What influence does the development of photography have on painting?

The influence of the development of photography on painting

The influence of photography on impressionist painting is very famous in the history of art. Someone once said, "Impressionist painters are very obsessed with photographic expression". As can be seen from the following aspects, photography has a great influence on painting:

1. The contrast between light and shade of the object represented by the camera.

2. Free composition.

3. Simplification of background description.

All these come from 1, the impressionist painter's scientific attitude towards the essence of light; 2. Planarization distance method; 3. unaccustomed angle; 4. The clear processing of the picture end is shown in the figure. After Impressionism, the relationship between painters and photography became increasingly close. It is said that French painters and sculptors Edgar Degas Sille germain and Edgar (1834- 19 17) were fascinated by the pictures taken of animals. The critic Mr. Longkou Xiusan (1903 ~ 1979) said: "If Monet is an impressionist in the daytime, then Degas is an impressionist at night." There are a lot of data showing that both painters and photographers have it, and such examples are not uncommon. French artist Toulouse-Henri (1864- 190 1 Henri de Toulouse Lautrec) has a picture of him holding a camera happily, and many other celebrities are also keen on photography. My favorite is a photo of Been Aert Sala (1844-1923), and its content seems to be eternal at any time. From the end of Tokugawa to the Meiji period in Japan, a large number of foreigners took photos of Japanese customs in Yokohama at that time, which were about the size of postcards now, but were deeply engraved with history. Japan's "Yokohama Painting" combines photography and painting; There was once a photography with an axe; The painter Tadashi Asai's work The Farmer is obviously a photographic image of Japanese native products. In Japanese painting circles, there are many photo posts such as flowers and birds and maiko, which are used as painting materials. In modern times, Mr. Takehisa Yumiko's photo collection was published by Xinchao Society. The difference is that Sakutarō Hagiwara, as a poet, shot many works and included them. In addition, interestingly, Lycra cameras often appear in Mr. Junichiro Tanizaki's novels. Portrait-silver photography

impressionism

1839, Louis-Jacques-Mande-da Gail Daguerre (1789- 185 1) invented silver photography, which solved the problem of recording optical images for the first time. The silver plate photography created a photographic record of silver salt, which was recorded in detail in the history of painting.

More importantly, as early as before or at the same time, photos and paintings have a very close relationship. Daguerre and Nipps (1765- 1833), who are engaged in research together, have made greater contributions to printing. At that time, books such as travel notes were popular, and the market demanded more and more large-scale printing of sketches and portraits. In the past, a large number of professional painters were replaced by the rapid popularization of photography. Of course, this phenomenon has been strongly resisted by artists from all walks of life. As the first person in the art world, Auguste once asked the French government to ban the photography industry, but later asked his models to take photos in a studio in Daguerre, and finished his famous work Spring at 1856. Another French poet, Baudelaire Charles Pierre (182 1- 1867), once called photography "the devil's hand", and later asked Daguerre to take two portraits, which have been collected as precious image historical materials, enough to prove Daguerre's great achievements as a photographer who persuaded Baudelaire.

Photographic works of silver plate-scenery

Daguerre opened his own photography gallery in 1854, and 1860 was transformed into a salon. Quite a few celebrities have taken photos in Daguerre's photo gallery, such as Dumas, French writer Hugo and Victor Marie. Later, I successfully photographed the city of Paris from a hot air balloon. Some people even "ironically" said: "Daguerre sublimated photography to the height of art!" .

On the whole, the emergence of photography has made a large number of people who used to work in the painting industry unemployed, and a large number of people have begun to engage in photography-related revision, color and other industries. The most realistic problem is that quite a few painters will think that paintings similar to photography will lose their commerciality-some of them are of course valuable as works of art, which can be said from the general trend of society. Therefore, the impressionism represented by claude monet (claude monet 1840- 1926) began to appear. Photographer Daguerre's studio was originally a salon for famous artists from all walks of life, and it can be said that the impression of painting art came from here.

Monet's impression

1874, the first exhibition of Impressionism was held in Daguerre Studio. Monet's work "Impression" was exhibited here and was criticized by critics at that time. It is said that the name "Impressionism" came from this.

The emergence of photography technology makes similar photography paintings worthless. Compared with how to describe the writing object correctly and how to describe the author's "impression" on the writing object, many painting techniques are similar to photography. The works of Rembrandt and Vermeer mentioned above correctly reflect optics because of the introduction of scientific transition methods; I think impressionism also adopted a scientific method in the "color" of light. Of course, the artistic style and achievements of Rembrandt and Vermeer are the basis of all this.