Children's painting knowledge-ink painting-ink figure sketch

Ink figure sketch is the focus of figure painting teaching, which is not only the basis of cultivating figure modeling ability, but also an effective course to create pen and ink style of figure painting. Many wonderful figure paintings come from sketches, and observing sketches in the face of real people is more vivid than referring to photographic pictures.

1. Grasping shape: Characters write gods with shapes, and grasping shapes first is the key first step. Children's facial features are generally simple and easy to conceptualize. Crescent-shaped mouth, leaf-shaped eyelids, black eyes and cartoon characters have great influence on children. At the beginning of sketching, children look down on the objects of sketching, pay no attention to the characteristics, and draw characters according to the habitual concept. The result is similar, the same. To change this phenomenon, children must be taught correct observation methods and learn the ability to quickly grasp the characteristics of characters. People's eyes, nose and John Lone International Mouth all look the same if you don't observe them carefully, but people's appearance is still very different. If you find this difference, you will find out what is special and what is right. Describe the characteristics and grasp the shape of this person. The difference between people lies in the shape of the five senses, such as the size of the eyes, the length of the eyes, the hanging of the corners of the eyes, the changes in the position, distance and face shape of the five senses. These are the characteristics of this person. The focus of children's observation can start from one place, such as drawing eyes first.

The shape of eyes can exaggerate the five senses, thin eyes can be more slender, nose and mouth can be separated, and finally the size of the face can be arranged according to the position of the five senses. As long as we grasp the characteristics, we can further exaggerate and expand them to make them more obvious, so that there will be moderate deformation, which is what we expect, and deformation will have a taste. Children's deformation is natural and unconscious. As long as they are boldly encouraged to draw "ugliness", the exaggerated deformation of characteristics will naturally occur.

Painting: Yiming Zhou has a good grasp of form and a good sense of pen and ink. His head is slightly tilted, his eyes are up and down, his whole face is slightly deformed subconsciously, and the image of a lovely little girl is vivid.

Painting: The characteristics of teachers are obvious. The two children are easy to grasp, moderately exaggerated, and pen and ink modeling are also two completely different ways of expression. It is also outlined with lines. One is to walk around the whole body with a flowing and rhythmic pen tip and paint it with light color, which feels fashionable; One is to use moist light ink wet pen with rubbings to render, which is harmonious and unified, with bones and flesh, and quite contemporary aesthetic style. 2. Grasping God: Writing God comes from vivid images and changing pen and ink. Grasping expression is the most effective method. The expression is not necessarily exaggerated, and the inner temperament will be expressed through subtle expression changes. The most expressive parts are the eyes and mouth. Let children pay attention to these two points, focusing on description, the shape of eyes, the rotation of eyeballs, the opening and closing of mouth, and the ups and downs of corners of mouth. As long as we grasp one or two points, we will see something. The most important way to grasp the spirit is to make the pen and ink move. Plain pen and ink that is not bullish is a pool of stagnant water. Lack of clever pen and ink, even if the image is exaggerated, it will appear dull. The change of pen and ink in ink painting is the most effective way to grasp the spirit. Even if the image is slightly dull, pen and ink can condense the spirit.

Painting: The slightly open mouth, the eyes glancing to one side and the relaxed and agile lines constitute a lively and intelligent child image, and every detail presents a word "live". People draw vividly, and God has his own.

Painting: Head slightly lowered, eyes raised, corners of mouth smiling. There is no exaggerated expression, but it is more attractive than deliberate exaggeration. The child's spirituality comes from the potential light, which is fleeting and it is wonderful to keep it.

Painting: Wen Jing's wet pen and light ink changes are excellent, especially the treatment of virtual and real eyes, which captures the whole person's expression and allows him to see the subtle differences in an instant. Painting: the expression of characters has personality, and the language of pen and ink has personality. Li Beibei writes freely, and Tian Wen's pen is lightly folded, all of which can show the unique personality of this young painter.

Painting: Ma Xiaoyun has formed his own style, and the wet pen and ink can see the truth in the virtual, which can not only show thick and solid fierceness, but also show gentle and sweet warmth.