Is the Puppet Manchukuo Palace Museum worth seeing? Is the Puppet Manchukuo Palace Museum good to see?

The Puppet Manchukuo Palace Museum is a place worth visiting. Many friends know the City Museum. When you come to Changchun, you will find that there is another museum like this. So the editor will share it with you below. .

Is the Imperial Palace Museum of the Puppet Manchukuo worth seeing?

When you arrive in Changchun, there is some history that you must understand. The best way to learn about the history of a city is through museums.

Museum is a microcosm of a period of history and a restoration of culture.

On the second day of our trip to Changchun, we went to two museums.

Puppet Manchukuo Palace Museum, a national first-class museum.

During the 1911 Revolution of 1911, the young Puyi was kicked off the throne of the emperor. In 1924, he was kicked out of the Forbidden City by Feng Yuxiang. After that, Puyi rested in the Jingyuan in Tianjin. Later, in 1931, He was persuaded to go to the Northeast by Japan's spy chief Kenji Doihara.

In Changchun, the Japanese built him a palace.

Let’s take a look at the secrets hidden in the “Palace” of the last emperor-Aisin Gioro Puyi.

Enter the palace from the main entrance.

This place does not feel like a palace at all, but more like a government agency. Just like this history, everything here is fake. This palace is a prison where the emperor is under house arrest; this emperor is the puppet of the invaders; this invader is a hypocritical gesture of redemption; this redemption has left indelible scars that still hurt.

We will also see later that Puyi "wore a yellow robe when he ascended the throne, which looked like an improved Japanese military uniform."

Jixilou, you already have 110 years of history . This is where Puyi lived with his queen and concubines. "Jixi" means keeping the light. Puyi spent 13 years, 4 months and 8 days here.

This is the place where Puyi lived. One of Puyi's wives lives in a room on the first floor. Many people know that Puyi's queen is called Wanrong and his concubine is called Wenxiu, and this room lives in his third wife, named Tan Yuling. < /p>

Tan Yuling was originally from the Manchu Tatar clan. After the Revolution of 1911, she changed her surname to Tan. It can be seen from her hairstyle and clothing that she was an educated girl. She was born in 1920 and 1937. She was only 17 years old when she entered the palace. When she was named Xiangguiren, she had short hair and wore a popular cheongsam. Although she was young, Tan Yuling was smart, steady, generous and decent. Puyi liked him very much. p>

There is a legend in the outside world that Tan Yuling was Pu Yi's love.

Until the founding of New China, Pu Yi was already a legal citizen with a Beijing household registration, and he still carried it with him. Photo of Tan Yuling.

In 1946, when Puyi appeared in court for the second time to testify at the International Military Tribunal in Tokyo, Japan, he said:

“She often said to me that she had no choice but to do so now. Be patient, wait until the day of freedom comes, and then take back Manchuria from the Japanese. However, she was killed by the Japanese!"

Many years later, when Puyi wrote "The First Half of My Life", he also insisted on this point of view: "The cause of her death is still a mystery to me. Japanese doctors treated Tan Yuling, but unexpectedly, she died suddenly on the second day of treatment. ”

Afterwards, people in the palace recalled that the reason why Puyi believed that the Japanese killed Tan Yuling was because the Japanese deliberately arranged for a Japanese woman to be given to Puyi, but they were rejected. Soon, he left from Beijing. Received Tan Yuling.

Until his death, Puyi insisted that the Japanese killed Tan Yuling, who died at the age of only 22.

It was not until the grand funeral was held for Tan Yuling that many people knew that there was such a nobleman in the palace;

And until now, many people do not know that there is still someone beside Puyi There is a loving wife named Tan Yuling.

Everyone has a regret in his heart, and there is someone in his heart that he cannot let go of. But later, whether it was Puyi who fled, Puyi who was imprisoned, Puyi who became a citizen, or Puyi who remarried, they did not let go of Tan Yuling.

In September 2006, the Aijueluo people buried Tan Yuling's ashes. Puyi's tomb was moved from the Puppet Manchukuo Palace to Yi County, Hebei Province. This was Puyi's last wish: to be buried together with Tan Yuling.

After talking about Tan Yuling, let's take a look at another important moment in Puyi's life. The residence of the woman Wan Rong.

Wan Rong, born in November 1906, is a Scorpio. Wan Rong's home is in Mao'er Hutong, Dongcheng District, Beijing. The hutongs are amazing. They are right next to Nanluogu Lane. There are so many old hutongs in Beijing. Among the ten most famous hutongs, Maoer Hutong is among them, and many people have lived on this street. There are historical celebrities who worshiped Wenquxing, a courtyard that we couldn’t enter, and a private garden that imitated the Humble Administrator’s Garden and the Lion Grove in Suzhou

It’s endless if I go on like this. Wanrong's family, this place, is very powerful.

Wanrong's father is a minister with an open personality. Wanrong has been educated about gender equality since she was a child, and cultural knowledge is important for girls. Very important.

Therefore, Wanrong, who had read a lot of poetry and books, was good at playing chess and music, proficient in calligraphy and painting, and could also speak fluent foreign languages.

However, her fate was not smooth sailing because of her excellence.

When Wanrong entered the palace to become queen in 1922, the Chinese nation, which was making great strides, had already moved from a national monarchy to a state of peace ten years before her, so Wanrong, the queen, was really just a name for herself.

In the second year after Wanrong entered the palace, Feng Yuxiang launched the "Beijing Coup", and Wanrong and Puyi were expelled from the Forbidden City. The young Puyi did not know at the time that as soon as the door behind him was closed, he would have to pay for the ticket if he wanted to go in again.

When Wanrong stayed with Puyi in Jingyuan, Tianjin, she became addicted to opium. From then on, opium became a more important spiritual sustenance than her husband.

