Traditional Culture Encyclopedia - Photography and portraiture - Reiko Kawauchi's Japanese Photographs
Reiko Kawauchi's Japanese Photographs
The Woods in Sichuan used to use a land-to-land double-mirror camera, and a large number of flash lamps were used when shooting, which reduced the natural light and shadow effect, made the picture flatter and more harsh, and formed a unique image style in Sichuan. She showed her daily life in a soft tone. Her works are intended to show her unique simplicity, melancholy and tenacity, and have a charm of catching people. This kind of charm is not the kind that grabs you firmly from the first sight, but after reading a lot of her works in a row, you won't be tired of aesthetics, but you will feel a little unfinished. It is an important part of her official operation, but it has an unexpected impact under this brisk tone, which is more suitable to be described as "low-key and high-energy"
Her picture is like a frivolous illusion, revealing a faint charming elegance. Because this mist contains sinister intentions, people are intoxicated in a soft and elegant atmosphere, but then it is a thrilling horror film. This is just her deeper observation ability. The most wonderful thing is that she successfully shows the extreme cultural atmosphere of two different ends in Japan.
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