The color problem in the movie?

The so-called color rendering you mentioned in the film should be controlled by the photographer during the shooting process. Film photography plays a vital role in the final color presentation. For example. Du Kefeng's control of light and shadow in Wong Kar-wai's films mainly comes from his mastery of light, and playing with light is an essential ability for a good photographer. As for the control of the diaphragm blade, it is not important, but the understanding of light is the most important. The way of lighting (whether live lighting or artificial lighting) determines the tone of the film. In addition, the colors presented to the audience also have artistic functions, and it is very important to serve the Tao.

This is the preliminary work.

After the film is formed, it is finally sent to the development and printing factory for final light distribution. This is a very important link, which ultimately determines the tone of the whole movie.

As for computer color correction, the best in China at present is. Da Vinci, the movie. But it's expensive.