At that time, Wanrong was in her early twenties, young and energetic, the age when girls love to "make things". In Jingyuan, Wanrong lived a luxurious and unrestrained life, and she would treat her as a concubine from time to time. Wenxiu insulted and ridiculed him, and Wenxiu urged Puyi not to believe the Japanese deception. Puyi ignored him, which eventually led to Wenxiu suing for divorce.

So, Wenxiu had divorced Puyi in Tianjin, and there was no Wenxiu residence in Changchun.

Changchun was the turning point in Wanrong’s life. She did not expect that after being lured by the Japanese to the Northeast and becoming the "Queen of the Puppet Manchukuo Kingdom", she would be imprisoned and would never be free again.

In Changchun, Wanrong was placed under house arrest by the Japanese. She tried to escape several times but failed, and finally gave up on herself.

In 1945, the Soviet Union captured Manchuria. Wanrong was captured after fleeing to Tonghua. The following year, she died in prison. So far, Wanrong's body has not been found, and the date of her death is not very clear. The number June 20, 1946, is only a date speculated based on the memoirs of relevant people.

Her husband, Puyi, learned of her death several years later, but his reaction was calm as usual.

There is a kind of sadness called the ruthlessness of the emperor's family; there is a kind of regret called the calmness of the heart.

The right side of the second floor is Puyi's living room. The barber's room here is a very important place, because the emperor's hair cannot fall to the ground. After cutting, it must be wrapped in golden cloth. In addition, there are Buddhist halls, restrooms and traditional Chinese medicine warehouses. All of this is the epitome of Puyi's life character: he loved fortune telling, was cautious in being alone, and had a medicine-cup physique.

Chengguang Gate, when Puyi met with important people, he would take photos here and publish them in newspapers to inform the people, so this was the most familiar gate to people at that time.

The throne where Puyi held his third "enthronement" ceremony in Qinmin Tower. And before that, they signed the "Japan-Manchuria Protocol" and handed over the sovereignty of Northeast China to the Japanese invaders.

This car is amazing. It is a black Parker sedan, Puyi's private car. It was made in the United States around 1930. The luxurious and fashionable 180-type 8-cylinder model was leading the world at that time. This car is very valuable today because the car company went bankrupt in 1956, and now it is an orphan, the only one in the world. It has been well maintained and can still be driven.

This palace opened our eyes. The Western lifestyle that Puyi liked is all available here, including a billiards hall, swimming pool, flush toilet, and movie theater. It can be said that you can move in with just your luggage and WiFi in Ontario.

It feels like a large five-star hotel. It has everything, but it doesn't feel like home.

Puyi lived half his life without a decent home. It was only after the founding of New China that he had a stable life. Looking back over the years, it is so sad.

Changchun Film Studio

Changchun Film Studio plays a pivotal role in the history of Chinese film and even in the history of modern China.

How important it is can be said this way -

Changchun Film Studio is the epitome of the historical development of New China's film and the cradle of New China's film.

The Chairman Mao at the door seems to have stood here in 1968. He has been standing here quietly for half a century since the people took 4 months to spontaneously create him.

This place was previously called "Manchu Pictures Co., Ltd." and the staff called it "Manchu Pictures Tower". When the Japanese built it, the main purpose was to assimilate the Chinese through movies and pictures. Later, it became It became criminal evidence for their attempt to annex China.

As soon as you enter the building, the art of light and shadow hits you.

The mosaic tiles on the ground are the logo of the Japanese Black Dragon Association. The 70-year-old mosaic is now sealed with transparent glass.

After the victory of the Anti-Japanese War, this building returned to China. Since then, it has become the cradle of Chinese films, made great contributions to the films of New China, and is highly valued by the country.

Walking in the Changying Site Museum is like stepping into a time machine. These images seem to be flowing, taking us back and forth on the big screen of history.

Many people may not know that this place started out by making documentaries. Since I personally like documentaries, I have a strong interest in the Changying Site Museum.

During the War of Liberation, the photography team here went deep into the front lines and rural areas, risked their lives to collect a large amount of historical materials, and produced a dozen episodes of the documentary "Democracy in the Northeast."

The father of the famous comedy artist Chen Peisi, the famous performing artist Chen Qiang, dedicated his screen debut to Changying.

In fact, many of the movies we are familiar with are produced by Changying, such as "The White-Haired Girl", "The Party's Daughter", "Shangganling", "Middle Age", "Visitors from the Iceberg" ", "Two Palaces of Empress Dowagers", "Founding Ceremony of the People's Republic of China", "Tang Minghuang"

In the Changchun Film Site Museum, there is a road that I call the "Light and Shadow Corridor".

Short to be less than 100 meters long, this corridor uses the technology of light and shadow to the highest level. Walking in it, you feel like you are visiting an art exhibition, looking at the light and shadow stories on both sides of the wall, and traveling into the world. Participated in one film festival after another.

The most amazing thing is that when you reach the end, you will find that the road in front of you is stretched out in the image. The people in this image come from a distant yesterday, but they seem to be by your side.

In 1949, Changying put the working class on the screen for the first time. It has a milestone significance in the history of film and television in our country.

In addition to learning about history, there are also many experience projects here. There are hundreds of movies to play at will, explanations of movie stunt knowledge, movie production process explanations, simulated dubbing, miniature landscapes and many other items to experience.

Friends who are interested in movies must come here.

What I am most interested in is the prop library. Every old object here makes me nostalgic and stop. In my opinion, this prop library is a "historical old objects exhibition hall" or a "folk custom exhibition hall." ", divided into categories, dizzying, but unfortunately the time was limited, and when I finally left, I was reluctant to leave.