How to repair the SLR effect of photos taken by mobile phones?

How to repair the SLR effect of photos taken by mobile phones? Taking pictures with a mobile phone is usually either black or white because of the light and tolerance. If funds are limited, shotguns can't replace cannons. You might as well learn the following tutorial today and make a very layered white sky with Photoshop. Although it is difficult to show the "shock" we want to express by taking photos with mobile phones, there are still ways to improve it: in essence, because the mobile phone camera is automatic, many parameter data are not perfect and correct, but we can make corrections and improvements later. I'll show you with my mobile phone in Xuanwu Lake in the center of Nanjing: it's easy to take pictures with my mobile phone. The sky is white; If you aim at the sky, the ground will be black: as long as there is a sky, it will be black below. As long as the ground is normal, the sky will be white. First, we need to take a "reasonable photo". Take out your mobile phone, touch the middle of the screen with your hand in automatic mode, focus on the lake, and then touch the photo button. (The automatic mode of my mobile phone already includes HDR. If not, you can turn on HDR. The original picture is like this: (Actually, it's a little dark. The key is the post-processing of the original image 1. Correct exposure. (avoid being too bright and too dark) 2. Correct horizontal line 3. Add colors as needed. First open this picture in PS, and press Ctrl+Shift+A to enter the camera window. We can see that the red circle is too dark and has no details. Pull the shadow option to the top: look at the sky again, it's basically normal, but we can darken the sky. Reduce the highlight and add a little white: add a little contrast, I usually don't touch it. Higher clarity, higher natural saturation and lower saturation. (I pulled it here casually. The principle is: be careful not to overflow. ) 20 15 The latest version of PScc has added the "anti-smog" option. It should consider the national conditions of China, haha! It's very practical, but there is no smog in this photo, so I don't need it for the time being. Click OK to return to Photoshop. View-new reference line-horizontal, drag the reference line close to the horizon and see that this picture is not horizontal: remember to calibrate the level when taking landscape photos. Turn the picture slightly to the reference line so that the horizon is horizontal. Then, the picture went blank. Don't cut (the field of vision will be small after cutting). Let's select the blank part: right click-Fill: select "Content Identification" to confirm that the blank part has been filled. Next, let's look at colors. Don't add filters to colors, think about what you want. In this picture, I think the dark clouds should be a little dark red and yellow. Light of this color will also be reflected into the water. The color of water is green. The color of the building remains unchanged. Ctrl+J copies the layer. Open the Adjust Curves panel. The highlighted part of the curve (in the red box) is red, which corresponds to the reflection of clouds and water. The low light part (in the blue box) corresponds to the green water surface, so the right curve is raised and the left curve is lowered. It makes the clouds and the water surface reflect red, and the water surface is blue. Let the dark places turn blue and the bright places (where clouds and water reflect) turn yellow. Merge the above two layers and drag the merged layer to the bottom. Then create a new mask for the upper layer: brush the luminous area of the cloud and the reflective area of the water surface with the softest black brush: generate the halo that should be at night. Let's make some adjustments in detail. At night, you can send a circle of friends by the lake, and you can see the shocking scene with the naked eye, but the mobile phone can't shoot directly. Therefore, in the later stage, photos can fully express the scene and convey the photographer's feelings to the audience at that time. However, due to the limitation of brightness, rotation and color intensity, one of the purposes of mobile phone photography is not to add anything out of thin air and to maintain authenticity.