The basic principles of gestalt psychology aesthetics. Give examples. /kloc-more than 0/000 words

Montage is the general name of film composition forms and methods.

Simply put, montage is to make a film into many shots according to the content of the film and the psychological order of the audience, and then connect them according to the original idea. Bottom line: Montage is a means to connect the cut lens groups.

The theory of using gestalt psychology to study the perceptual process and aesthetic characteristics of moving images and movies. Gestalt psychology, also known as gestalt psychology, was founded by German psychologists Max Witt Hamo, Mi Kohler and K Kaufka. Studying conscious experience and human behavior, we think that conscious experience forms a gestalt-gestalt, emphasize the positive role of the subject in the process of perception, oppose the elemental analysis, stimulus-response formula and reflection theory of psychological phenomena, and put forward "psychological field" and "physical field". Gestalt psychology attaches great importance to the study of art, especially visual art. The German psychologist Hugo Mü nsterberg's Movie: A Psychological Study (19 16) and Victor Hamo's Experimental Study of Moving Images (19 17) use gestalt's. Gestalt psychology also uses psychological categories such as attention, memory, imagination and emotion to explain the close-up, change of perspective, editing form and narrative structure of the film, and uses "voluntary deception" to explain the "psychological game" in which the audience agrees with the screen image. Rudolf Einheim, a German psychologist, systematically studied the genetic factors of visual expression in his book Film as Art (1932), and put forward the theory of "partial illusion" according to the theory of mental structure ability emphasized by Gestalt psychology, advocating the artistic expression of silent films. (See The Theory of Local Illusion) Film Aesthetics and Psychology by French film theorist jean mitry also uses the aesthetic holism principle of Gestalt psychology to study film elements such as images, panoramic shots, subjective shots, depth-of-field shots, moving shots, colors, montages and music.