistic creation of Guangxi government.

200 1 selected for the first excellent works exhibition of members of China Calligraphers Association.

In 2002, cursive script and Song Ci banners were selected for the first Lanting Award National Calligraphy Exhibition.

In 2007, the regular script banner won the third prize in the ninth national calligraphy and seal cutting exhibition.

In July, 2008, he was selected into the national exhibition of thousands of calligraphy works.

In addition, he won the first prize of Guangxi Calligraphy and Seal Cutting Exhibition three times and the first prize of National Newspaper and Calligraphy Exhibition once. In 2002, he was awarded the title of member of China Calligraphers Association, and in July 2006, he won the second prize of Guangxi Personnel Department and Literary Federation.

Supplementary information 1:

On June 65438+1October 65438+1October 9, 2007, the selection of the works of the 9th National Calligraphy and Seal Cutting Exhibition was announced in Zhongshan City, Guangdong Province. * * * 35 works won the prize, and a regular script work by Shi Feng, a famous calligrapher in Hechi, won the third prize. This is the first time that Guangxi calligraphy works have won prizes since the National Calligraphy and Seal Cutting Exhibition was held for 26 years.

The National Exhibition of Calligraphy and Seal Cutting Works (hereinafter referred to as the "National Exhibition") is the highest-level comprehensive exhibition in China's calligraphy field, and is known as the "Olympics" in the calligraphy field. It has been successfully held for eight times before and has a strong brand appeal in the literary and art circles. According to reports, this year's national exhibition * * * received more than 58,000 contributions from authors, the highest in history, and the competition was extremely fierce. One of Shi Feng's regular script works won the favor of the judges with its fresh style, flying spirit and heroic bones and muscles, and stood out among many works and won the third prize.

Shi Feng is currently the president and editor-in-chief of Hechi Daily. 1994 joined the China Calligraphers Association, and 1999 was elected as the vice chairman of Guangxi Calligraphers Association. Calligraphy works have been selected into more than ten national calligraphy exhibitions with national influence, such as the National Calligraphy Exhibition of Lanting Award and the National Calligraphy Exhibition of Young and Middle-aged People. 200 1 won the "Bronze Drum Award" of Guangxi government's literary and artistic creation award, won the title of member of China Calligraphers Association in 2002, and won the second prize of Guangxi Personnel Department and District Federation of Literary and Art Circles in 2006.

Supplementary information 2:

Come on for Guangxi to break the "zero"

-Shi Feng, the award-winning work of the 9th National Calligraphy and Seal Cutting Exhibition.

■ Wei

At the just-concluded Ninth National Calligraphy and Seal Cutting Exhibition, a regular script work by Shi Feng, a calligrapher in our region, won the third prize, achieving a breakthrough in the "National Exhibition" of Guangxi calligraphy works.

It is understood that the number of contributions to this year's "National Exhibition" reached a record high, and * * * received a total of 55,274 contributions, and the competition was extremely fierce. The jury consists of 55 experts and is divided into six judging groups: regular script, cursive script, official script, seal cutting and national exhibition forum. * * * 35 winning works, including 5 first prizes, 2 nd prizes 10 and 20 third prizes. Judging from the number of submissions and the quality of works, this national exhibition embodies the basic characteristics of contemporary calligraphy creation. Guangxi Book Association attaches great importance to the 9th National Book Fair. At the end of July this year, shortly after the election of the new team of the Book Association, from August 17 to August 2 1 day, Guangxi Book Association and the Propaganda Department of Liuzhou Municipal Committee jointly held the "Punching Class for the Ninth National Exhibition", and invited authoritative experts to give lectures and comment on works for more than 70 students. Shi Feng and other leaders of the Calligraphy Association and a group of powerful calligraphers took the lead in preparing for the war and devoted themselves to their creation, which set off a strong atmosphere for the "National Exhibition" in Guangxi calligraphy circles.

Guangxi submitted 963 works, ranking 20th among all provinces and cities. Although the number of works is small, it won the third prize of 1 piece, and two others were nominated and four were selected for the exhibition, which can be described as fruitful.

For the cultural and artistic circles in Guangxi, the significance of this award is also extraordinary. Although the mass base of calligraphy in Guangxi is extensive, it is relatively weak, with many people who can write and few people who practice calligraphy. Over the years, although many works in Guangxi have been selected for the book fair and won prizes, even a group of young calligraphers once occupied nearly half of the prize-winning share in the Fifth National Young and Middle-aged Calligraphy and Seal Cutting Exhibition, which triggered a heated discussion on "Guangxi Phenomenon". However, the previous national exhibitions did not achieve outstanding results, and compared with the achievements made in literature, music, art and other cultural categories, they were still in a backward state. Shi Feng's award has contributed a lot to the overall improvement of Guangxi's cultural and artistic level.

