Who can give me a comprehensive introduction to Jie Jiang's life words? Please be detailed (please don't know about copying in Baidu)

Song and Yuan poets. The word wins desire, and the number is Zhushan. Yangxian (now Yixing, Jiangsu) was born. The year of birth and death is unknown. Du Zong was a scholar in the tenth year of Xianchun (1274). When Song died, he felt the pain of national subjugation and lived in seclusion, and his integrity was called by people at that time.

Most of Jie Jiang's words are sentimental. He did not directly reflect the great changes of the times, but adopted the way of "writing the scenery of his hometown as gossip" ([female crown child]) to express his deep affection for his motherland in loneliness and sorrow. For example, "The flying warbler turns with the wind, so the garden has become autumn" ([high balcony]), "The moon stars are full of clouds, and you can see where the vast universe is" ([He Xinlang]), "Even if you dream, you can't dream, and the cold water is empty" ([Plum Introduction]) and so on. They all contain the sadness that mountains and rivers change color and have no place to live. Through Listening to the Rain, Yu Meiren summed up the author's different feelings in three periods: youth, maturity and old age. Feelings of home and country are extremely painful. Among them, the sentence "Listen to the rain in the prime of life, and the wild geese in the river are called the west wind" is particularly tragic and desolate. But his poems are not all gloomy, and sometimes they can inspire, broaden the artistic conception and present gorgeous colors. For example, "Autumn Dawn" written by [He Xinlang] and "Wan Li plays the flute and hates Jiangnan" are decorated with blue and white flowers and red dates in the courtyard with yellowish moonlight, and then pushed to the faint prospect of white geese crossing the sky and Chushan, so that the sadness and depression expressed in the text will not be excessively suppressed. When I cut prunes, I wrote "The boat crossed the Wujiang River", in which "The wind fluttered and the rain rustled" and "The cherry was red and the banana was green" also diluted the sad atmosphere of mourning for the past. Therefore, Zhou Ji called it "awesome if you think deeply" (Selected Poems of Song Sijia). Of course, this is also inseparable from its word "subtle words, harmonious tone" ("Siku Quanshu Catalogue"). There are great differences in the comments and introductions of Zhushan Ci. Those who are relegated, such as Feng Xu, think that their words are "vulgar" and "unworldly" ("Sixty-one Selected Poems of Song Dynasty"); Chen Tingzhuo even thinks that among the poets in the Southern Song Dynasty, "Zhushan is no matter what" ("Baiyuzhai Thorn"). That is measured by the words of Jiang Kui and zhangyan, which is really biased. Liu Xizai's view is the opposite. He said: "Jiang Zhushan's ci is not very smooth and natural, but after careful washing, his ci is more fruitful." His ambition is to see Meixi more chaste, and his thoughts are clearer than his dream window. Liu Wenfang (Liu Changqing) is the Great Wall of Five Words, and Zhushan is also the Great Wall of Long and Short Sentences. " Yi Jian called Zhushan the Great Wall with long and short sentences, which is a real reputation, but he fully affirmed Zhushan's ci from the aspects of word quality and word form, which is quite insightful.

In a word, Zhushan Ci became a great master in the Southern Song Dynasty with its rich ideological content and diversified creative methods and styles.