Xu Qi’s personal remarks

In the 1980s, the new generation of photographers liked to use irregular compositions when organizing pictures, and used bold and eye-catching colors. For example, Zhang Yimou's "One and Eight" shocked Xu Qi. His use of scenery, color, composition, and tone were completely different from those of the older generation, but they were very consistent with the plot and theme of the film. However, some films by fifth-generation directors are too fond of deliberately breaking the balance of the composition, combining extreme shots such as long shots, close shots, and close-ups. In terms of light and shadow, the contrast between high-profile and low-key is also intentionally increased, rather than emphasizing the reality of the scene and the basis of life. Xu Qi does not like this shooting style.

For example, is the irregular composition required by the plot, or does the director and photographer deliberately create a style? When the audience sees this kind of picture, do they feel comfortable or awkward. If it is purely for the pursuit of distinctive visual effects, regardless of the requirements of the script or the audience's feelings when watching the movie, that is not what Xu Qi wants to pursue.

In short, Xu Qi believes that there are two issues that a photographer must take into account when creating. One is to consider the director’s conception, plot, character, theme, and style; the other is We must consider the audience's appreciation and make it comfortable, smooth and pleasing to the audience.