Since the early 1990s, Shi Feng's first submission and selection in the first National Exhibition of New Calligraphers' Works sponsored by China Calligraphy Association has been out of control. He won more than ten awards in national calligraphy exhibitions with national influence, such as National Exhibition, China Youth Exhibition, New Calligraphers Exhibition, Lanting Award, Stars Award, Fan Exhibition, etc., and became a leading figure in the calligraphy field in Guangxi, thus winning the Guangxi government literary and artistic creation award and the "Bronze Drum Award" of China Calligraphers Association. It is no accident that he won the prize in this national exhibition. This is another high-quality reward for his focus on calligraphy and natural development.

Looking at his creative achievements in the past ten years, we can clearly see that being good at learning from the ancients and paying attention to innovation in inheritance are the road that Shi Feng has always adhered to. Beginners began to learn calligraphy from Tang Kai, and then mainly used cursive script, and gradually formed their own style based on Mi Fei and Erwang. In the past ten years, he has extensively dabbled in regular script, seal script, official script and seal cutting, constantly expanding the scope of calligraphy research, persisting in Linchi, constantly absorbing nutrients from tradition, innovating techniques and constantly improving his creative level. When creating for the Ninth National Exhibition, he established the guiding ideology of "neither copying the ancients nor repeating the present", focusing on Chu Suiliang's style, weakening some of his obvious brushwork characteristics, and adding some brushwork of Ou Yangxun and Zhang Jizhi. In his creative notes, he revealed the formation of the style and temperament of his works and his innovative skills: "... the smell of leeks stuck in his works is a casual expression accumulated by past stickers in his writing." Because of the large number of words, the font size is specially treated with a large contrast. Ink color does not pursue the depth of dry and wet levels, but hopes to create a deep space through the change of pen weight. In terms of the details of the knot, the density of space and the shape of the long flat Fiona Fang are required to be as varied as possible without being too exaggerated. " Facts have proved that his creative method has been recognized by judges and experts.

Shi Feng studied books, especially books. Whenever he goes to a business trip, he likes to visit bookstores in his spare time. Most of the luggage at home is heavy books. He studies literature, art, history and philosophy ... with wide interests. He believes that reading can be reasonable, eye-opening, increase knowledge and have a keen reaction to things; It can change the temperament of the author and get rid of kitsch. Temperament is the first essence of learning calligraphy. The author is elegant in temperament, naturally broad-minded, noble in moral character, unmoved by fame and fortune, and has ideals and opinions. When he writes, he has charm, spirit and bookish spirit. But when it comes to calligraphy learning, he does not simply follow other people's academic formulation, but focuses on analyzing the relationship between erudition and specialized learning and studying the successful paths and experiences of predecessors. As for traditional knowledge, Shi Feng advocates a lot of temporary study and systematic research with the attitude of "erudition, doubt, thinking, discrimination and faith". When reading posts, he not only pays attention to rational analysis, but also emphasizes subjective feelings. During the temporary study, he summarized, compared and analyzed the famous works of past dynasties in a technical way, and practiced in an "expert" mode to achieve technical absorption. He put the advantages and disadvantages of each pen and ink and the style evolution of various fonts and glyphs into the political and cultural form at that time for comprehensive investigation, thus deepening the understanding and grasp of historical classics. When these elements are applied to creation, we can better achieve the purpose of accepting and releasing, not exceeding the moment and seeing temperament, and lay a solid foundation for "innovation" On the discussion of "expert" learning methods, Shi Feng specially wrote a paper entitled "Looking at the Transformation of Contemporary Calligraphers from the Basis of Calligraphy Development" for discussion.

In the study of calligraphy, he pays attention to the word "thorough", which not only absorbs other people's arguments, but also tries to explore new discoveries and form his own views. For example, for seal script, many people think that seal script is meaningless and monotonous except for a little decoration. By studying Wen Tao, bronze inscriptions, brick inscriptions, bamboo slips and silk scripts, he saw their various characteristics and came to the conclusion that "seal script is not a lack of interest, but a lack of discovery, induction and collation". When others chose to give up because of the "conclusion", he found the real treasure in his own research and read the spell of "open sesame" first. Solid research efforts have enabled Shi Feng to see farther and walk more steadily on the road of creation.

Shi Feng is currently the president, editor-in-chief and party secretary of Hechi Daily. 1994 joined the China Calligraphers Association, and 1999 was re-elected as the vice chairman of Guangxi Calligraphers Association. (The original text was published in Guangxi Daily on February 27th, 2007-/KLOC-0, and the author was the chairman of Guangxi Calligraphers Association.)