When the red makeup is scattered, the dust is flying and the half curtain is folded. The rainy night in Huashan lost this heart, and whoever dies in spring will return it. What is the meaning and arti

When the red makeup is scattered, the dust is flying and the half curtain is folded. The rainy night in Huashan lost this heart, and whoever dies in spring will return it. What is the meaning and artistic conception of this poem? Who wrote it? Li Pin, a friend of Hukou, wants to see the sunset in Hunan, and the shore reed can't meet Chutian. Go to the wild goose and rush to the clouds, dream of flying snow, and leave people alone on the Dongting boat. The wind and cloud turn around the mountain every day, and the stars and the moon are hanging on the water. Pieces of plum blossoms passed the residual wax, and the garden went home for the New Year. The author was born in Li Pin (8 18-876), whose real name is Dexin, and he was born in Changting, Tang Shouchang (now Lijia Town, Jiande). Children read poetry books, read widely and learn a lot. In the first year of Emperor Taizong's reign (847), Shou Chang ordered Mu Jun to visit Lingqi Cave, and he immediately recited a poem: "I was suspicious all the way to Ya Shuang. If you don't see the poor, you will sit for a long time. " After getting these four sentences, I didn't continue. At this time, Li Pin continued to chant: "There are bamboo shoots on the rocks and different flowers fall in the pool. I had to end up in a small room and come here to learn how to eat. " Mu Jun is very grateful. But according to historians, this poem was written by Li Pin himself. In the eighth year of Dazhong (854), he was a regular scholar, transferred to another school, served as the master of Nanling County, and was promoted to the martial arts county magistrate. Organize official camps frequently to appease the society, send official warehouses to help the victims, hire villagers to dredge the Liumen weir, and irrigate the fields by the old method. Tang Yizong was awarded Feiyi and Whitebait and transferred to Beijing as a consultant. Later, he was promoted to official and foreign minister. Soon, Ren Jianzhou (now Jian 'ou, Fujian) was the secretariat. Under the rule of law with frequent courtesy, it is deeply loved by the people. Jianzhou people reigned for three years (876). Jianzhou people mourned in the city and built Li Yue Temple to worship. Shou Chang was buried with the coffin in Yongle (now Li) and the official temple of the capital was built as a memorial. There are many lifelong poems, most of which are lost. In the third year of Song Jiaxi (1239), Jinhua was appointed as the magistrate of Jianzhou, and got 95 Li poems 195 from Jinghua Bookstore, which were compiled into poems. The Complete Poems of Tang Dynasty contains 208 poems by Li. In the summer of (90 1-904), his son transported his parents' coffins back to his hometown for burial. During the war on the way, he had to be buried in Wuzhou, Guangze, and his Houyi also settled in luster, which was called "Lishan Li" by the ancients. Li Pin's works include a volume of Li Yue Ji and an appendix. Zheng Xiulou, a Jian 'an man in the Qing Dynasty, once wrote a poem praising: "A thousand years ago, the Li family and two poets in the sky laughed hand in hand." Put Li Pin and Li Bai together. Farewell to the Mouth is one of Li Pin's representative works, which has been well received by poets in past dynasties. Li Pin's hometown, Shou Chang, Henan, has a Duguan Temple, and his new residence, Shimentang, has an ancient Lishan Temple. 1988 On the occasion of Li Pin's birthday 1 170, initiated by the County Historical Society, relevant departments raised funds to build the "Li Yueting" in Lingqi Cave Scenic Area, and set up the Li Pin Monument to let visitors to Lingqi Cave know about Li Pin's deeds. Appreciation: This is a farewell poem. "Lake" refers to Dongting Lake, where poets bid farewell to friends at the ferry from Xiangjiang River to Dongting Lake. Most of the poems describe the scenery, without hurting words, just separating a piece into the scenery. First, what I saw when I wrote Hukou in pairs: First, I saw the waterfront of Xiangjiang River and saw twilight, reeds and fields; Then look down at the clouds and dreams, but see flying geese; At first, I noticed that I was alone. The first three sentences of the poem are vast and magnificent. "Mid-stream wants to see the dusk of Hunan smoke", "Mid-stream" means the middle of the river, which is the open center of the river. At this time, under the cover of dusk, it is even wider. "The reeds on the shore are boundless and connected with Chutian", "Chutian" is a field, and Xiangjiang River Basin is the Chu land in the Spring and Autumn Period and the Warring States Period; "The vast reed on the shore" has a far-reaching meaning, and when it is connected with "Chutian", it is extremely vast and vast. "Go to the wild geese in the distance, go to the clouds and dream", which is a famous saying of osawa. In Hunan and Hubei, north of Dongting Lake, Meng Haoran once described its magnificence with "Clouds, Dreams and Valley Fog" (Zhang, Prime Minister of Dongting Lake), and here he used "Clouds, Dreams and Snow" to express a strange realm. After this painting was finished, I came up with the fourth question: "Leave people alone on the Dongting boat." As soon as this sentence came out, the scenery language became the love language. The dusk of flying snow is filled with a cold and depressing atmosphere; The four fields are vast, showing the loneliness of leaving people; Flying alone means the loneliness and hardship of a friend's journey. The author either sets off the front, sets off the back, or expresses his sadness by contrast. Here, the poet does not directly express his feelings, but only puts several groups of scenery in the same picture, so that they have internal relations and show a specific artistic conception through the picture. In this way, there are not only magnificent and vivid natural phenomena, but also profound inner group feelings, reaching the artistic realm of scene blending. The third link: "The wind and clouds are around the mountain, and the stars and the stars are hanging in the water." The phenomenon of writing about Dongting Lake is not real writing, but the imagination caused by "Dongting boat", so it is not timely, and "Dusk" and "Snow" are all gone. In other words, the waves in Dongting Lake are surging. At night, the Milky Way is bright and the sky and the lake are connected. Dongting Lake is vast and beautiful, but the poet's writing is not out of admiration for the miracle of Dongting Lake. Under the storm, he has always been alone. Therefore, his description of Dongting Lake reveals his concern for his friends' hardships all the way, and his daydream about hanging the Milky Way is his daydream about spending the night alone. The poet's whimsy is not directly expressed, but through the ingenious combination of two pictures and Dongting phenomenon before and after leaving the boat alone. The first couplet: "The scattered plums have passed the residual wax, so the garden belongs to the New Year." This means that my friends go home for the New Year, and I can't go back. "Scattering plum blossoms" is the poet's own situation and a scene. From the twelfth lunar month to the thought of plum blossoms, from "incomplete" to "scattered", the beauty of framing metaphor lies in natural euphemism. Although this couplet shows the poet's self-injury, it also shows the feeling of missing friends. Because the poet feels lonely, it is entirely caused by the separation of friends, so this kind of self-injury is the attachment to friends. Li Pin is good at describing natural scenery, and this poem is his masterpiece. Seven of the eight sentences in the poem describe the scenery, such as the twilight of Xiangjiang River, reeds and fields on the riverbank, flying snow and geese in a cloud dream, boating and staying people at the ferry, clouds in Dongting, the Milky Way, plum blossoms in the twelfth month, and so on. There is a so-called "subject and object" in poetry, with the subject as the center, and "things without subject are called five combinations" (Wang Fuzhi's Jiang Zhai Shi Hua). In this poem, the author puts the lonely boat away from people in the center and sets the scene layer by layer around this center; It also teased people from a lonely boat and connected many landscapes in series. Therefore, the whole poem appears orderly, prominent in the center, integrated with the scenery, different from the farewell poem that blindly makes sentimental words, and has a long and thoughtful charm.